在探寻奥秘的旅程中，我们渴望找到那最经济有效的修正路径——自我改造、自我背弃与孤独隔绝。这，或许正是我们心灵深处，通往自我救赎的密钥。

In the journey of seeking the mysteries, we yearn for the most economical and effective corrective path – self-improvement, self-rejection, and isolation. This, perhaps, is the key deep within our souls, leading to self-redemption.

1. 性价比最高的修行方式，就是打扮自己，背叛自己，隔绝自己，消除身上一切不利于发展的因素，屏蔽外界的干扰，聚焦生命能量，全力以赴，邂逅美好。

1. The most cost-effective way of cultivation is to dress oneself up, betray oneself, isolate oneself, eliminate all factors that are不利于 development from one's body, shield oneself from external disturbances, focus one's life energy, give one's all, and encounter beauty.

2. 文学家也曾不惜笔墨描写过丑恶的人性。但写丑不是目的,写丑是用黑暗衬托光明,用丑衬托美,写丑是为了否定丑,是化丑为美,使美好的人性更加亮丽。

2. Literary figures have also been unwilling to sparingly use their ink to describe the ugliness of human nature. However, depicting ugliness is not the purpose; writing about ugliness is to highlight the light by contrast with darkness, to enhance beauty by contrasting with ugliness. Writing about ugliness is to negate it, to transform ugliness into beauty, and to make the noble aspects of human nature even more radiant.

3. 每当读书读到夜深人静、天寒体困时，他就摘下一只辣椒，分成几片，放在嘴里咀嚼，一直咀嚼得额头冒汗，眼里流泪，嘴里“唏唏”时，又捧起书攻读。

3. Whenever he reads late into the night, when the world is quiet and the cold weather makes him feel weary, he picks a chili pepper, slices it up, and chews it in his mouth. He continues to chew until sweat appears on his forehead, tears in his eyes, and a "hiss" sound comes from his mouth, then he picks up the book and starts studying again.

4. 形象一定要放在能力的前面，否则别人就会因为形象而否决你，能力也将失去了登场的机会。

4. The image must always come before the ability; otherwise, others may reject you due to your image, and your abilities will also lose their chance to shine.

5. 形态”。20年来随着理论研究的不断深入,还进一步把文学之所以成其为文学的媒介本质界定为“语言的结构的艺术”,把文学的审美本质界定为“用形象对社会生活进行审美反映、审美表现和审美创造”,把文学的社会本质界定为“一种极富诗意的特殊的社会意识形态”,虽使问题得到了形而上的基本解决,但却严重忽略了形而下的人文特征和本体把握。对此尽管有人曾数度振臂高呼,但很多人却抓住一点,不顾其余,急于去攻讦、否定,这就使文学失去了灵魂。然而不管以上诸看法的差异到底有多大,我们只需把观察视角及时地由形而上转向形而下,就不难发现,他们在不同程度上都注意到了文学的诸层本质都离不开人。人才是文学的核心因素。是啊!文学赖以反映社会生活的艺术形象体系的核心是人。文学作为语言的艺术的创造者是人,文学得以产生审美娱乐作用的对象也是人。“人世间的一切都在乎人,一切都是为了人[4]”。“能够感觉到自个儿是人……该多美啊!”,[4]赞颂的也是人。因此,高尔基讲:“文学是人学”应该说是从古至今对文学的形而下本质所做的再好不过的概括。可以预言,在人还没有真正进入至真、至善、至美境界的相当长的历史时期之内都将具有强大的生命活力。只是这个命题严重忽略了文学反映社会生活的美的方式,存在着较大的缺陷,在人们的心目中作为一个科学的观念并未真正确立起来,从而在学术界引起了无休止的争议。

5. "Nature." Over the past 20 years, with the continuous deepening of theoretical research, it has further defined the medium essence of literature as "the art of language structure," the aesthetic essence of literature as "the aesthetic reflection, expression, and creation of social life through images," and the social essence of literature as "a highly poetic special social ideology." Although this has essentially resolved the metaphysical aspect of the issue, it has seriously ignored the humanistic characteristics and ontological grasp at the empirical level. Despite the fact that some people have repeatedly raised their voices, many others have seized on a single point, ignoring the rest, and rushed to attack and deny, which has caused literature to lose its soul. However, regardless of how great the differences among these views may be, by promptly shifting our perspective from the metaphysical to the empirical, it is not difficult to discover that to varying degrees, they have all recognized that the various layers of the essence of literature cannot be separated from humans. Humans are the core factor of literature. Indeed, the core of the artistic system that literature relies on to reflect social life is human beings. It is humans who create the art of language, and it is also humans who serve as the objects upon which literature exerts its aesthetic and entertaining effects. "All things in the world concern humans; everything is for humans [4]." "How beautiful it would be to feel oneself as a human...," [4] the praise is also for humans. Therefore, Gorky said, "Literature is the study of humans" can be said to be the best summary of the empirical essence of literature from ancient times to the present. It can be predicted that this proposition will continue to have strong vitality for a relatively long historical period before humans truly enter the realm of the truly good, truly beautiful, and truly perfect. However, this proposition seriously ignores the way literature reflects the beauty of social life and has significant flaws. As a scientific concept, it has not truly been established in people's minds, leading to endless controversies in the academic community.

6. 如今有很多名著，阅读这些名著，可以让我们领略其他智者的思想，让我们的思想也变得广阔起来。

6. Now there are many classic works, reading these classics can allow us to appreciate the thoughts of other wise people, broadening our own thoughts as well.

7. 打扮自己是一种态度，背叛自己是一种勇敢，隔绝自己是一种选择。

7. Dressing oneself is a stance, betraying oneself is a form of bravery, isolating oneself is a choice.

8. 解决或能够解决的问题,它要表现的重心往往是一切哲学、社会科学都无法很好解决的“出位之思”,往往是带有永恒意味的生与死的问题、善与恶的问题、美与丑的问题、爱与恨的问题、罪与罚的问题,同时也是任何一个杰出的政党、政府和政治家都只能部分解决而无法根本解决的问题。譬如男女之间的感情问题,由远古时期的群婚制、血缘婚制到后来的对偶婚制,一夫多妻、一妻多夫乃至今天的一夫一妻都很难说已得到了圆满的解决。包括很多杰出的政治家都难免要犯人生的错误。于是这个人生的难题就交给了文学世代探索。从“关关睢鸠”中的单恋,到《氓》中弃妇对薄情郎的怨恨,到《红楼梦》中宝黛悲剧的撕心裂肺,从《美狄亚》到《红字》、《安娜》到《恰特莱夫人的情人》、《汉密尔顿夫人》,人们好象从来都没有停止过该方面的探索。而且在以后的几千年乃至更长一段时间里恐怕还要继续探索下去。又如对生与死的问题的探索,早在公元前3千多年前出现的古巴比伦史诗《吉尔加美什》中就开始了,中国的《西游记》更是该方面艺术探索的集大成者。也正是靠着对这些人生难题和生命困惑的执着探求和不同程度的解决,文学史造就了莎士比亚、托尔斯泰、曹雪芹,造就了上百位诺贝尔文学奖的获得者。歌德说“十全十美是上帝的境界”。人要真正走向至真、至善、至美,就要不断克服人生的难题和生命的困惑,不断地疏远平庸、靠拢卓越,克服自身的局限。当哲学、社会科学和一切自然科学都无能为力的时候,往往是文学伸出它强有力的臂膀,慰藉人们痛苦的灵魂,抚平他们的伤口,引导着人们日益向人性的至真、至善、至美的最后境界逼近。也正是在这个意义上,本世纪第一位诺贝尔文学奖获奖作家法国诗人普吕多姆说“文学是人类文明最高尚的花朵”。[5]因此以减轻人类的精神痛苦为崇高使命的文学,无论采用什么样的艺术形式和美的方式,古今中外的一切文学作品都有一个共同的勿容改变的永恒的母题,那就是:怎样引导人类走向真正的幸福。

8. Issues that can be solved or are capable of being solved often revolve around the "out-of-the-box thinking" that is difficult for all philosophy and social sciences to address effectively. These are typically eternal questions of life and death, good and evil, beauty and ugliness, love and hate, and crime and punishment. They are also issues that any outstanding political party, government, or politician can only partially solve and cannot resolve fundamentally. For example, the emotional issues between men and women, from the group marriage and consanguineous marriage systems of ancient times to the subsequent monogamous marriage, polygamy, polyandry, and today's monogamy, it is hard to say that these have been fully resolved. Even many outstanding politicians are bound to make mistakes in life. Thus, these life's difficult problems are left to literature to explore. From the unrequited love in "Guangguan Qiujiu" to the grievances of the deserted woman against the unfaithful lover in "Mang," to the heart-wrenching tragedy of Bao Daisi and Dafeng in "Dream of the Red Chamber," from "Medea" to "The Scarlet Letter," "Anna Karenina," "Lady Chatterley's Lover," to "Mrs. Hamilton," people seem to have never stopped exploring in this area. And it may still continue to be explored for several thousand years or even longer in the future. For instance, the exploration of the questions of life and death began as early as in the epic of ancient Babylonia, "Gilgamesh," more than three thousand years ago, and "Journey to the West" in China is a masterwork of artistic exploration in this field. It is precisely through the persistent pursuit and varying degrees of resolution of these life's difficult problems and life's perplexities that literary history has created Shakespeare, Tolstoy, Cao Xueqin, and hundreds of Nobel Prize winners in Literature. Goethe said, "Perfection is the realm of God." To truly reach the highest truth, goodness, and beauty, one must continuously overcome life's difficulties and life's perplexities, continuously move away from mediocrity and towards excellence, and overcome one's own limitations. When philosophy, social sciences, and all natural sciences are unable to help, it is often literature that extends its strong arm, comforting the souls in pain, healing their wounds, and guiding people ever closer to the ultimate境界 of the highest truth, goodness, and beauty of humanity. It is in this sense that the first Nobel Prize-winning author of the 20th century, the French poet Prudhomme, said, "Literature is the most noble flower of human civilization." Therefore, literature, which takes the alleviation of human spiritual suffering as its noble mission, in whatever artistic form or aesthetic manner, all literary works from ancient times to the present and from East to West share a common, unchangeable eternal theme: how to guide humanity towards true happiness.

9. [3] 韦勒克沃伦文学理论北京:生活读书新知三联书店

9. [3] Weaver and Warren's Literary Theory, Beijing: Sanlian Life, Reading, New Knowledge Press

10. 情节之美,主要在于对生活的具体描写和紧张的矛盾冲突。细节的真实,使人读来如见其人,如闻其声,如临其境。矛盾此起彼伏,故事一波三折,便能引人入胜。情节是人物活动的过程,性格成长的历史。人物性格和环境的影响,决定着人物的命运。人物的命运是故事的灵魂,人们听故事,主要是关心人物的命运。故事一旦开了头,它就把人物的命运抛向读者,让你与他同行同止同喜同忧,专注其中,欲罢不能,将作品翻过一页又一页,直到最后的结局。我们枕着灯晕,嗅着墨香,探视着晦明变化的历史,品味着酸甜苦辣的人生,愉快地度过那一段又一段属于自己的时光。文学是想象的艺术。文学可以虚构。想象和虚构可以弥补作家生活链条中某些脱落的环节,自由驰骋自己的思想,实现自己的审美追求,从而将情节编织得更加丰富多采,使故事更加生动迷人。巧置悬念是文学降服读者的重要法宝。烘云托月,故布疑阵,误会巧合,画龙点睛,诸般手法的运用,激发起读者强烈的心理追求,使情节产生奇妙的结构效果。

10. The beauty of plot lies primarily in the specific description of life and the tense contradictions and conflicts. The authenticity of details makes the reader feel as if they were there, seeing people, hearing voices, and being immersed in the scene. With contradictions rising and falling, and the story unfolding with twists and turns, it can captivate the audience. The plot is the process of character activity and the history of character growth. The influence of character traits and environment determines the fate of characters. The fate of characters is the soul of the story, and people who listen to stories mainly care about the fate of characters. Once a story begins, it throws the fate of the characters into the reader's hands, allowing you to accompany them, share their joys and sorrows, focus on it, and not be able to stop, flipping through page after page of the work until the final outcome. We lie in bed with the glow of the lamp, breathing in the scent of ink, exploring the changing history, savoring the sweet, sour, bitter, and spicy life, and joyfully passing through one segment of time after another that belongs to us. Literature is the art of imagination. Literature can be fictional. Imagination and fiction can fill in some missing links in the writer's life chain, freely roam their thoughts, realize their aesthetic pursuits, and thus weave a richer and more colorful plot, making the story more vivid and enchanting. Skillfully placing suspense is an important tool for literature to subdue readers. Using methods such as painting clouds to highlight the moon, laying out a web of confusion, coinciding with misunderstandings, adding a final touch, and using a variety of techniques to stimulate readers' strong psychological pursuits, creating a wonderful structural effect in the plot.

11. 阅读书籍，可以让我们了解许多人的悲欢离合，了解到人间冷暖，所以可以让我们早日看清社会，从而树立好正确的人生观。

11. Reading books can help us understand the joys and sorrows, separations and reunions of many people, and get a sense of the warmth and coldness of human life, thus allowing us to see society more clearly early on and establish a correct outlook on life.

12. 而不断提升的过程就是一个背叛的过程。背叛那个懒惰的自己，你才会日有精进。背叛那个拖沓的自己，你才能效率翻倍。背叛那个不思进取的自己，你才能乘风破浪。背叛那个愚昧而偏执的自己，你才能披荆斩棘，一路凯歌。

12. The process of continuous improvement is essentially a process of betrayal. Betray the lazy self, and you will make daily progress. Betray the procrastinating self, and you can double your efficiency. Betray the self that is not ambitious, and you can navigate through storms. Betray the foolish and stubborn self, and you can clear obstacles and sing victory songs all the way.

13. 第三,文学通过美的方式探索、解决的是所有哲学、社会科学和一切自然科学都无法很好解决的全人类共同面临的人生难题和生命困惑,也是为了人。它从不表现政治学、伦理学、道德学、宗教学、现存的政治法律制度、经济制度早已

13. Thirdly, literature explores and solves the life's difficult problems and existential perplexities that all humanity faces, which are not well addressed by any philosophy, social sciences, or natural sciences, in a way that is beautiful. It is always for the sake of humans. It never represents politics, ethics, moral philosophy, religion, the existing political and legal systems, or economic systems that have already.

14. 一段非常现实的话：

14. A very realistic remark:

15. 一个人想要成就一番事业，就必须需要升级自己的能力，而升级能力离不开一个安静而封闭的空间。

15. To achieve great things, one must upgrade their abilities, and this upgrading of abilities cannot be separated from a quiet and secluded space.

16. 生命中所有的灿烂，都需要和孤独签署一份体面的协议。

16. All the brilliance in life requires a dignified agreement with solitude.

17. [4] 高尔基在底层[A]余匡复译汪义群西方现代戏剧流派

17. [4] Gorky in the Underworld [A] Translated by Yu Gangfu, Translated by Wang Yiqun from Western Modern Drama Schools

18. 文学是什么这是文学理论的核心问题,也是千百年来古今中外不计其数的理论家常说常新、难以定论的问题。对这个问题所做的不同回答,直接关系着他们各自构筑的文学理论大厦的性质和命运。从柏拉图、亚理士多德到康德、黑格尔、到弗洛伊德、萨特,从婆罗多牟尼到新护、胜财、毗首那特,到泰戈尔、普列姆昌德,从孔子、老子到刘勰、司空图,到鲁迅、郭沫若,固然都道出了某些真理的颗粒,但都不能说已有了很好的解决。柏拉图说文学是灵感的迷狂和理念的闪耀,亚理士多德说文学是对生活的美的模仿,康德说文学是天才的创造,黑格尔说美是理念的感性显现,文学是理念的光的烈焰,王尔德说文学是美丽的谎言,厨川白村说文学是苦闷的象征,弗洛伊德说文学是人的欲望的艺术实现,雅各布森说文学是语言的美的操作,[1](

18. What is literature? This is the core issue of literary theory, and it has been a topic that countless theorists have discussed, rephrased, and debated as new over the past thousand years, both in the East and the West. Different answers to this question directly relate to the nature and destiny of the literary theories they have constructed. From Plato and Aristotle to Kant, Hegel, Freud, and Sartre, from Brahmagupta to Anandamayi, Jayadeva, Vyasatirtha, to Tagore, Premchand, from Confucius and Laozi to Liu Xie and Sikong Tu, to Lu Xun and Guo Moruo, although they have all revealed certain truths, none of them can be said to have provided a satisfactory solution. Plato said that literature is the madness of inspiration and the brilliance of ideas, Aristotle said that literature is the imitation of the beauty of life, Kant said that literature is the creation of genius, Hegel said that beauty is the sensuous manifestation of the idea, and literature is the fiery flame of the light of the idea, Wilde said that literature is beautiful lies, Kikuchi Kan said that literature is the symbol of bitterness, Freud said that literature is the artistic realization of human desire, Jakobson said that literature is the operation of the beauty of language, [1] (

19. 20世纪末叶,文学情形大变,标新立异,光怪陆离,难以用传统概念诠释。变是常理。变不可怕,但是,万变不离其宗,文学不能没其美质。真正的文学一定是与美并存的,即将跨入新世纪的文学维纳斯,相信她不会越变越丑,而是越变越美,越新,越可爱。

19. At the end of the 20th century, the literary scene underwent a significant transformation, characterized by novelty, eccentricity, and fantastical elements, which were hard to interpret with traditional concepts. Change is a natural occurrence. Change is not可怕 (frightening), but it is essential that amidst all the changes, the essence of literature remains, and its beauty cannot be lost. True literature must coexist with beauty. As literature is about to enter a new millennium, the literary Venus will, I believe, not become more ugly with each change, but rather more beautiful, more innovative, and more adorable.

20. 波斯彼罗夫说文学的本性是意识形态,[2](P676)韦勒克、沃伦说文学是一个符号和意义的多层结构。[3]波斯波罗夫靠文学的本性是意识形态,找到了文学的社会本质。韦勒克、沃伦靠文学是一个符号和意义的多层结构找到了文学之所以成其为文学的媒介本质———即语言的艺术。他们靠着语言的多义性、歧义性支撑起来的立体的意义空间,发现了作品的空旷结构,轻易揭穿了文学名作历久弥新的古老谜底。别林斯基靠着文学与哲学社会科学反映社会生活的基本形式的不同———文学以形象反映社会生活———揭示了文学的审美特征。我国理论界在马克思主义理论的指导下鉴于以上的探索干脆把文学界定为“文学是用语言塑造形象反映社会生活的特殊意识

20.波斯彼罗夫 states that the essence of literature is ideology [2](P676), while Welker and Warren argue that literature is a multi-layered structure of signs and meanings [3].波斯波罗夫 relies on the essence of literature being ideological to find the social essence of literature. Welker and Warren, relying on the multi-layered structure of literature as a symbol and meaning, find the medium essence that makes literature what it is—the art of language. They rely on the polysemy and ambiguity of language to support a three-dimensional meaning space, discover the open structure of the work, and easily uncover the ancient mystery behind the enduring works of literature. Belinsky reveals the aesthetic characteristics of literature by pointing out the fundamental difference between literature and philosophy/social science in reflecting social life—the former reflects social life through images. Under the guidance of Marxist theory, our theoretical circles, based on the above explorations, simply define literature as "Literature is a special consciousness that uses language to shape images and reflect social life."

21. 我们要动用自己的一切时间，打扮自己，背叛自己，隔绝自己。

21. We must use all our time to dress ourselves, betray ourselves, and isolate ourselves.

22. 参见梁素清《浅说文学美》，贵州师范大学学报(社会科学版) 1999年第2期

22. See Liang Suqing's "A Brief Talk on the Beauty of Literature," Journal of Guizhou Normal University (Social Sciences Edition), Vol. 2, 1999.

23. 二曰情节美。情节美就是故事生动有趣。讲故事是文学家的拿手好戏。赵树理说写小说就是讲故事。故事是由情节组成的。故事美来自情节美。恩格斯十分赞赏莎士比亚剧作情节的生动性和丰富性,认为较大的思想深度和意识到的历史内容,只有通过生动丰富的情节才能表现出来。

23. The second is plot beauty. Plot beauty refers to the vivid and interesting nature of a story. Telling a story is the forte of a literary person. Zhao Shuli said that writing a novel is about telling a story. A story is composed of plots. The beauty of a story comes from the beauty of its plot. Engels greatly admired the vividness and richness of Shakespeare's dramatic plots, believing that a greater depth of thought and historical content only can be expressed through vivid and rich plots.

24. 类的精神痛苦。自然科学固然主要诉诸人们的物质世界。

24. The mental suffering of a class. Natural sciences, while indeed mainly appealing to people's material world, do so.

25. [1] 胡经之,张首映西方二十世纪文论史[M]北京:中国社会科

25. [1] Hu Jingzhi, Zhang Shouying, A History of Western Literary Theory in the 20th Century [M] Beijing: Chinese Social Sciences Press

26. 文学不能给人加官晋爵,不能施人钱财,但它是财富,是人类不朽的精神财富。文学不能代替权与法去管理人惩治人,但它有不管之管,它能稽察权与法管不到打不着的地方,运用艺术的权威奖掖人,批评人,审判人的灵魂。文学的人情美和人性美是一种力量,一种道德的震撼力和情感的趋动力,它可以使人受到感化,不知不觉地勉励自己规范自己,甚至使人顿悟和贯通。

26. Literature cannot bestow official titles or wealth upon people, but it is a treasure, an immortal spiritual wealth of humanity. Literature cannot replace power and law in governing and punishing people, but it has an unobtrusive form of governance, which can investigate the places where power and law do not reach, and use the authority of art to encourage, criticize, and judge people's souls. The beauty of literature in terms of human feelings and human nature is a force, a moral震撼 power and an emotional driving force. It can move people to be influenced, to unconsciously encourage and regulate themselves, and even to have sudden insights and understandings.

27. 如果你只是一个普通人，必须要通过升级能力才能够提升自己的价值，那你一定要忍耐孤独，把自己和喧嚣的世界隔绝起来，在一个人的世界里沉淀自己，深耕自己，砥砺自己，成为某个领域的一流高手，让自己拥有核心竞争力。

27. If you are just an ordinary person and you must upgrade your abilities to enhance your own value, then you must endure loneliness and isolate yourself from the noisy world. Sink yourself in the world of solitude, delve deeply into yourself, strengthen yourself, become a master in a particular field, and possess core competitiveness.

28. [2] 波斯彼罗夫文学原理北京:生活读书新知三联书

28. [2] Bospirov's Literary Principles - Beijing: Life, Reading, New Knowledge, Sanlian Publishing House

29. “言语压君子，衣冠镇小人，先敬罗衣后敬人，先敬皮囊后敬魂。人生最大的捷径竟然是打扮自己，你的形象一定要走在能力前面，不然能力很容易被低估。

29. "Words subdue the noble, attire subdues the mean. First honor the robe, then honor the person; first honor the fleshly casing, then honor the soul. The greatest shortcut in life is to dress oneself well. Your image must precede your abilities, otherwise your abilities are easily undervalued."

30. 摘要:高尔基的“文学是人学”的命题至今仍不失为一个具有巨大生命活力的命题。然而由于它严重忽略了文学作为一种特殊的社会意识形态反映社会生活的美的方式,存在着较大的理论缺陷,十分不利于该命题巨大的社会作用的发挥。与其说“文学是人学”,不如说它是“美的人学”。主要依据在于:第一,文学写的是人,写的是以人为中心的极富诗意的社会生活,是“神”在人的心灵里点燃的美丽的人性的火光。第二,文学创作本身作为一种美的创造为的是人———文学的崇高使命就是为了减轻人类的精神痛苦。第三,文学通过美的方式探索、解决的是哲学、社会科学和一切自然科学都无法很好地解决的全人类共同面临的人生难题和生命困惑,也是为了人。“文学是人类文明最高尚的花朵。”古今中外一切文学形态的基本主题无不是为了怎样引导人类走向真正的幸福。

30. Abstract: Gorky's proposition that "Literature is the science of man" remains a命题 with immense vitality to this day. However, due to its serious neglect of the way literature, as a special form of social ideology, reflects the beauty of social life, it contains significant theoretical flaws and is not conducive to the full realization of the proposition's great social role. It would be more accurate to say that literature is the "science of the beautiful" rather than the "science of man." The main reasons are as follows: First, literature writes about people, about a highly poetic social life centered around humans, a beacon of beautiful human nature kindled in the hearts of people by "God." Second, literary creation itself, as a form of aesthetic creation, aims to benefit humanity—the noble mission of literature is to alleviate human spiritual suffering. Third, literature explores and solves the universal life difficulties and life puzzles that philosophy, social sciences, and all natural sciences cannot fully address, all for the sake of humanity. "Literature is the most noble flower of human civilization." The fundamental themes of all literary forms throughout history and across the world are all about how to guide humanity towards true happiness.

31. ​人可以有霉运，但不能有霉相，无论你是处于人生巅峰，还是暂时低谷，都不要放弃打扮自己。”

31. People may have bad luck, but they cannot have a downcast appearance. Whether you are at the peak of life or temporarily in a low ebb, do not give up on dressing yourself.

32. 修行不在山上，也不必在人间炼狱，只需要在日常生活之中。

32. Cultivation does not take place on mountains, nor does it necessarily require enduring trials in the inferno of human life; it is only needed in the everyday routine.

33. 冬季寒冷，脚冻得难受。起初他不时地站起来跺脚，后来觉得这样浪费时间，便削了一根圆滑的木棍，放在脚底下，一边读书一边来回用脚搓木棍，搓暖了脚，他又能安心读书了。

33. In winter, it was cold and his feet felt numb and uncomfortable. Initially, he would occasionally stand up and stamp his feet, but later he felt that it was a waste of time. So he cut a smooth piece of wood, placed it under his feet, and while reading, he would rub the wood back and forth with his feet to warm up his feet. Once his feet were warm, he could focus on reading again.

34. 二·七大罢工著名的工人领袖施洋，幼年家道贫寒，买不起灯油。村里有一座叫隆兴观的古庙，庙里点有一盏长明灯，他就在古庙里读书。

34. Shi Yang, a famous labor leader during the July 7th Strike, came from a poor family in his childhood and couldn't afford lamp oil. There was an ancient temple named Longxingguan in the village, where there was a perpetual lamp burning inside. He would study in the temple.

35. 首先是语言美。文学是语言的艺术。优秀文学作品的语言,不仅准确生动,有助于民族语言的规范,而且可以表现美。文学美,主要是通过语言塑造艺术形象表现出来的。对于一个优秀作家来说,没有不能用语言表现出来的东西。文学描写不受时间空间的限制,上下几千年,纵横千万里,兴衰成败,悲欢离合,都能用语言描绘成生动的图画,呈现在读者面前。“语不惊人死不休!”语言美是作家的刻意追求。“春风又绿江南岸”,那“绿”字你还能改动它吗

35. Firstly, there is the beauty of language. Literature is the art of language. The language used in excellent literary works is not only accurate and vivid but also contributes to the standardization of the national language and can express beauty. The beauty of literature is mainly manifested through the shaping of artistic images by language. For an outstanding writer, there is nothing that cannot be expressed through language. Literary descriptions are not limited by time and space; they can depict vivid pictures of ups and downs, successes and failures, joys and sorrows, spanning thousands of years and millions of miles, and present them to readers. "If the language does not surprise, I will not stop!" The beauty of language is the deliberate pursuit of the writer. "The spring breeze has once again turned the bank green," can you still change that "green" character?

36. 文学有认识作用,它可以帮助人们认识生活,洞察人生。文学有教育作用,它可以启迪人的思想,培养高尚的情操。文学还有娱乐作用,可以供人休息消遣。但人们创作和阅读文学作品,不仅是为了这些,还有一个很重要的方面,就是创造美和欣赏美,获得美的享受。譬如“桃花一簇开无主,可爱深红爱浅红”,“无可奈何花落去,似曾相识燕归来”,给我们主要的不就是美吗

36. Literature has the function of cognition; it can help people understand life and insight into human life. Literature also has an educational function; it can inspire people's thoughts and cultivate noble sentiments. Additionally, literature serves as an entertainment; it provides leisure and relaxation for people. However, the creation and reading of literary works by people are not just for these purposes. An important aspect is also to create and appreciate beauty, to enjoy the pleasure of beauty. For instance, the lines "A cluster of peach blossoms blooming with no master, both deep red and pale red are adorable," and "Useless to try to keep the flowers from falling, like seeing the swallows return as if we have seen them before," the main thing they give us is not beauty?

37. 然而人们为什么要吃得好、穿得好、玩得好,最终还是为了精神的欢乐。唯一不同的是文学和其他艺术在减轻人类精神痛苦方面发挥着更为直接和重大的作用而已。

37. However, why do people strive to eat well, dress well, and enjoy themselves, when it all boils down to the pursuit of spiritual joy? The only difference is that literature and other arts play a more direct and significant role in alleviating the mental suffering of humanity.

38. 我们想要得到更好的生活，就必须超脱当下的窘状，千方百计让自己变得更好，更优秀，更强大。如果不能不断的提升自己，所有的梦想都是天方夜谭。

38. In order to achieve a better life, we must rise above our current predicament and strive by all means to become better, more excellent, and stronger. If we do not continuously improve ourselves, all dreams are mere pipe dreams.

39. 鲁迅在南京江南水师学堂读书时，因为考试成绩优异，学校奖给他一枚金质奖章。他没有佩戴此奖章，来作为炫耀自己的凭证，而是拿到鼓楼大街把它卖了，买回几本心爱的书和一串红辣椒。

39. When Lu Xun was studying at the Nanking South China Maritime Academy, he was awarded a gold medal for his excellent academic performance. Instead of wearing it as a symbol of pride, he sold the medal on Gulou Street and used the money to buy several beloved books and a string of chili peppers.

40. 生活不止眼前的苟且，还有诗和远方的田野。

40. Life is not just about the trivialities in front of you; it also includes poetry and the vast fields in the distance.

41. 园里的吟诗作对,那么多的机巧睿智,那样的人杰地灵,难道不是人的智慧闪光吗实际上,优美的文学语言,成功的艺术形象,本身就是人类智慧的结晶,我们阅读各种文学作品,就是在欣赏作家的智慧之美。

41. The couplets recited in the garden, with so much ingenuity and wisdom, and such a place where talents thrive, can't they be a glow of human intelligence? In fact, beautiful literary language and successful artistic images are themselves the crystallization of human wisdom. When we read various literary works, we are appreciating the beauty of the writers' wisdom.

42. 为什么这样讲呢首先文学写的是人,写的是以人为中心的极富于诗意的社会生活。文学写的就是人与自然的关系、人与社会的关系、人与人之间的关系、人与自我的关系,写的也就是一个人内在的和外在的整体形象的有机统一所显示出的某些高尚的或不高尚的深层的心灵状态,除非有一天随着人性的完满实现文学走向了真正的消亡。人的自然属性作为人性的一个有机组成部分固然是文学赖以表现的重要方面,然而人作为社会关系总和的社会属性才是文学赖以表现的重心。任何一个人离开了这个具体的社会关系网络都将无以生存。人一出生就有了父子关系、母女关系、兄弟姊妹关系;一上学就有了同学、师生关系;长大了一恋爱就有了恋人关系,结婚了就有了夫妻关系,产生了婚外恋,就有了情人关系;参加工作了,就有了同事关系,上、下级关系;到了外交谈判桌上开始了同外国人的谈判就有了外交关系;在阶级社会里人们还有阶级关系。只有在某些特定的阶级斗争异常尖锐的历史时期,以上诸种关系才会披上浓郁的阶级性的色彩。在更多的时候,“阶级关系”不过是人性诸多侧面的一个有机方面,决不能以偏概全。人历来就是这样一种社会关系的总和。一部作品中当一个作家创造性地把这些错综复杂的社会关系交代清楚后,文学作品的基本内容就形成了。对这种以一个或若干个主人公为核心的错综复杂的关系的创造性梳理和编织,也就是对人与自然的关系、人与社会的关系、人与人之间的关系和人与自我的关系中所蕴含的一系列丰富的诗意和美的开掘,就是对这种独特的诗意和美的卓越发现。这也正是作家比一般人高明的地方。因此就这个意义上说,文学不是别的,而是“神”在人的心灵里点燃的美丽的人性的火光,同其他的旨在考察以人为中心的社会生活的某一侧面或多个侧面的哲学、社会科学是大不一样的。

42. Why is it said this way? Firstly, literature writes about people, about a highly poetic social life centered around humans. Literature writes about the relationship between humans and nature, between humans and society, between individuals, and between humans and themselves. It also describes certain noble or not-so-noble profound psychological states that are revealed by the organic unity of a person's inner and outer overall image, unless one day, with the perfect realization of human nature, literature truly ceases to exist. The natural attributes of humans, as an organic part of human nature, are indeed an important aspect for literature to express. However, the social attributes of humans, as the sum of social relationships, are the core of what literature seeks to express. Any individual, separated from this specific network of social relationships, would be unable to survive. From birth, humans have relationships with their parents, siblings, and others; at school, they have relationships with classmates and teachers; as they grow up, they form relationships with lovers when they fall in love and with spouses when they get married; they have mistresses when they have extramarital affairs; when they start working, they have relationships with colleagues and superiors; when they engage in diplomatic negotiations, they establish diplomatic relationships with foreigners; in a class society, they also have class relationships. Only during certain historical periods when class struggles are extremely intense, would these relationships take on a strong class character. More often than not, "class relationships" are just one organic aspect of human nature, and cannot be generalized. Humans have always been a sum of such social relationships. When a writer creatively clarifies these complex social relationships in a work, the basic content of the literary work is formed. The creative sorting and weaving of these complex relationships centered around one or several main characters is also the exploration of a series of rich poetics and beauty inherent in the relationships between humans and nature, between humans and society, between individuals, and between humans and themselves. It is the remarkable discovery of this unique poetics and beauty. This is precisely where writers are superior to ordinary people. Therefore, in this sense, literature is not something else but the beautiful light of human nature lit by the "divine" within the human heart, which is fundamentally different from other philosophies and social sciences aimed at examining one or more aspects of human-centered social life.

43. 美好的人生都是一个精雕细琢的过程，把一切粗糙的，负面的东西剥离掉，我们才会光芒闪闪，纯粹精致。

43. A good life is a meticulously crafted process, by stripping away all the rough and negative elements, we will shine brightly, pure and exquisite.

44. 勇敢地跳出温水煮青蛙的舒适区，到市场的汪洋大海之中去磨练自己，到波谲云诡的时代风云之中去成就自己。

44. Daringly step out of the comfortable zone of the frog being boiled in a pot of warm water, and immerse yourself in the vast ocean of the market to temper yourself, and in the ever-changing era's tumultuous clouds and winds to achieve your own greatness.

45. 生活就是一场修行。

45. Life is a journey of self-improvement.

46. 修行的目的就是让自己变得越来越好，从此拥有更加美好的生活。

46. The purpose of cultivation is to make oneself better and better, thereby enjoying a more wonderful life.

47. 文学不仅仅是一种认识论意义上的社会现象,还是一种生命现象,一种语言现象,一种美学现象,一种文化现象,但归根结蒂主要是一种生命现象。它不仅具有社会本体,还具有明显的生命本体、语言本体、美学本体和文化本体。且任何一个层面的文学本质往往又都以相应的文学本体为依托。而文学作为一种美的人学便集中体现了这种生命现象的基本底蕴。文学的发展永远都无法脱离“文学作为一种生命现象”为它提供的无尽的美的燃料和动力。因此文学深层的人文本质的形而下性质是其诸层本质赖以存在的灵魂。抛开了这一点,任何一种再玄乎再时髦的形而上的界定都是苍白的、没有生命力的。我国理论界对文学本质探讨的根本的弊端也正在于此。

47. Literature is not only a social phenomenon in the sense of epistemology, but also a phenomenon of life, a linguistic phenomenon, an aesthetic phenomenon, and a cultural phenomenon, but fundamentally, it is mainly a phenomenon of life. It not only has a social essence but also possesses a distinct essence of life, language, aesthetics, and culture. Moreover, the essence of literature at any level is often based on the corresponding essence of literature. As a branch of humanities that focuses on beauty, literature embodies the fundamental essence of this phenomenon of life. The development of literature can never be separated from the endless fuel and动力 provided by the concept of "literature as a phenomenon of life." Therefore, the metaphysical nature of the profound humanistic essence of literature is the soul that sustains its various layers of essence. Without this, any esoteric or fashionable metaphysical definition is hollow and lacks vitality. The fundamental flaw in the literary essence discussions within our theoretical circle lies precisely here.