宁静致远：生活之美，在于人心简朴安详。

Serene and Far-Reaching: The beauty of life lies in the simplicity and tranquility of the human heart.

1. 自尊是什么？自尊是廉者不受嗟来之食的千古佳话；自尊是志士不饮盗泉之水的高风亮节；自尊是“我辈岂是蓬蒿人”的豪言壮语；自尊是“富贵不能*，贫不能移，威武有能屈”的浩然正气！站在历史的海岸漫溯那一道道历史沟渠：楚大夫沉吟泽畔，九死不悔；魏武帝扬鞭东指，壮心不已；陶渊明悠然南山，饮酒采菊……他们选择了永恒，纵然谄媚诬蔑视听，也不随其流扬其波，这是执著的选择；纵然马革裹尸，魂归狼烟，只是豪壮的选择；纵然一身清苦，终日难饱，也愿怡然自乐，躬耕陇亩，这是高雅的选择。在一番选择中，帝王将相成其盖世伟业，贤士迁客成其千古文章。

1. What is self-esteem? Self-esteem is the timeless story of a humble person who does not accept alms; it is the noble character of a person of ambition who does not drink from the thief's spring; it is the heroic slogan "We are not ordinary people"; it is the resolute spirit of "wealth cannot corrupt me, poverty cannot move me, and might cannot make me bend!" Standing on the coast of history and gazing back at the channels of history: the Chu statesman pondering by the marsh, nine lives spent without regret; the Wei武帝 pointing east with his whip, his ambition undiminished; Tao Yuanming enjoying the tranquility of the southern mountain, drinking wine and picking chrysanthemums... They chose eternity, even though they were slandered and vilified, they did not follow the current or join the wave, this was an执着 choice; even if they were wrapped in horsehide and their souls returned to the smoke of war, it was a heroic choice; even if they lived a life of hardship, barely filled with food all day, they were willing to live a contented life, farming the fields, this was an elegant choice. In a series of choices, emperors and ministers achieved their world-renowned great achievements, and virtuous scholars and exiles achieved their timeless writings.

2. 良田千顷，日食不过三餐，广厦千间，夜眠不过八尺。

2. A thousand mu of fertile land can only provide enough for three meals a day, and a thousand rooms can only accommodate sleep of eight chi at night.

3. 中国诗词善于写景抒情，以写景烘托气氛或造出意境，而英美诗歌则注重描写景物在人们心里唤起的反应，从此来表达自己的主观意识。这是由两者不同的思维模式造成的差异。中国人注重表现，西方人注重再现，这种思维模式指挥下发展而来的诗歌文学理论和诗歌创作自然大不相同。以中国为代表的东方，形成了意境说、教化说，西方则形成了典型说，因此中国的诗词更注重的是一种意境的创造，追求言已尽而意未尽的效果，让人有无限的遐想空间，这种诗歌的出现是因为中国古代传统的思维方式是感悟式直觉思维方式。即使到了现在，中国人写诗歌依然追求意境的营造，如果说得太白了，就没有意思了，当然当代一些新新人类作家的作品追求一种直白，则是另外一回事，并不能一概而论，毕竟这些人并不代表中国诗歌创作的主流。

3. Chinese poetry excels in depicting landscapes and expressing emotions, using landscapes to set the atmosphere or create a sense of artistic conception. In contrast, British and American poetry focuses on describing the reactions that landscapes evoke in people's minds, thereby expressing their subjective consciousness. This difference is caused by the different modes of thought between the two. Chinese people emphasize expression, while Westerners emphasize representation. The poetry and literary theories developed under these different modes of thought are naturally quite different. Represented by China, the East has formed theories of artistic conception and edification, while the West has formed theories of typification. Therefore, Chinese poetry places more emphasis on the creation of artistic conception, pursuing the effect of "saying the words but leaving the meaning unsaid," allowing for endless speculation. The emergence of such poetry is due to the traditional, intuitive,感悟式 way of thinking in ancient China. Even today, Chinese poets still strive to create artistic conception in their poetry; if it becomes too explicit, it loses its meaning. Of course, some contemporary avant-garde writers' works seek a direct expression, which is a different matter and cannot be generalized; after all, these people do not represent the mainstream of Chinese poetry creation.

4. 挂图讲究舒雅、色彩不要太浓烈，那样会影响睡眠；

4. The emphasis is on comfort and elegance in the layout, and the colors should not be too intense, as this may affect sleep.

5. 对了，在考试时，有三个点一定要着重写好：题目、开头、结尾。如果擅长写题记的话可以写题记。

5. By the way, during the exam, there are three points you must write well: the title, the beginning, and the conclusion. If you are good at writing prefaces, you can write a preface.

6. 书法作品所挂的数量不宜多 居室书法作品数量太多，会使人眼花缭乱一两幅经过精心挑选的作品，完全可以起到画龙点睛的作用。

6. The number of calligraphy works hung should not be excessive. Too many calligraphy works in a room can be overwhelming to the eyes. A few carefully selected pieces can fully play the role of adding a touch of brilliance.

7. 两首诗所表达的飘逸、洒脱的意境在古典诗词和英美现代诗歌都是屡见不鲜的，从李白“笑而不答心自闲”到杜甫“千秋万岁名，寂寞身后事。”，还有更多的例子举不胜举，而英美现代诗歌中不乏其例，如T·S·艾略特著名诗歌《荒原》就是一个很好的例子，它充分表现了这样的意境。

7. The elegant and carefree artistic conception expressed in the two poems is not uncommon in both classical Chinese poetry and English and American modern poetry. From Li Bai's "Smiling but not answering, my heart is at ease" to Du Fu's "Through the ages, my name will remain, but the solitude after my death," there are countless examples. And there are also many examples in English and American modern poetry, such as T.S. Eliot's famous poem "The Waste Land," which is a good example. It fully embodies such a conception.

8. 多读多练，实践出真知。平常注意积累，建议你到网上去看一些文章，网上的作文都很好的，很让人受益。平常多写些，可以写一些小诗，或无聊的时候写一小段，考试时或许会用的上。平时多写，对自己提高写作能力很有帮助，这点我深有感触！

8. Read and practice more, and real knowledge comes from practice. Pay attention to accumulation in your daily life. I suggest you read some articles online; the essays online are all very good and very beneficial. Write more in your daily life; you can write some small poems, or write a short passage when you are bored; you might find it useful in exams. Writing more in your daily life is very helpful for improving your writing skills, and this is something I have a deep sense of!

9. 宽容，是一种豁达，是比海洋和天空更为博大的胸襟，是宽广和宽厚的叠加，延续和升华。宽容有度，宽容无价，宽以待人，这是人生处世的基本法则。

9. Tolerance is an open-mindedness, a breadth of spirit that surpasses the vastness of the ocean and the sky, a combination of openness and magnanimity, an extension and an elevation. Tolerance is measured, invaluable, and showing tolerance towards others is a fundamental rule for living one's life.

10. 中国的诗歌历来受到世界的关注，精炼的语言、优美的意境是其标志特征，西方的诗歌同样的耀眼夺目，我们可以从数量浩大的诗作中发现许多不朽的传世之作。中西的诗歌在体式、内容、结构等诸多方面存在不同之处，但也不难发现它们之间存在的千丝万缕的内在联系。

10. Chinese poetry has always attracted global attention, characterized by its concise language and beautiful imagery. Western poetry is equally dazzling, and from the vast number of poems, we can discover many timeless masterpieces. Despite differences in form, content, structure, and more, it is not difficult to find the intricate and profound connections between Chinese and Western poetry.

11. 尽量少挂佛像类的图像，佛祖是神圣的，挂在卧室里不尊重；

11. Try to hang fewer images of Buddha and other deities. The Buddha is sacred, and hanging them in the bedroom is disrespectful.

12. 把事物赋予生命和情感是修辞手法的精要之处，用修辞手法写作文的开头。也可以打动作文改卷老师的心，那么这样你的作文害怕什么？所以在课下要多练习修辞方法的运用。

12. Endowing things with life and emotions is the essence of rhetorical techniques, and using rhetorical techniques at the beginning of an essay. It can also touch the hearts of teachers who grade essays. So, what should your essay be afraid of? Therefore, it is necessary to practice the application of rhetorical methods more in class.

13. 以修辞手法开头结尾的作文20种20字

14. 作文的书写是一个需要练习的东西，想要在中招考试时作文拿到高分平常的练习就更加重要。我们都知道中招作文改卷老师的改卷习惯，所以写一个好的开头就等于你已经得到了一篇中招考试好的作文。下面我们就交给大家以修辞手法写作文开头。

13. 20 kinds of essays starting and ending with rhetorical devices, 20 characters each. 14. Writing essays is a skill that requires practice. To achieve high scores in the entrance exam, daily practice is even more crucial. We all know the grading habits of the teachers who grade the entrance exam essays. Therefore, writing a good opening equals to having already written a good entrance exam essay. Below, we will teach everyone how to start an essay using rhetorical devices.

15. 尽量少挂人物，特别是“五鬼”位，“祸害”位，挂人物图像有不吉影响；

15. Minimize the use of portraits, especially those of the "Five Evils" and "Misfortune" positions, as hanging these can have an inauspicious influence.

16. 以"生活"为话题写一篇作文和用修辞手法开头结尾

17. 生活是什么？不知多少次我暗暗的问自己。他是一个魔法师，让世界变得曲折离奇，让世界处处呈现奇迹。生活是什么？不知多少次我困惑的问自己，他是一杯神奇的酒，懦弱者麻醉了自己的灵魂，勇敢者却用它庆祝自己得胜利

16. Write an essay on the topic of "Life" and start and end with a rhetorical device. 17. What is life? How many times have I asked myself this question in secret. It is a magician, making the world winding and mysterious, presenting wonders everywhere. What is life? How many times have I asked myself in confusion, it is a magical drink; the weak anesthetize their souls, while the brave use it to celebrate their victories.

18. 中国在长期的认识活动中，又形成了运用朴素的辩证法观察事物的传统，以及相应的辩证思维方式，体现在文学上就是既重视并揭示文学与社会的内在联系，也能够揭示文学自身的规律。

18. In its long-term cognitive activities, China has also formed a tradition of using simple dialectics to observe things, as well as corresponding dialectical thinking patterns, which are reflected in literature by both emphasizing and revealing the intrinsic connection between literature and society, and also by revealing the laws inherent in literature itself.

19. 家庭客厅适合挂什么书法作品 一般有两种选择，一种是四字或五字书法，比如书写内容为：室雅人和，室静兰香，天道酬勤，紫气东来，上善若水，家和万事兴，心宽福自来等，第二种是诗词书法作品，比如《陋室铭》、《三国演义开篇词》、《沁园春~雪》等，这些都是非常适合客厅悬挂的书画作品。

19. What kind of calligraphy works are suitable for hanging in the living room of a family? Generally, there are two choices. One is the calligraphy with four or five characters, such as content like: The room is elegant and people are harmonious, the room is quiet with the fragrance of orchids, the Tao rewards diligence, the purple gas comes from the east, the best is like water, family harmony brings prosperity, a broad mind brings happiness, etc. The other choice is the calligraphy of poems and verses, such as "The铭of a Dilapidated Room", "The Opening Word of the Romance of the Three Kingdoms", "The Spring Snow" (A Poem by Qin Yuanzhen), etc. These are all very suitable calligraphy and painting works for hanging in the living room.

20. 我觉得，首先应弄明白，初中作文和小学作文有太大的不同。要求都不只是没有语病、文笔流利、字迹清楚等这些基础的东西。

20. I think it is first and foremost necessary to understand that there is a significant difference between junior high school essays and primary school essays. The requirements are not just the basic things like being free of grammatical errors, having fluent writing, and clear handwriting.

21. 2一些意境萧条的图画悬挂在客厅上，这从风水学角度上说 并不适宜。大致包括惊涛骇浪、落叶萧瑟、夕阳残照、孤身上路、隆冬荒野、恶兽相搏、枯藤老树等几类，这样的字画会显得无精打采，暮气沉沉，居住其中，心情自然受影响，因此客厅还是应以悬挂好意头的字画为宜。

21. 2 Some pictures with desolate scenery are hanging in the living room, which is not suitable from the perspective of Feng Shui. These generally include scenes like surging waves, withering leaves, sunset's fading light, a lone person on the road, desolate wilderness in the depths of winter, fierce beasts fighting, withered vines and old trees, etc. Such paintings and calligraphy tend to appear lackluster and gloomy, which naturally affects the mood of those living there. Therefore, it is more appropriate to hang paintings with auspicious meanings in the living room.

22. 在审美效果上中国的注重拈花微笑的朦胧意境美 西方注重袒露生活中的共同快感体验直抒胸意

22. In terms of aesthetic effect, China emphasizes the hazy artistic conception of the subtle gesture of picking a flower and smiling, while the West focuses on openly expressing the shared joy of life experiences, directly expressing one's feelings.

23. 好的作文开头和结尾 要有比喻 拟人 排比 之类的修辞手法 给20分

24. 盈盈月光，我掬一杯最清的，落落余辉；我拥一缕最暧的；灼灼红叶，我拾一片最热的；萋萋芳草，我摘一束最灿的；漫漫人生，我要采撷世间最重要的——XX。

23. A good essay should have a good beginning and ending with rhetorical devices such as metaphors, personification, and parallelism, which will earn 20 points. 24. Amid the abundant moonlight, I scoop a cup of the purest, leaving the residual glow; I embrace a thread of the warmest; picking up a piece of the brightest red leaves, gathering a cluster of the most radiant grass, in the endless journey of life, I aim to gather the most important thing in the world—XX.

25. 通过中西诗歌的比较，我们不可能得出谁好谁不好的结论，每个民族、每个地域的文化都有自己的特点，文化只存在差异，不存在优劣。我们的诗歌在很长时期内有令我们甚至子孙后代骄傲的地方，但诗歌的发展不以人为的意志转移，值得骄傲并不代表可以固步自封，只有不断完善、发展，我们的诗歌，我们的文学才可能向更好的方向发展。

25. Through the comparison of Chinese and Western poetry, we cannot come to a conclusion about which is better or worse. Each nation and region has its own cultural characteristics, and culture only exists in differences, not in superiorities or inferiorities. Our poetry has for a long time been a source of pride for us and even for our descendants. However, the development of poetry is not subject to human will. Being proud does not mean we can stagnate. Only through continuous improvement and development can our poetry and our literature move towards a better direction.

26. 这与中国古典的“人面桃花相映红” 、“杨柳青丝” 、“梨花带雨”的意境是大致相同的，反映出中西文化交流的结果。但笔者个人认为，西方的诗歌这些比喻所表达出来的意境没有中国的那么美，那么让人富于想象。诗歌很形象地再现了那些漂亮的面庞在人流中涌现的情景，但缺乏了一个让人思绪飞扬的空间，语言上也欠缺了美感。这与中西方的思维形式不同有关，本文将在后面论述。

26. This is roughly similar to the artistic conception of "The face of a person and the red peach bloom reflecting each other," "Willow branches in green silk," and "Pear blossoms with raindrops" in Chinese classical literature, reflecting the result of cultural exchange between China and the West. However, personally, I believe that the artistic conception conveyed by these metaphors in Western poetry is not as beautiful or as imaginative as that in Chinese poetry. The poetry vividly depicts the scene of beautiful faces emerging among the crowd, but lacks a space that allows one's thoughts to soar, and it also lacks aesthetic appeal in terms of language. This is related to the differences in thinking forms between the East and the West, which will be discussed later in this article.

27. 最常见的挂画，包括花草树木、牡丹之类的图画，但假如某 人本身非常忌木，一幅牡丹画，怎可能为其带来好风水？一般来说，多数人挂画只重视视觉效果，却往往忽略了画的五功用。每一幅画，都代表着一个凶运和一个吉运。比如，忌木的人，而挂了一张森林画，就非常不恰当。要在大厅挂画，要先看那位置代表那一位家族成员，然后才可决定摆什么画。在挂画的选择上，要水的人可以挂九鱼图，或黄河长江图；要金的人自然最好摆一幅冰山；要火的人摆八骏图或红色牡丹画，以应其火；要木的人可以挂竹报平安；要土的人可以挂万里长城。每幅画的摆设，也控制着家居风水，其影响风水的好与坏，视乎每个人的机灵与运用。比如在你的家族成员所属的位置上，挂一幅催旺的好的风水画，便能对此成员产生奇妙帮助。在日常生活中，有些人会挂与宗教有关的画。宗教画亦同样产生五行效应 。举例来说，有些人喜欢摆阿弥陀佛的佛画，甚至写一个“佛”字。阿弥陀佛代表金水，而佛即是水，佛代表北方，阿弥陀佛代表西方，家中摆一篇心经，心经代表火，忌火的人，其实不宜挂心经。实际上，在家中不宜挂太多佛菩萨的画，因为佛画太多，会影响成员间的关系，特别是夫妻间的恩爱。任何一方太过宗教狂热，都会影响互相之间的感情。一个幸福的家庭，宗教画要点到即止，千万别挂得太多。至于画框的颜色，最好亦配合五行。譬如要金的话，框边不妨用金色或银色，要木的话用绿色，要火用红色、紫色，要水用蓝色、灰色等。由此可见，一幅画，以至一个镜框，亦大有学问，一幅画对家居风水的影响非常大，故而每一次挂画前，请先考虑清楚这幅画所带来之吉凶。

27. The most common types of hanging paintings include pictures of flowers, trees, and peonies, but if someone is particularly averse to wood, how could a peony painting possibly bring good feng shui to them? Generally speaking, most people pay attention only to the visual effects of paintings while often neglecting their five functions. Every painting represents both a bad fortune and a good fortune. For instance, someone who is averse to wood should not hang a painting of a forest, which would be very inappropriate. Before hanging a painting in the hall, one should first consider which position represents which family member and then decide what kind of painting to hang. In choosing paintings, those who need water can hang a picture of nine fish or the Yangtze and Yellow Rivers; those who need gold should naturally place an ice mountain painting; those who need fire can hang a painting of the eight horses or a red peony painting to complement their fire element; those who need wood can hang a bamboo painting for peace; and those who need earth can hang a painting of the Great Wall. The arrangement of each painting also controls the home's feng shui, and its influence on the quality of feng shui depends on each person's intuition and application. For example, hanging a prosperous feng shui painting at the position of a family member can have a wonderful effect on that member. In daily life, some people hang paintings related to religion. Religious paintings also produce the five-element effect. For example, some people prefer to display paintings of Amitabha Buddha or even write the character “佛” (Buddha). Amitabha Buddha represents the elements of metal and water, and Buddha represents water and the North. Amitabha Buddha represents the West, and a copy of the Heart Sutra at home represents fire, so those who are averse to fire should not hang the Heart Sutra. In reality, it is not advisable to hang too many paintings of Buddha and bodhisattvas at home, as too many Buddha paintings can affect the relationships between family members, especially between couples. Any excessive religious enthusiasm can affect the feelings between individuals. A happy family should only touch on religious themes and not overdo it. As for the color of the frames, it is best to match the five elements. For instance, if you need metal, the frame edges can be gold or silver; for wood, green; for fire, red or purple; for water, blue or gray, and so on. As can be seen, a painting, as well as a picture frame, requires great knowledge. The influence of a painting on home feng shui is significant, so before hanging a painting, please carefully consider the good or bad fortune it may bring.

28. 在生活中，我学会了坚强。有一次，我因为心情不好，便出去散步。来到广场，也许是因为刚刚下了雨，地十分滑。我在小石子路上走，没有在意天的变化，天下起了牛毛细雨，路面越来越滑。一不小心，我滑了一跤，眼泪要留了出来。突然，我想到了：我不能哭。如果我哭了，就不是一个真正的男子汉。于是，我便忍住了眼泪。通过这件事，我明白，在生活中，我学会了坚强。

28. In life, I have learned to be strong. Once, feeling down, I went out for a walk. Arriving at the square, perhaps because it had just rained, the ground was very slippery. I walked on the pebble path, not paying attention to the change in the weather, as it started to drizzle, and the road became increasingly slippery. Without warning, I slipped and nearly fell, tears welling up in my eyes. Suddenly, I thought to myself: I cannot cry. If I cried, I wouldn't be a true man. So, I held back my tears. Through this experience, I realized that in life, I have learned to be strong.

29. 5，再有就是根据室主本人的八字五行决定的用来调补风水以趋吉避凶的图画

29. 5, Furthermore, there are paintings used to adjust and complement the feng shui according to the host's own BaZi (eight characters) five elements, in order to avoid misfortune and seek good luck.

30. 从埃兹拉·庞德翻译的《中国》和一些英美译者的翻译作品来看，中国诗的意境逐渐渗入他们的诗歌创作中，中国诗歌文字简洁，意义深刻的特点逐渐为他们所接受，而且也逐渐为他们所学习。美国著名意象派诗人庞德曾经说过，在中国文学中发现一个“新希腊”，从而发动了一场新的“文艺复兴”。中国的古典诗词不仅影响他们的创作，还影响着他们的诗歌创作理论。

30. From Ezra Pound's translation of "China" and the translations of some British and American translators, it can be seen that the artistic conception of Chinese poetry gradually infiltrates their poetic creation. The characteristic of concise and profound meaning in Chinese poetry is gradually accepted and learned by them. The famous American Imagist poet Ezra Pound once said that he discovered a "new Greece" in Chinese literature, thereby launching a new "Renaissance." Not only did the classical Chinese poetry influence their creation, but it also influenced their theories of poetic creation.

31. 要选择适当的位置 书法作品要挂在引人注目的墙面开阔处如迎门的主墙面茶几沙发写字台以及床头上方的墙壁床边等外而房间的角落，衣柜边的阴影处就不宜挂书法作品。

31. It is important to choose an appropriate location. Calligraphy works should be hung on prominent and spacious walls, such as the main wall facing the door, coffee tables, sofas, writing desks, and walls above the beds, as well as beside the beds. However, it is not advisable to hang calligraphy works in the corners of the room or in the shadowy areas near the wardrobe.

32. 书法作品的悬挂高度 一般是书法字的中心线在视平线的高度上，能起到很好的装饰效果。为便于欣赏，高度应以书法作品的中心在人直立平行线偏高位置，一般距地面16米左右为宜，不要过高或过低，也不要高低参差交错。

32. The hanging height of calligraphy works generally places the center line of the calligraphy characters at the level of the horizon line, which can achieve a good decorative effect. For convenience in appreciation, the center of the calligraphy work should be slightly above the vertical line of a person standing, ideally about 16 meters from the ground. It should not be too high or too low, nor should it be uneven or交错.

33. 我刚上初中的时候，第一次月考，作文就被减了9分。

33. When I was in the first year of junior high school, in my first monthly exam, my composition was deducted 9 points.

34. 比较可以看出共性，也可以看出个性。中西诗歌虽然在渊源上能找到一定的源头或能证明两者之间的关联与影响，但在比较之中我们还是不难地发现两者的差异。存在这种巨大的差异是由其本质不同、思维形式不同带来的。

34. Comparison can reveal both commonalities and individual characteristics. Although Chinese and Western poetry can find certain origins or prove their mutual connections and influences in their origins, it is still not difficult to discover their differences when compared. This great difference exists due to their essential differences and different modes of thought.

35. ​​言语反复必有鬼，热情过度必有求。利益之下见人格，权色之下见品德。高手面前要装傻，小人面前要装睡。”

35. Repeated speech must have a ghostly intention, excessive enthusiasm must have some ulterior motive. Under the pursuit of interests, one's character is revealed; under power and sex, one's virtues are seen. In front of a master, one should pretend to be dumb; in front of a small person, one should pretend to be asleep."

36. 修身养性书法作品《淡泊明志》“淡泊明志”四字书法作品，非常适合悬挂在客厅中，有道德修养的人，他们以静思反省来使自己尽善尽美，以俭朴节约财物来培养自己高尚的品德。不清心寡欲就不能使自己的志向明确坚定， 不安定清静就不能实现远大理想而长期刻苦学习。

36. The calligraphy work of cultivating one's character and temperament "Detachment Clarifies One's Aspirations" - The four-character calligraphy work "Detachment Clarifies One's Aspirations" is very suitable for hanging in the living room. People of moral cultivation use quiet reflection to perfect themselves, and cultivate noble character through frugality and economy. Without a clear and firm aspiration, one cannot achieve clarity and determination in their ambitions. Without stability and tranquility, one cannot realize grand ideals and endure long-term diligent study.

37. 初中作文有时是材料作文，这需要准确的把握中心，如果知道了中心内容，但不知该如何写起，那么可以从多个角度去领会材料主旨，从中选择自己最拿手的、最好写的去写。如果，只是给了一个话题，或者将题目补充完整等简易类型的作文要求，在确定作文题目时要慎重，因为整篇作文都要围绕题目展开，或者可以先写作文，最后写题目，这样题目和正文比较容易保持一致，以免出现题、文不对应的问题。写作文时，要确定每一段要写些什么，考虑一下怎么去体现主题，要是杂乱无章的，给阅卷老师的印象就不好了。如果考试时实在没有时间想这些，就凭感觉写，但一定要有条理。另外，注意文笔的修饰，给文章添色。现在，中学生写文章最大的问题就是没有气势，对于这一点我也很苦恼，不知怎么能是文章有气势，尽量去做吧！

37. Middle school compositions are sometimes material-based essays, which require an accurate grasp of the central theme. If you know the central content but don't know how to start writing, you can approach the main idea of the material from multiple angles and choose what you are best at and most comfortable writing. If the essay is just given a topic or a simple type of essay requirement where the title is completed, be careful when determining the essay title because the entire essay should revolve around it. Alternatively, you can start writing the essay first and then write the title, making it easier to keep the title and the main text consistent and avoid the issue of the title and text not matching. When writing the essay, make sure to determine what each paragraph should contain, consider how to reflect the theme, and avoid disorganization as it gives a bad impression to the teachers who are marking the essays. If there is really no time to think about these things during the exam, write based on your feelings, but make sure to do so with a logical structure. Also, pay attention to the embellishment of the writing style to add color to the article. Now, the biggest problem with middle school students' writing is a lack of气势, and I am also very frustrated about this. I don't know how to make an article have a powerful presence, but let's try our best to do so!