人生如一曲随缘的旋律，随心所欲，随遇而安——这便是生活的哲学所在。在这纷繁复杂的世界中，让我们以一颗随性之心，探寻生活的真谛。

Life is like a melody that flows with circumstances, following one's desires and finding peace with whatever comes along – this is the philosophy of life. In this intricate and complex world, let us explore the true essence of life with a carefree heart.

1. 命运给你带来贵人，那就扶摇直上。

1. If fate brings you a benefactor, then rise swiftly and directly.

2. 其次，我觉得阿廖沙是一个对外面的世界充满好奇的孩子，也就是说对自由生活的热烈追求。在本书第七卷中写到了小主人公常常受到整条街上孩子们的痛打，通常是鼻子被打出了血，嘴唇也被打破，脸上到处是青一块、紫一块的，浑身都是土。外祖父下了禁令不许他再跑到街上去了。如果大街上静悄悄的，大街对他就不那么有吸引力了，可是一听到孩子们快乐的喧嚷声，他就顾不得外祖父的禁令，从院子里溜出去了。可见，阿廖沙也是一个比较贪玩的孩子，我还可以再举一个例子。在本书的最后，作者写道：从开学的第一天起，学校就引起他的厌恶，因为教师和神甫都不喜欢他，后来神甫让他退学，不过这并不使他伤心，他离开了学校，一直到放学之前都在镇上的几条肮脏的街上闲逛，细细地察看镇上的喧闹的生活。尽管如此，但作者又是一个知错就改、善于听取别人意见的人。后来学校来了一个叫赫里桑夫的主教，他认真地跟小主人公交谈了一番，使他十分激动，所以也就表现得比水还要安稳，比小草还要顺从。

2. Secondly, I think Alyosha is a child full of curiosity about the outside world, that is, a passionate pursuit of a free life. In the seventh volume of this book, it is mentioned that the young protagonist is often beaten by the children on the entire street, usually with his nose bleeding and lips broken, with bruises all over his face, and covered in dirt. His grandfather issued a ban not to let him run out into the street anymore. If the street is quiet, it is not as attractive to him, but as soon as he hears the joyful shouting of the children, he ignores his grandfather's ban and sneaks out of the yard. It can be seen that Alyosha is also a rather playful child. I can give another example. At the end of the book, the author writes: From the first day of school, the school has aroused his aversion because both the teachers and the priest did not like him. Later, the priest asked him to drop out, but this did not make him sad. He left school and spent the time before school was over wandering around the several dirty streets of the town, carefully observing the noisy life of the town. Despite this, the author is also someone who knows when to correct his mistakes and is good at listening to others' opinions. Later, a bishop named Khrisanov came to the school and had a serious conversation with the young protagonist, which excited him greatly, so he became even more stable than water and more compliant than grass.

3. 从这个被真实记述下来的历程中，我们可以看出少年时代的高尔基对自由的热烈追求。

3. From this real account of the journey, we can see the intense pursuit of freedom by Gorky during his youth.

4. 弘一法师曾言：“无论男女，姻缘千万不要去求，因为世上的东西，都是有因果的，是你的不用求，他迟早会到来；不是你的你还要，就是在消耗你的能量。你要相信有缘躲不开，无缘碰不到，缘起则聚，缘灭则散，做到随缘而至，烦恼自会散去。”

4. Master Hongyi once said, "No matter if you are male or female, you should never seek out marriage, because everything in the world has its cause and effect. If it's meant for you, there's no need to seek it; it will come sooner or later. If it's not meant for you and you still pursue it, you are only wasting your energy. You should believe that those with a destined connection can't escape it, and those without can't meet it. When the connection arises, they gather; when it ends, they disperse. By being at ease with the changes in fate, your troubles will naturally dissipate."

5. 寄蜉蝣于天地，渺沧海之一粟。哀吾生之须臾，羡长江之无穷。

5. To cast a gnat into the heavens and the earth, a single grain of sand in the boundless sea. I mourn the fleeting nature of my life, and envy the endlessness of the Yangtze River.

6. 描写法。描写法即借助于某种修辞或某种描写技法，通过对景物的描写，渲染气氛，烘托氛围，为下文人物或事情的开端做好衬托铺垫。这种方法对记叙文、散文、议论文尤为有效。如2002年高考优秀作文《昭君的选择》一文开头写道：“深深的围墙，明眸的宫女，沉寂的粉蝶，慵懒的梳妆，犹如宫廷的车轮，在昭君的心里缓缓辗过。”文章开头用了四个偏正式的短语，形式工整，用词雅致，描写人物性状的修饰语，形象准确地揭示了人物的特征，为下文昭君明智的心灵选择作了渲染和烘托，使开头的描写和文中的事件有着很好的映衬。又如1997年的全国大作文，有人在题为《白云，水滴》的文章中写道：“蓝蓝的天上飘着一朵白云，白云里是一颗颗的小水滴，是谁让白云高高飘起？是那些小水滴，你挽着我，我挽着你，共同营造那一份自由和飘逸。”文章以比喻开篇，拟人相衬，设问提起，语段极富诗意，为下文比喻我们的社会是一片白云，每个成员是白云中的一个分子张本，启示我们应该共同营造美好的环境。

6. Description Method. The description method refers to the use of certain rhetorical devices or descriptive techniques to create atmosphere and set the mood through the depiction of landscapes, thereby preparing a backdrop for the introduction of characters or events in the subsequent text. This method is particularly effective in narrative essays, prose, and argumentative essays. For example, the opening of the excellent college entrance examination essay "Zhaojun's Choice" in 2002 reads: "The deep walls, the bright-eyed palace girls, the silent pink butterflies, the lazy dressing, as if the wheels of the palace are slowly rolling over in Zhaojun's heart." The opening uses four attributive phrases, with a neat form and elegant wording, adjectives that describe the characters' traits, and an accurate and vivid depiction of the characters, setting the stage for Zhaojun's wise choice of the mind in the following text, and creating a good contrast with the events in the story. Another example is a national essay contest in 1997, where someone wrote in the article titled "White Clouds, Water Drops": "A white cloud floats in the blue sky, and inside the cloud are countless tiny water droplets. Who makes the white cloud float so high? It's those small water droplets, you holding me, and me holding you, together creating that sense of freedom and elegance." The article begins with a metaphor, uses personification for contrast, raises questions, and the paragraph is full of poetic language, laying the groundwork for the subsequent metaphor of our society as a white cloud, with each member being a molecule in that cloud, and inspiring us to collectively create a beautiful environment.

7. 作家余华说：“精神内耗，说白了，就是自己心里的戏太多，言未出，结局已演千百遍；身未动，心中已过万重山；行未果，假象苦难愁不展；事已毕，过往扔在脑中演。”

7. Writer Yu Hua said: "Spiritual consumption, in a word, is all about having too many plays in one's own heart; the words have not been spoken, but the ending has been played out a thousand times; the body has not moved, but the heart has already crossed a thousand mountains; the act has not been realized, and false images of hardship and sorrow unfold; once the matter is over, the past is discarded in the mind and played again."

8. 科学家的选择。这样一开头便三言两语直接引入下文。又如2002年高考优秀作文《智慧和思想一一我的选择》一文开头写道：“在完成中学学业之后，我收到了三所大学的招生简章，我必须做出一种神圣的选择。”作者直截了当，言简意赅，以总述引起下文，为下文自己如何在“财富大学”、“权力大学”、“智慧大学”三者之间进行抉择作了总引入。

8. The Choice of Scientists. Such an opening directly leads into the following text with a few words. For example, the opening of the excellent college entrance examination essay "Wisdom and Thought – My Choice" from 2002 reads: "After completing my high school education, I received admission brochures from three universities, and I had to make a sacred choice." The author is straightforward and concise, using a general statement to introduce the following text, providing an overall introduction to how the author made a choice among the "Wealth University," "Power University," and "Wisdom University."

9. 人物亮相法。在写人叙事的文章中，为感召读者，有时可运用特写镜头，让人物自我亮相，以收到未见其行先见其人，吸引读者注意力的目的。如2001年的高考佳作《岂可抛弃我——诚信自述》的开头写道：“在下姓诚名信，字不欺。伴宇宙而生，赖人心而存，上可溯古，下可耀今，远可助邦交，近可亲友朋。”文章开头毛遂自荐，交待姓氏、出生背景和独特个性，拉近作者与读者之间的距离，借道白表达内心，点化文章主旨。

9. The Technique of Character Introduction. In articles that focus on storytelling about people, to inspire readers, it is sometimes possible to use a close-up shot, allowing characters to introduce themselves, in order to achieve the effect of seeing the person before their actions, attracting the reader's attention. For example, the opening of the excellent college entrance examination essay from 2001, "Can I Be Abandoned - The Self-Declaration of Trust," writes: "I am named Cheng Xin, a person of unwavering integrity. Born with the universe, I exist by the people's hearts, I can trace back to ancient times, I can shine in the present, I can help with international relations from afar, and I can be a friend to my relatives and friends nearby." The beginning of the article introduces the character like a self-promotion, explaining the surname, background of birth, and unique personality, narrowing the distance between the author and the reader, expressing the innermost thoughts through colloquial language, and clarifying the main theme of the article.

10. 车尔尼在面试的时候弹的《热情奏鸣曲》就是贝多芬抗争的产物，创作这首乐曲的时候，贝多芬刚刚来到维也纳不久，换作别人的话，一个外地来的音乐家，年龄还不到30岁，肯定会先了解一下本地的所谓前辈们都是什么状况，不会很轻易的就弄出来和当时的音乐环境反差特别大的作品，但贝多芬他是并不在乎这些，他就像罗曼罗兰笔下的约翰克里斯朵夫那样。

10. The "Appassionata Sonata" that Czerny played during the interview was a product of Beethoven's struggle. When he composed this piece, Beethoven had just arrived in Vienna for a short time. If it were someone else, a外地 musician who was not even 30 years old, they would definitely first get to know the situation of the so-called predecessors in the local music scene. They wouldn't easily come up with a work that starkly contrasts with the musical environment of the time. However, Beethoven didn't care about these things at all. He was like the John Christophe portrayed by Romain Rolland.

11. 但在其间，他也受到了外祖母的疼爱与熏陶，这使他倍感温暖。此时现实生活中的善与恶，爱与恨已经在他幼小的心灵留下深刻的印象。十一岁，阿辽沙的母亲去世，外祖父也破产，他只得独立谋生。他当过鞋店活计，洗碗工人，也当过小佣人。无论在哪里，他都担负着一个孩童难以胜任的劳动，受尽屈辱，饱尝辛酸，切身体会到劳苦大众的非人生活，开始模糊认识到沙皇专制制度的反动本质，进一步了解并更加痛恨市侩生活，同时也发现了劳动人民具备纯朴善良、吃苦耐劳等优良品质。此时书籍打开了他的眼界，为他展现了一个奇妙的新世界，诱使他渴望新的生活，对他的成长起着重大的作用。

11. However, during that time, he also received the love and influence of his grandmother, which made him feel very warm. At this point, the good and evil, love and hate in real life had left a deep impression on his tender heart. At the age of eleven, his mother, Alexandra, passed away, and his grandfather also went bankrupt, forcing him to make a living independently. He worked as a shoe shop worker, a dishwasher, and also as a little servant. No matter where he was, he bore the burden of labor that a child could not handle, endured humiliation, and tasted bitterness, experiencing firsthand the inhuman life of the working class. He began to have a blurred understanding of the reactionary nature of the tsarist autocratic system, further understanding and hating the peddler's life, and also discovered the excellent qualities of the working people, such as simplicity, kindness, and endurance. At this time, books opened his eyes, showing him a wonderful new world,诱使他渴望新的生活，and played a significant role in his growth.

12. 我们无法改变自己的命运，但可以改变自己对待命运的方式，心平气和的接受生命中发生的一切，乐观豁达的过好当下的每一天。

12. We cannot change our fate, but we can change the way we respond to it. We can calmly accept all that happens in life and optimistically and generously enjoy every day in the present.

13. 在这个寒假里，我读了著名前苏联俄罗斯作家高尔基写的三部自传体小说之一《童年》。

13. During this winter vacation, I read one of the three autobiographical novels written by the renowned former Soviet Union Russian author, Maxim Gorky, titled "Childhood."

14. 你喜欢的人未必喜欢你，你不喜欢的人，有可能会喜欢你，很多关系就是一个悖论。对于生命中出现的人，我们只能选择万事随缘。跟你有缘的人，自然会出现在你的生活里。跟你无缘的人，怎么求也求不来，缘起则聚，缘灭则散，随缘而至，烦恼自无。

14. The person you like may not like you back, and the person you don't like might just like you. Many relationships are paradoxes. For the people who appear in our lives, we can only choose to let things unfold as they may. The people who are meant to be in your life will naturally appear. Those who are not meant to be will not come no matter how much you seek them. When the cause arises, they come together; when the cause ceases, they scatter. Follow the flow of destiny, and worries will naturally disappear.

15. 我们与高尔基唯一的不同就是没有他的特殊经历，但事实上他也有着与我们不一样的经历，我们也有着与他所不一样的财富。但现在的青少年却不明白他们的童年是何等的高贵，何等的宝贵！在他们心中也许只有游戏机、肯德鸡、阿迪达斯菜市他们的童年，他们“所谓”的童年！

15. The only difference between us and Gorky is that we don't have his unique experiences, but in fact, he also had experiences different from ours, and we have different wealth from his. However, today's teenagers do not understand how noble and precious their childhood is! In their hearts, perhaps all they have is video games, KFC, Adidas markets, their "so-called" childhood!

16. 巧用揭示主旨的题记①没有树的伟岸，但你可以有草的翠绿；没有牡丹的娇艳，但你可以有小野菊的洒脱……生命，可以不灿烂，但必须伟大！题记蝶曾是个美丽善舞的女孩。她一头披肩的长发，她窈窕的舞姿，曾给她带来了如雷的掌声与无数的鲜花，她曾被别人赞为中国将来的邓肯……然而，一切结束了，命运之神永远将她按在了轮椅里。生命暗淡了，寂静了，“白天鹅”变为无人关心的丑小鸭。多少次，她梦见自己穿上了水晶鞋，继续她的追求，可醒来时只听见“凄凄惨惨戚戚”的冷漠秋风。（《星星夜话》）②如果你失去了金钱，你只失去了一小部分；如果你失去了健康，你只失去了一小半；如果你失去了诚信，那你就几乎一贫如洗了。题记何为“诚信”，诚实、守信是也。综观历史，这“诚信”二字浸透了多少人的血泪啊。（《是谁在赞美皇帝的新装》）

16. Skillfully Using the Theme Revealing Quote ①Without the grandeur of trees, you can have the verdant green of grass; without the delicate beauty of peonies, you can have the carefree elegance of wild chrysanthemums... Life can be unbrilliant, but it must be great! The quote butterfly was once a beautiful, graceful dancer. With her long hair cascading over her shoulders, her graceful dance moves once brought her thunderous applause and countless flowers, and she was once praised as China's future Duncan... However, everything ended, and the goddess of destiny forever confined her to a wheelchair. Life dimmed and grew silent, the "swan" becoming an ugly duckling with no one to care for. How many times has she dreamed of herself wearing glass slippers, continuing her pursuit, only to wake up to the cold, desolate autumn wind that "wails and moans in sorrow." (Stars in the Night) ②If you lose money, you only lose a small part of yourself; if you lose health, you only lose half of yourself; but if you lose integrity, you are almost destitute. What is "integrity"? It is honesty and trustworthiness. Throughout history, these two characters "integrity" have been soaked in the blood and tears of how many people. (Who is Praising the Emperor's New Clothes)

17. 我们像浮游一样，生命短暂，像沧海一粟一样，卑微渺小。一辈子弹指一挥间，徒然羡慕长江流水的无穷无尽。

17. We are as fleeting as plankton, our lives short and as insignificant as a single grain of sand in the vast ocean. A lifetime passes in the blink of an eye, vainly envying the endless flow of the Yangtze River.

18. 巧用诗文显诗意①翻开灿若银河的唐诗宋词，数不胜数的当算离别诗了，王勃壮怀高歌：无为在歧路，儿女共沾巾。柳永则声情哀怨：今宵酒醒何处？杨柳岸晓风残月。江淹却千帆过尽一言蔽之：黯然销魂者，惟别而已矣。还有人捶胸顿足：扬鞭哪忍匆匆！当今又有汪国真低吟：人生一瞬百年，哪堪去去还还。无论身在何处，只祈如水如船。又来了席慕蓉温柔的警语：如果离别能够勾起我们因聚在一起而引起的疏忽的细节，离别真的不好吗？如此种种情思，真是美不胜收。涵咏不同时代不同人生的感悟，会让你有意外的收获。（《万象人生坚守自我》）②美是什么？我知道，美是地平线上升起的第一道曙光，美是秋天里比火更炽热的枫叶，美是黄昏的沙滩上疾行的丹顶鹤，美是大草原上驰骋的梅花鹿……鲍姆嘉通同意我的说法，并补充道：“美是感性认识，研究美学即研究感性认识的科学。”可康德却愤怒地瞪着我说：“片面，美是人类纯形式的主观感受，与事物本身毫无关系。我劝你还是看一看我的《判断力批评》。”我很虚心，认真仔细地研究了他的关于情感的美学著作。我正在为我的玄虚而洋洋自得时，黑格尔却泼给我一盆冷水：“不对，美应该是人类本质的外化。”接着，他就洋洋自得地谈起了他的美学理论。正当我丈二和尚摸不着头脑的时候，马克思在我旁边耳语道：“别听他的，他乾坤颠倒，是非不分，你千万别掉进唯心主义的泥坑里。美其实应该是人类本质与自由形式的统一。”美究竟是什么？我决定离开莫衷一是/td>

18. Skillfully Using Poems to Express Poetic Feelings ① Turning the pages of the brilliant poems of the Tang and Song dynasties, the countless ones must be the farewell poems. Wang Bo boldly sang: There is no need to linger at the crossroads, for children and young men are all in tears. Liao Yong expressed his sorrow: Where will I be when the wine wears off tonight? By the riverside, the dawn breeze and the waning moon over the willows. Jiang Yan summed it up with a single word: The only thing that can黯en the soul is parting. Some people even pounded their chests and sighed: How can I bear to leave so quickly! Today, Wang Guozhen softly whispered: Life is but a moment in a hundred years, how can I leave and return repeatedly. No matter where we are, we only wish to be like water and a boat. Xie Muren, with her gentle warning, said: If parting can remind us of the overlooked details caused by being together, isn't parting really not that bad? Such thoughts and emotions are truly beautiful beyond measure. Delving into the insights of different times and lives will bring you unexpected gains. (From "Ten Thousand Things in Life, Stick to Yourself") ② What is beauty? I know, beauty is the first ray of dawn rising on the horizon, beauty is the fiery red maple leaves in autumn, beauty is the swift red-crowned cranes running on the beach at dusk, beauty is the leaping sika deer galloping on the vast grasslands... Baumgarten agreed with me and added: "Beauty is sensory recognition, and studying aesthetics is the science of studying sensory recognition." However, Kant glared at me furiously and said: "One-sided, beauty is the pure subjective perception of human beings, which has nothing to do with the things themselves. I advise you to read my 'Critique of Judgment.' I was very modest and studied his works on aesthetics about emotions carefully. As I was proudly indulging in my own mysticism, Hegel poured cold water on me and said: "Not at all, beauty should be the externalization of human nature." Then, he proudly discussed his own aesthetic theories. When I was at a loss, Marx whispered to me beside me: "Don't listen to him; he has turned the world upside down and can't distinguish right from wrong. Beauty should actually be the unity of human nature and free form." What is beauty? I decide to leave the endless arguments...

19. 命运给你带来好运，那你就财务自由。

19. If fate brings you good luck, then you achieve financial freedom.

20. 这部小说描写了作家童年时代的生活经历，反映了小主人公阿廖沙在父亲去世以后，随母亲寄住在外祖父家中度过的岁月。

20. This novel describes the writer's life experiences during his childhood, reflecting the years spent by the young protagonist, Alyosha, living with his mother and staying at his grandfather's house after his father's death.

21. 车尔尼和父亲来到了他偶像的住处，内心非常紧张和兴奋，一个穿着邋遢的仆人接待了他们，音乐家住在六楼，车尔尼一边爬着楼梯，听着脚下老旧的木头地板发出的吱嘎吱嘎的响声，一边的在心里默默的回想着《热情奏鸣曲》的乐谱，终于爬到了六楼，这个房间里的陈设很简单，到处都是扔的纸张和衣服，反正就是很乱，墙角摆着一架钢琴，一把椅子，但也就只有这一把椅子，除此之外，再没有其他任何能坐下的地方。车尔尼的偶像，那个音乐家，就坐在这个有点儿摇摇晃晃的椅子上，他穿着一个毛绒绒的深灰色的夹克，以及毛绒绒的深灰色的裤子，这个人的头发很硬又很长，几乎是一根一根的直立在他的头顶，胡子也不知道是多久没刮了，让他本就有点儿阴沉的脸庞，显得更加阴沉了。

21. Czerny and his father arrived at the residence of his idol, filled with both anxiety and excitement. A slovenly servant received them. The musician lived on the sixth floor. As Czerny climbed the stairs, listening to the creaking sounds of the old wooden floor beneath his feet, he silently reviewed the score of the "Sonata的热情" in his mind. Finally, he reached the sixth floor. The room was simply furnished, filled with scattered papers and clothes, quite a mess. In the corner stood a piano and one chair, but that was all there was to sit on. His idol, the musician, was sitting on this somewhat wobbly chair, wearing a fluffy dark gray jacket and fluffy dark gray pants. The man's hair was stiff and long, standing almost vertically on top of his head, and his beard, which hadn't been shaved for an unknown period of time, made his already somewhat gloomy face look even more so.

22. 刚才描述的贝多芬是一副邋遢粗鲁的形象，但粗鲁绝对不等于愚蠢，在这样的外表之下，贝多芬是一个情商和智商都很高的人。很多文人崇拜贝多芬，这里面也包括罗曼罗兰，探讨贝多芬作为偶像，无限的理想化和完美化，但这种推崇高尚的情操和愿望是美好的，贝多芬也确实具备罗曼罗兰在传记里面为他所描述的那些品质。

22. The Beethoven described just now is portrayed as a disheveled and rough character, but rudeness does not equate to foolishness. Beneath such an appearance, Beethoven is a person with both high emotional intelligence and intelligence. Many literati admire Beethoven, including Romain Rolland, who, in discussing Beethoven as an idol, engages in infinite idealization and perfection. However, this admiration for noble sentiments and aspirations is beautiful, and Beethoven indeed possesses the qualities described by Romain Rolland in his biography.

23. 但那只是贝多芬人生里面的一方面。除了崇尚自由和自尊之外，贝多芬也有它世俗的一面，而且他的一生一直在世俗和自尊之间徘徊。他的骄傲是他创作灵感的源泉，最优秀的作品几乎都是在他选择自尊的时候完成的。而他选择世俗的时候呢，也创作了很多并不是很好的作品，虽然这些作品现在不怎么被人们喜欢，但是当时这些音乐却为他赢得了非常丰厚的现实收益。

23. But that was only one aspect of Beethoven's life. In addition to his reverence for freedom and self-respect, Beethoven also had a secular side, and throughout his life he oscillated between the secular and the self-respectful. His pride was the source of his creative inspiration, and almost all of his finest works were completed when he chose to assert his self-respect. And when he chose the secular path, he also produced many works that were not particularly good, though these pieces are not well-liked by people today. However, at that time, these compositions brought him considerable tangible benefits.

24. 看淡了就是幸福，想开了就是格局，放下了就是境界。

24. Detaching oneself brings happiness, understanding brings perspective, and letting go brings a higher realm.

25. 开门见山法。因为这种开头直截了当，能直入文题，一下子进入写人叙事的场景，或者一下子抓住议论的本质，所以适用于多种文体。如2002年的高考优秀作文《选择中华魂》一文开头“翻看昔日的历史，寻找心灵的无悔选择”，以下便分小标题：

25. The direct approach method. Since this opening is straightforward and directly addresses the topic, it can quickly lead into the scene of writing about people or stories, or immediately grasp the essence of argumentation, making it suitable for various literary styles. For example, the opening of the excellent essay "Choosing the Soul of China" from the 2002 college entrance examination, which states, "Flipping through the history of the past, searching for the无悔 choice of the soul," followed by subheadings below.

26. 但是坚持个性也是很难的一件事儿，比如说贝多芬的音乐，鼓舞的是那些在困境里的人，这些人把贝多芬视为精神上的导师，他们并没有能够支持贝多芬的经济实力，而贵族们的他们喜欢的是适合在宫廷里演奏的，相对更加“优雅”一些的音乐，这和贝多芬的创作是矛盾的，满足贵族的需求就没法表达他自己真正想表达的那些东西，所以贝多芬的一生的一直是在不断的妥协和抗争之中。

26. However, sticking to one's individuality is also a difficult thing, for example, Beethoven's music, which inspires those in困境, these people regard Beethoven as a spiritual mentor. They do not have the economic power to support Beethoven. The nobles, on the other hand, prefer music that is suitable for playing in the court and is relatively more "elegant." This is contradictory to Beethoven's creation. Meeting the needs of the nobility prevents him from expressing what he truly wants to convey. Therefore, Beethoven's entire life was spent in a constant state of compromise and resistance.

27. 命运给你残缺和遗憾，你就坦然接受，允许一切发生，一切都是最好的安排。

27. Life gives you flaws and regrets, just accept them calmly, allow everything to happen, for everything is the best arrangement.

28. 命运把我们推到悬崖的边缘，我们就坐下来，抽支烟，看看下面的风景，唱支山歌给你。

28. Fate has pushed us to the edge of a cliff, so we sit down, light a cigarette, and enjoy the view below, while singing a mountain song for you.

29. 对车尔尼来说，时间过得很慢，但似乎又过得很快，一曲弹完他还没有从演奏的状态中恢复回来，便听到那个人对他父亲说：“这个孩子很有天赋，我愿意教他”。这个人就是我们故事的主角贝多芬，而车尔尼，是他最得意的学生之一。

29. To Czerny, time seemed to drag, yet it also passed quickly. After the piece was over, he had not yet recovered from his performance state when he heard that man say to his father, "This child is highly talented, I would be willing to teach him." That man was Beethoven, the protagonist of our story, and Czerny was one of his proudest students.

30. 巧用解题形式曾经有一位朋友，别出心裁地给我出了这样一道题：在下列美景中，你最喜欢哪一个？A．一片纯白的羽毛，在熠熠生辉的金色阳光中，悠然飘落。B．一瓣落红，在清幽深邃的池水中回旋漂浮。C．一颗流星，在黛蓝色的天幕中，一瞬而逝。D．一滴晶莹剔透的露珠，在青嫩新绿的草叶尖，悄然滑落。看完这道题，我顿时呆住了，万千变化的自然，日升日落、潮汐起伏，多少美景令人怦然心动，悠然神往。……（《无穷的可能无穷的美》）

30. Mastering the Art of Problem Solving: Once, a friend of mine came up with a unique question for me: Among the following beautiful scenes, which one do you like the most? A. A pure white feather gently drifting in the resplendent golden sunlight. B. A petal of fallen red, swirling and floating in the serene and profound pond water. C. A shooting star, briefly vanishing in the dark blue sky canopy. D. A crystal-clear dewdrop, quietly slipping off the tip of a tenderly green grass leaf. After reading this question, I was utterly speechless. The myriad variations of nature, the rising and setting of the sun, the ebb and flow of tides, so many beautiful scenes that stir the heart and evoke a sense of longing. ... ("Infinite Possibilities and Infinite Beauty")

31. 可怜的阿廖沙三岁丧父，被带到外祖父家。外祖父是一个濒临破产的小染坊主，他性格暴躁，自私贪婪；两个舅舅也粗野不堪，自私至极。阿廖沙每天看到的是令人作呕的丑事：争夺财产、打架斗殴、愚弄毒打儿童等。在这个典型的俄罗斯小市民家庭中，层出不穷的暴行和丑事压得幼小的阿廖沙喘不过气来。但仍有许多善良、正直的人们给了他正确的指引和支持，使他看到了光明。他们都是阿廖沙的良师益友。正是这些善良、平凡的人哺育了阿廖沙对生活的积极态度和反抗精神。也就在临近尾声之时，十一岁的作者被外祖父残忍地赶出了家门，走向了人间……

31. Poor Alexei lost his father at the age of three and was brought to his grandfather's house. His grandfather was a struggling small dye shop owner on the brink of bankruptcy, with a fiery, selfish, and greedy personality; his two uncles were also uncouth and excessively selfish. Every day, Alexei witnessed disgusting acts: disputes over property, fights, and the cruel mistreatment of children. In this typical Russian middle-class family, a never-ending series of atrocities and scandals suffocated the young Alexei. However, many kind and upright people guided and supported him, showing him the light. They were all Alexei's good teachers and friends. It was these kind, ordinary people who nurtured Alexei's positive attitude towards life and his spirit of resistance. Just as the story was nearing its end, the eleven-year-old author was cruelly expelled from his grandfather's home, stepping into the world...

32. 高尔基的童年充满了无限的黑暗，残暴，恐怖，自私与贪婪，如果以现代人的角度来看，可以说高尔基根本就没有实际物质上的欢乐童年，甚至可以说他根本就“没有”童年。但事实上高尔基拥有童年，他的童年比我们现代的任何人的童年都还要有意义，都还要富裕！在他的童年之中，他不能也不可能随心所欲；在他的童年，他不能也不可能挥金如土；在他的童年，他不能也不可能无忧无虑的生活。但正是如此，高尔基才看到了与常人所不一样的世界，也懂得、明白了与常人不一样的人生目标！因此，他才成为了前苏联伟大的文学家。

32. Gorky's childhood was filled with endless darkness, brutality, terror, selfishness, and greed. From the perspective of modern people, it can be said that Gorky had no real material joy in his childhood at all, and even that he "didn't have" a childhood. But in fact, Gorky did have a childhood, and his childhood was more meaningful and richer than that of any of us in modern times! In his childhood, he could not and did not have the freedom to do as he pleased; in his childhood, he could not and did not live a life of opulence; in his childhood, he could not and did not live carefree. But it was precisely because of this that Gorky saw a world different from that of ordinary people, and also understood and realized a different life goal! Therefore, he became a great Soviet writer.

33. 而且那这个人的耳朵里还塞着一个脏兮兮的棉球，白色的棉花上的沾染着不知道是什么的**的液体，总之呢，就是一副粗鲁并且邋遢的模样。这个音乐家的个子并不高，甚至可以说有点矮小，但是那四肢非常的粗大，他站了起来，挥了挥他那个关节大得有些离谱的手，示意车尔尼可以坐到刚才的椅子上弹琴给他听。

33. Moreover, there was a dirty cotton ball stuffed in this person's ear, with some unknown liquid stains on the white cotton, making it a rough and untidy appearance overall. The musician was not very tall, even somewhat short, but his limbs were extremely large. Standing up, he waved his hands, which were disproportionately large at the joints, indicating to Czerny that he could sit on the chair earlier and play the piano for him to listen to.

34. 巧用书信格式①尊敬的孔子老爷爷：你好！我是你的一个普通子孙，相隔数千年后斗胆写信打扰你，不仅为了向你致上崇敬的问候，而且怀着几个难解的问题急待你的指教。（《给孔子的一封信》）②可恶的标准答案：看到你，我实在是义愤填膺。所以，在愤怒火焰的驱使下，我写了这封信来声讨你。答案本是丰富多彩的，可是你却偏偏要戴上“标准”这顶帽子。要知道，就因为“标准”二字，发生了无数的悲剧。”当初魏、蜀、吴三国鼎立的时代已不复存在，大江东去，浪花淘尽了往昔的英雄们。而曾经的蜀国的继承人阿斗也变得“乐不思蜀”了，天下已成为“司马氏”的天下。（《三国英雄开会》）②梁山泊的聚义厅里，现在是灯火通明，人声鼎沸。一百单八位好汉都齐聚在这里，大伙儿都在争吵不休。他们在争吵什么呢？原来梁山泊最近要评选打虎英雄。这个荣誉称号评上就了不得，谁评上了就可以坐上梁山泊的第二把交椅。所以惹得众好汉齐聚在此，争论不休。（《谁是打虎英雄》）

34. Skillfully Using Letter Format ①Dear Grandpa Confucius: Hello! I am just an ordinary descendant of yours. After thousands of years, I dare to write to you not only to pay you my respectful greetings but also to seek your guidance on several difficult questions that I am eager to resolve. (Letter to Confucius) ②The detestable standard answers: Upon seeing you, I am filled with righteousness and indignation. Therefore, driven by the flames of anger, I have written this letter to denounce you. The answers should have been diverse and colorful, but you insisted on wearing the hat of "standard." You must know that it is because of the word "standard" that countless tragedies have occurred. In the era when the Three Kingdoms of Wei, Shu, and Wu were at their peak, the time has passed, and the heroes of the past have been washed away by the waves of the great river. And the heir to the Shu Kingdom, Ah Dou, has also become "happy and carefree." The world has become the world of the "Simas." (Heroes of the Three Kingdoms) ②In the assembly hall of Liangshan, it is now brightly lit and filled with noise. The one hundred and eight heroes have gathered here, arguing endlessly. What are they arguing about? It turns out that Liangshan is about to hold an election for the hero who defeated the tiger. This honorific title is very important, and whoever wins it can sit on the second seat in Liangshan. This has attracted all the heroes to gather here and argue endlessly. (Who is the Hero Who Defeated the Tiger?)

35. 首 先我觉得小主人公是一个非常可怜的孩子，他自幼丧父，又在十一岁丧母，外祖父也破了产，他只好走上社会，独立谋生。

35. Firstly, I think the little protagonist is a very pitiful child. He lost his father at a young age, and then his mother at the age of eleven. His grandfather also went bankrupt, so he had to step into society and make a living independently.

36. 车尔尼是李斯特的老师，相信多数学过钢琴的朋友们一定都弹过他的练习曲，但是这个音乐教育家，他也曾经和其他的琴童一样，是一个心怀忐忑的学生。

36. Czerny was Liszt's teacher, and I believe that most friends who have studied piano must have played his etudes. However, this music educator, he was once just like other young piano students, a student with a restless heart.

37. 《童年》一书深刻细致地描写了著名文学家高尔基的童年，再现了十九世纪七十年代俄罗斯人民生活的社会环境。故事在一个小市民家庭里展开。阿辽沙三岁就失去了父亲，他被母亲和外祖母带到外祖父家中。那是一个濒临破产的小作坊。在这个小市民家庭里恃强凌弱是人们的嗜好。半瞎的老匠人就首当其冲。这里的人几乎每晚都要给这个老匠人安排一个侮辱性的恶作剧式的“玩意儿”。阿辽沙的俩舅母，也先后被两个舅舅摧残致死。他的继父也经常毒打他的母亲。就连受人尊敬的外祖母也难逃外祖父的打骂。孩子们当然也不例外。这种残暴的行为给孩子带来了严重的伤害，使他也变得同大人们大相径庭。

37. The book "Childhood" profoundly and meticulously depicts the childhood of the famous writer Maxim Gorky, and再现s the social environment of the Russian people's life in the 1870s. The story unfolds in a lower-middle-class family. Alexey lost his father at the age of three and was brought to his grandmother's house by his mother. It was a small workshop on the verge of bankruptcy. In this lower-middle-class family, it was a common habit to bully the weak. The half-blind old craftsman was the first to bear the brunt. It was almost a nightly ritual to subject this old craftsman to a degrading and malicious "prank." Both of Alexey's aunts were also brutally treated by their uncles, leading to their deaths. His stepfather frequently beat his mother. Even the respected grandmother could not escape the beatings and骂ings from her grandfather. The children were not exempt from this either. Such violent behavior severely traumatized the children, making them starkly different from the adults.

38. 但是这位音乐家不是很热衷于教授学生，他的主要精力都是用来作曲的，所以他收学生的要求就很严格，因为并不是为了挣钱，主要看缘分，只有那些他认为有音乐天赋的孩子才愿意教。为了能顺利通过这位音乐家的面试，车尔尼认真练习了音乐家最新面试的作品：他的第23号钢琴奏鸣曲，也被称为《热情奏鸣曲》。

38. However, this musician was not very enthusiastic about teaching students, as he primarily devoted his energy to composing. Therefore, his requirements for accepting students were very strict, because it was not for the sake of making money; it mainly relied on destiny. He was only willing to teach those children whom he believed had a musical talent. In order to pass the musician's interview successfully, Czerny diligently practiced the latest interview piece by the musician: his 23rd Piano Sonata, also known as the "Appassionata Sonata."

39. 我们就像一只蝼蚁，建功立业也好，一事无成也好，最后的唯一共同结果，就是都要变成泥巴尘土。与其痛苦不已的追名逐利，不如心有山海，静而不争，怎么高兴怎么来，怎么潇洒怎么活，倾听内心的声音，按照自己的兴趣，取悦自己，善待自己，成全自己。

39. We are like ants, whether we achieve great feats or accomplish nothing, the ultimate and only common result is that we will all turn to mud and dust. It's better to have a heart full of mountains and seas than to pursue fame and wealth in pain. Let us live a life of tranquility without contention, doing whatever brings us joy, living carefree, listening to the voice within, following our interests, pleasing ourselves, treating ourselves kindly, and fulfilling ourselves.

40. 我们很想要最好的生活，但往往又感到无能为力，在求不得和放不下之间倍感痛苦。其实人生的最好状态就是顺其自然。

40. We yearn for the best life, but often feel helpless, suffering between the frustration of not being able to achieve what we want and the pain of not being able to let go. In fact, the best state in life is to go with the flow.

41. 承接话题法。即文章开头沿着话题材料和话题所提供的思路，进行合理的想象和延伸。这种承接既可以从话题背景语中的结尾处续接，又可以从原材料中截取一点续接。如2001年的高考优秀作文《诚信走访记》开头写道：“好烦闷啊，‘诚信’一直都很烦恼，便不时地发出感叹，为什么要抛弃我？难道时代不同，我也跟着没用吗？不行，我要去找好朋友，让他们评评理去！”尔后，文章编述“诚信”走访“金钱”的故事，揭示了在现实生活中大量存在的金钱交易、权色交易，就连文明纯洁的文化净土也出现了“文钱交易”。开头的巧妙设计，为下文的故事作了科学周密的导入。

41. The topic continuation method. This involves following the train of thought provided by the topic material and the topic at the beginning of the article, engaging in reasonable imagination and extension. This continuation can either pick up from the end of the background language of the topic or from a specific point in the original material. For example, the opening of the excellent college entrance examination essay "Visit to the Land of Trust" in 2001 states: "I am so bored, 'Trust' has always been a source of trouble, and I often express my grievances, why do you abandon me? Is it because the times have changed, and I am also becoming useless? No, I want to find my good friends and let them decide what is fair!" After that, the article tells the story of visiting the "Land of Trust" to "Money," revealing the existence of a large number of money transactions and power-for-favor transactions in real life, even in the pure cultural land, there appeared "literary money transactions." The clever design at the beginning serves as a scientific and thorough introduction to the story that follows.

42. 凡是跟自己死磕的行为和思想，都是一种精神内耗。

42. Any behavior and thought that constantly battles with oneself is a form of spiritual exhaustion.

43. 当然如果他听进去了，也就没有后来的第三交响曲、第五交响曲等等这些让贝多芬之所以能够成为贝多芬的伟大作品了，而且那贝多芬不只是不会遵从海顿的意见，他还要激烈的反驳海顿，甚至曾经公开的宣布过，他在海顿那里没有学到任何东西。当然这是不客观的，但是这样的性格，让贝多芬的音乐具有了独一无二的内容，他敢于表达自己的观点，并且要大声的表达，既然说了，那么就要说一个淋漓尽致。

43. Of course, if he had listened, there would have been no later Third Symphony, Fifth Symphony, and so on, which are the great works that made Beethoven the great composer he was. Moreover, Beethoven not only did not follow Haydn's advice; he even fiercely反驳Haydn, and had once publicly declared that he had learned nothing from Haydn. Of course, this is not objective, but such a personality gave Beethoven's music its unique content. He dared to express his own views and had to express them loudly. Since he had said it, he had to say it thoroughly.

44. 我想在这种环境里，恐怕所有的小孩都会紧张吧，所以车尔尼的爸爸让他慢慢的坐下，稍微平复一下刚才紧张的情绪，然后车尔尼就开始弹奏咱们现在听到的这首《热情奏鸣曲》。

44. I suppose all the children would be nervous in such an environment, so Tcherepnin's father had him sit down slowly to calm down from the tension just before, and then Tcherepnin began to play the piece we are now listening to, the "Sonata Passionata."

45. 我想或许每一个伟大的艺术家，让他面临利益的诱惑的时候，都会有同样的矛盾，就是是坚持自我创作理想中的东西，还是稍微妥协一下，弄点儿虽然不那么具有艺术性，但却可以填饱肚子的东西。就像贝多芬自己说的那样：“个性是一切美好事物的基础，如果没有了个性，也就没有了真正的艺术”。

45. I think perhaps every great artist, when faced with the temptation of profit, would encounter the same dilemma: whether to persist in creating things that align with their own artistic ideals, or to make some compromises, producing something that may not be as artistically refined but can at least fill one's stomach. As Beethoven himself said, "Individuality is the foundation of all noble things; without individuality, there is no true art."

46. 这已经是社会上司空见惯的事情，大街上随处可见小孩向父母撒娇，要求买这买那的，丝毫没有一丝放弃之意。我是一个因外部环境的原因造成过早成熟的少年，对于眼前的一切，我只能抱之以长叹，“这就是当今华夏儿女的童年吗？”事至今日，我在图书馆阅读了一本高尔基的著作——《童年》之后，我才看到了当今儿童的童年究竟在哪里。

46. This has already become a common occurrence in society, where children on the streets are often seen nagging their parents to buy this and that, showing no sign of giving up. I am a prematurely matured youth due to external circumstances, and in the face of everything before me, I can only sigh deeply, "Is this the childhood of the children of the Great华夏 today?" It was not until I read a book by Gorky titled "Childhood" in the library that I realized where the childhood of today's children really lies.

47. 每个人都有着自己的童年，他们有的无忧无虑，有的则黯然失色；他们有的欢天喜地，有的则悲痛欲绝；他们有的充满生活的乐趣，愿望的美好，有的则充满对生活的憎恶，对理想的不屑一顾。在每个人心目中，童年的意义是各不相同，有悲，有欢，有痛，有乐。但这些对于当今的孩子们都算不上是童年，在他们眼中，只有随心所欲，挥金如土，才叫做童年。

47. Everyone has their own childhood, some carefree and others dimmed; some joyous, others desolate; some brimming with the joys of life and the beauty of wishes, while others are filled with hatred for life and a disregard for ideals. In the hearts of each individual, the meaning of childhood is different, with sadness, joy, pain, and happiness. However, none of these can be considered childhood for today's children. In their eyes, only living a life of indulgence and squandering money can be called childhood.

48. “池塘边的榕树上，知了在声声叫着夏天。草丛边的秋千上，只有蝴蝶停在上面……”熟悉的《童年》又在耳边响起，童年已经逝去，步入初中的我回忆起童年是多么美好的时光啊，读了高尔基的《童年》后，才知道什么是童年，什么是幸福童年，什么叫做珍惜童年。

48. "On the banyan tree by the pond, the cicadas are calling out the summer with their continuous sounds. On the swing by the grassy edge, only the butterflies rest on it..." The familiar song "Childhood" resounds in my ears again. The childhood has passed, and as I enter junior high school, I recall how wonderful those days were. It was after reading Gorky's "Childhood" that I truly understood what childhood is, what a happy childhood is, and what it means to cherish childhood.

49. 巧用名人作问答①有人问：幸福是什么？答案是丰富多彩的。尼采认为：“能把蜈蚣、碎玻璃、肉虫、石头一齐吞下肚，但却毫不恶心，这种人是最幸福的。”而思多葛派却认为：“拥有无穷的财富和威力，而且能够处事不惊，那才是真正的幸福。”（《答案是丰富多彩的》）②阿基米德说：“给我一个支点，我能把地球撬起来！”我说：“给我一个支点，我能把灵魂支撑起来！”（《给灵魂一个支点》）

49. Smart Use of Celebrities in Questions and Answers ①Someone asked: What is happiness? The answer is diverse and colorful. Nietzsche believed: "The person who can swallow a centipede, broken glass, worms, and stones all together without feeling any disgust is the happiest." However, the Stoics believed: "To have infinite wealth and power, and to be able to deal with things calmly is the true happiness." ("The Answers Are Diverse and Colorful") ②Archimedes said: "Give me a fulcrum, and I can lift the Earth!" I say: "Give me a fulcrum, and I can support the soul!" ("Give the Soul a Fulcrum")

50. 卒章显志式。这种结尾方式，就是在文章结束时，以全文的内容为依托，运用简洁的语言，把主题思想明确地表达出来，或者在全文即将煞尾时，把写作意旨交待清楚，所以这种结尾方法又称“画龙点晴式”。如《枣核》结尾写道：“改了国籍，不等于就改了民族感情，而且没有一个民族像我们这么依恋故土的。”《记一辆纺车》结尾写道：“跟困难作斗争，其乐无穷。——记一辆纺车。”

50. The style of ending with a clear expression of purpose. This method of ending an article is to rely on the content of the entire text, use concise language to explicitly express the main theme, or clarify the intention of the writing just before the end of the text. Therefore, this method of ending is also known as the "stroke of the dragon that brings the scene to life." For example, the ending of "Jugate" reads: "Changing nationality does not mean changing national feelings; and no other nation is as attached to its homeland as we are." The ending of "A Spinning Wheel" reads: "Struggling against difficulties is endless fun.—A Spinning Wheel."

51. 《童年》是高尔基自传体三部曲（《童年》、《在人间》、《我的大学》）中的第一部，那是一段由一个真善美的天才所讲述的残酷、悲惨的生活中的故事。读完《童年》，感受到了作者儿时的悲惨遭遇，我觉得自己是幸运的，幸福的。我们被父母宠着、爱着；每天坐在宽敞明亮的教室中，听着老师讲课；回家有大鱼大肉，山珍海味等着你品尝；你想要什么，就给你什么，如果有人欺负你，大人会毫不犹豫地狠狠地教训那人一番。而高尔基呢？与我们恰恰相反。有人说：“环境可以造就一个人，也可以毁灭一个人。”就是这样的环境造就了高尔基，成就了高尔基。在如此邪恶和污秽的天地里，他那颗光明和博爱的心没有变，没有变得肮脏，而变得越加开阔、光明。也许，这就是他成功的秘诀吧！《童年》这本书告诉我们要坚强勇敢、正直自信。

51. "Childhood" is the first part of Gorky's autobiographical trilogy ("Childhood", "In the World", "My University"), which tells the story of a cruel and悲惨 life from the perspective of a genius of truth, goodness, and beauty. After reading "Childhood", I felt the author's悲惨 childhood experiences, and I felt lucky and happy. We are pampered and loved by our parents; every day, we sit in spacious and bright classrooms, listening to teachers teach; when we go home, there are fish and meat, delicacies, and rare delicacies waiting for us to taste; whatever you want, you get it, and if someone bullies you, adults would not hesitate to severely reprimand that person. And what about Gorky? It's exactly the opposite for him. Some say: "The environment can shape a person, and it can also destroy a person." It is such an environment that shaped Gorky and achieved Gorky. In such an evil and dirty world, his heart of light and love has not changed, it has not become dirty, but has become even more open and bright. Perhaps, this is the secret of his success! The book "Childhood" teaches us to be strong, brave, upright, and confident.

52. 巧用寓言故事①愚公一家世世代代居住在这儿，门口王屋、太行两座大山挡住了去路，日子难过啊！这里好像与世隔绝，城里有什么新鲜事儿传到这儿早已变成旧闻了，这种生活真的需要改变了。愚公寻思着：得想法子把太行、王屋两座山给搬了。（《新愚公和智叟的故事》）②喜鹊贴出了大型广告：“为适应时代需要，本校将推行全能素质教育，无一不学、无一不教，包你的孩子成为无所不能的通才，在竞争中立于不败之地。学费，每学期3000元；培养费，2000元；赞助费，15000元。”（《全能学校》）

52. Use of Fables ①The Yu family has lived here for generations. The two great mountains, Wangwu and Taihang, stand at the entrance, blocking the way, making life quite difficult! It seems as if this place is cut off from the world. By the time news from the city reaches here, it has already become old news. This kind of life really needs to be changed. Yu Gong thought to himself: We must find a way to move the Taihang and Wangwu Mountains. ("The Story of the New Yu Gong and the Sage") ②The magpie posted a large advertisement: "To adapt to the needs of the times, our school will implement a comprehensive quality education system, teaching and learning everything, ensuring that your child becomes a versatile talent who can excel in competition. Tuition: 3000 yuan per semester; training fee: 2000 yuan; sponsorship fee: 15,000 yuan." ("The All-Round School")

53. 车尔尼，1801年的时候，10岁的车尔尼，在他爸爸的带领下，准备去参加一个音乐家招收徒弟的面试，这个音乐家最近在维也纳名声鹊起。但这里面有人是称赞他的，也有人是贬低他的，有的人说他敢于挑战权威，代表着音乐的未来，也有的人都说他粗鲁不堪，根本就是在哗众取宠，不管怎么样，年仅十岁的车尔尼是这位音乐家的忠实粉丝，所以车尔尼是非常希望跟随这位音乐家学习钢琴的。

53. When Cherney was ten years old in 1801, under the guidance of his father, he was preparing to attend an interview for a music master who had recently gained fame in Vienna. Some praised him, while others criticized him. Some said he dared to challenge authority and represented the future of music, while others claimed he was rude and just trying to attract attention. Regardless, at the young age of ten, Cherney was a loyal fan of this music master and therefore very much desired to learn piano under his guidance.

54. 我因为早熟从而有着与别的同龄儿童所不一样的感悟与见解，如今，在我看来，中国的青少年恐怕都是世界上最可怜的人！因为他们始终都不能明白自己的童年是什么，始终都不会明白自己有着怎样的童年，始终都没有自己真正的童年！

54. Due to my precocity, I have different insights and perspectives from other children of the same age. Now, in my view, Chinese teenagers must be the most pitiful people in the world! Because they can never understand what their childhood is, they will never understand what kind of childhood they have, and they will never have their true childhood!

55. 一个男孩扮演成老头儿模样，背着一个大箩筐，步履蹒跚地边走边唱：“白胡子的老爷爷，背着一个大箩筐，走一步来看一看，不知他在找什么？找什么？找什么？他说他在找‘童年’。”童年是多么美好啊，可高尔基的童年呢，真可谓“窒息的天地，苦难的童年”，童年应该是他的一段悲惨遭遇，一段深情的回忆！

55. A boy dressed up as an old man, carrying a large basket on his back, walked with a limp while singing: "The white-bearded old grandfather, carrying a large basket, takes a step to look around, but I wonder what he's looking for? What is he looking for? What is he looking for? He says he's looking for 'childhood'." Childhood is so beautiful, but Gorky's childhood, truly, was a "suffocating world, a childhood of suffering." Childhood should have been a period of his悲惨遭遇, a period of deep, nostalgic memories!

56. 短短一生，我们何必按照别人的标准活着，何必做别人认为应该去做的事，我们要做自己喜欢的事，按照自己喜欢的方式度过余生。

56. In such a short life, why should we live by others' standards or do what others think we should? We should do what we like and spend the rest of our lives in the way we prefer.

57. 当年明月说，那一天，我们正在追名逐利，尔虞我诈机关算尽，为了一点蝇头微利，把自己折磨得疲惫不堪，得到一点小小甜头，就沾沾自喜。而大旅行家徐霞客，却一个人坐在黄山的绝顶，听了一整夜的大雪融化声。

57. That year, the Bright Moon said, on that day, we were chasing fame and wealth, deceitful and cunning, exhausted from our relentless calculations, torturing ourselves for a little bit of trivial profit, and feeling self-satisfied with a tiny bit of sweetness. However, the great traveler Xu Xiake sat alone at the peak of Huangshan, listening to the sound of the heavy snow melting all night long.

58. 我们没有能力和命运掰手腕，那就顺其自然吧。

58. We don't have the ability or fate to腕 to the teeth, so let's just go with the flow.

59. 他觉得维也纳的音乐环境到处都是腐朽的气息，他刚到维也纳的时候，海顿在音乐创作上给了他很多的指导，但是他俩的观念却存在着巨大的反差，海顿经常劝贝多芬，甚至可以说是在告诫贝多芬，一定要遵循传统，不要加进太多的个人的花样。但是贝多芬是听不进去的。

59. He felt that the musical environment in Vienna was permeated with decay, and when he first arrived in Vienna, Haydn provided him with a lot of guidance in musical composition. However, there was a huge contrast in their ideas. Haydn often advised Beethoven, and it could even be said that he was warning Beethoven, to strictly adhere to tradition and not to add too many personal flourishes. But Beethoven would not listen.