心有千千结，不言而愈。

A thousand knots in the heart, healed without a word.

1. 我很想你了，耳机知道，枕头也知道，就你不知道。

1. I miss you so much, the headphones know, the pillow knows, but you don't.

2. 对方撤回一条消息”可你一定要知道，其实我并没有发错啊……

2. "The other party has withdrawn a message" but you must know that actually, I didn't send it wrong at all...

3. 2翠湖寒 (

3. 2 Cold at Green Lake (Cuihu Han)

4. 真正的想念不是时刻挂在嘴边，而是当停下手中事那一刻，总觉得缺了一个你。

4. True longing is not constantly on the lips, but when you pause in your hands, you always feel as if something is missing—a piece of you.

5. 风儿追求落叶，是因为爱恋；流水挽留落花，是因为思念；繁星包围明月，是因为遇见；我对你的痴恋，是因为情缘。只愿与你相守到永远。

5. The wind chases after the fallen leaves because of affection; the flowing water holds onto the fallen flowers because of longing; the numerous stars encircle the bright moon because of a meeting; my infatuation with you is because of fate. I only wish to be with you forever.

6. 我讨厌下雨，因为我还是学不会带雨伞，就如我学不会忘了你。

6. I hate rain because I still can't learn to carry an umbrella, just as I can't learn to forget you.

7. 。当看到侯孝贤自在自得的嚼槟榔、吃地摊、喝老人茶唱卡拉OK的同时，我随着侯孝贤在片尾不由自主的大喊一声——“爽”！

7. While watching Hou Hsiao-hsien leisurely chewing betel nuts, eating street food, drinking old folks' tea, and singing karaoke, I couldn't help but shout out in excitement at the end of the film along with Hou Hsiao-hsien, "It's so great!"

8. 戏梦人生 Hsimeng jensheng (

8. Dreaming of a Playful Life Hsimeng jensheng (

9. 最怀念的不是下雨天，而是我和你一起躲过雨的屋檐。

9. What I miss most is not the rainy days, but the eaves where you and I hid from the rain together.

10. 这个世上最痛苦的事，莫过于你走后，我把自己活成了你的模样。

10. The most painful thing in this world is that after you left, I lived myself into your image.

11. 在那河畔青草青 Zai na hepan qingcao qing (

11. By the river, the grass is green.

12. 传统经典与现代文明在这里完全融合，上楼顶的时候，我们乘坐的是电梯。走出电梯门，或许是因为站得太高的缘故吧，一刹那间便有了“会当凌绝顶一览众山小”的感觉！东南方向，有一青灰色的塔非常醒目，曹大哥见多识广，知识渊博，他说那就是法门寺舍利塔，八十年代曾经坍塌过一次，现在看到的应该是后来重修起来的。法门寺原名阿育王寺，释迦摩尼坐化后，火化的遗体结成舍利。公元三世纪，阿育王统一印度，为弘扬佛法，将舍利分成若干份，分送世界各地建塔供奉，中国共有十九处，法门寺为第五处。法门寺塔原为四层木塔，下有地宫，除藏有舍利之外，还有唐皇赐予的金银、器皿、、袈裟、锦缎之类。新建的塔为砖砌楼阁式，平面八角十三层，高六十余米，塔上的造像庄重肃穆，技艺精湛，是这法门佛教圣地不可多得的一处亮点！

12. Traditional classics and modern civilization are perfectly integrated here. When we go up to the rooftop, we ride an elevator. Stepping out of the elevator, perhaps due to the height, we suddenly have the feeling of "standing on the peak to survey all the mountains below"! To the southeast, there is a distinctly visible grey-tiled tower. Brother Cao, with his wide knowledge and profound learning, says that it is the Shaolin Temple Relic Tower, which collapsed once in the 1980s. The one we see now should be the reconstructed one. The original name of the Shaolin Temple was Ayutthaya Temple. After the cremation of the body of Sakyamuni, the ashes formed relics. In the 3rd century AD, King Ashoka unified India and, to promote Buddhism, divided the relics into several parts and sent them to various parts of the world to build towers for worship. In China, there are a total of nineteen such places, and the Shaolin Temple is the fifth. The original Shaolin Temple Tower was a four-story wooden tower with an underground palace, which not only contained the relics but also had gold and silver, utensils, robes, and brocades bestowed by the Tang emperor. The newly built tower is a brick-built pavilion with a flat octagonal structure, thirteen stories high, over sixty meters tall. The images on the tower are solemn and majestic, with exquisite craftsmanship, making it a rare highlight of this Shaolin Buddhist sacred site!

13. 相爱是一种很美好的感觉，与你相识、相知、相爱成就了这种美好，我深爱你和感谢你！愿与你携手一生，相恋、相伴、相守一辈子！

13. Love is a very wonderful feeling, and getting to know you, understand you, and love you has brought about this beauty. I deeply love you and thank you! May we hold hands for life, loving, accompanying, and staying together for a lifetime!

14. ❷心里下了一场暴雨，可脸上还是晴空万里。

14. ❷ An intense storm raged within my heart, yet my face remained as clear as a blue sky.

15. 曲径花丛，梵音袅袅；人流如梭，厅回廊转。循着青色长衫僧人的踪迹，走过一段路程，我们来到法门寺塔下的地宫，一洞旁围着好多游客，一位导游模样的小伙正在讲解，我也凑了过去。洞口用结实的有机玻璃封闭着，公元873年唐懿宗祈求佛祖保佑，就是从这里请出佛骨迎到长安供奉，佛事礼仪还没结束便患病驾崩！继位的唐僖宗第一件事，就是恭敬地护送佛骨回归法门寺，公元874年，伴随着诵经声佛指舍利连同数千件稀世珍宝，一同被封入地宫，并用唐密曼荼罗坛供养。从此唐代持续了242年的迎送佛骨活动，就在把铁锁锁上的那一刻，稀世珍宝连同佛指舍利，一起长久的尘封在了地下！直到1987年，修塔的工作人员无意间在浮土下面发现一块白玉石板，经文物部门细致深度地挖掘探测，于是乎，1000多年前的绝世机密才有了重见天日的机缘！透过玻璃，清晰地看到洞口只容一人屈膝通过，里面设置了一道又一道小门，靠近出口处躺着一块青色方砖，满目苍夷，缺棱少角，导游介绍说当年就是用它来封洞口的。

15. Winding paths through flower-bedecked gardens, with the ethereal sound of Buddhist chants; the stream of people like shuttlecocks, corridors winding around the hall. Following the trace of the monk in a green robe, we walked a distance and arrived at the underground palace beneath the Temple of Manjushri. A group of tourists were gathered around a hole, with a young man dressed like a tour guide explaining to them, and I joined them as well. The entrance to the cave was sealed with sturdy plexiglass. In 873 AD, Emperor Yi Zong of the Tang Dynasty prayed to the Buddha for protection, and it was from here that the Buddha's relic was retrieved to be worshipped in Chang'an. Unfortunately, the ritual had not yet concluded when the emperor fell ill and passed away! The first thing that Emperor Xie Zong, who succeeded him, did was to respectfully escort the Buddha's relic back to the Temple of Manjushri. In 874 AD, along with the sound of reciting scriptures, the Buddha's bone relic and thousands of rare treasures were sealed into the underground palace, and offered by the Tang Dynasty's esoteric Mandala ceremony. From then on, the Tang Dynasty's 242-year-old practice of welcoming and sending the Buddha's relic came to an end with the locking of the iron chain. That moment, the rare treasures and the Buddha's bone relic were sealed away in the earth for a long time! It was not until 1987 that, during the restoration of the pagoda, workers accidentally discovered a slab of white jade under the loose earth. After meticulous and in-depth excavation by the cultural relics department, the secret of 1000 years ago finally had the chance to see the light of day! Through the glass, it was clearly visible that the cave entrance was only large enough for one person to bend down and pass through, inside there were a series of small doors. Near the exit lay a square brick of green color, worn and chipped. The guide explained that it was used to seal the cave entrance in those days.

16. 我打了三行字，想着要藏在哪里才合适，你又能否一看便知。

16. I typed three lines of text, pondering where would be the most suitable place to hide it, and yet you seem to be able to discern it at a glance.

17. 1998年的《海上花》是一部华丽而颓废的作品，据说整个妓院在台湾建景拍成，美工为了找能体现生活痕迹的“没用的东西”还特别煞费苦心。《海上花》，上海花，是一朵朵在上海英租界讨生活的名妓花，只可惜，她们被深锁在花房，只能白白地等待最美的花期过了，尽管是招来迎往、万般宠爱，却还是一身孑然；华丽，但颓废。实在是无法想象，台湾的侯孝贤拍起老上海的故事，竟可以这么平稳而内敛。又据说，侯孝贤在回答记者关于《海上花》时空局限时的回答是：“…… 用冷静客观的角度去看那些妓女们的生活，所以我故意不拍外景，因为她们困顿在这一个situation里面，跑不掉。其实每个人都是，他们出生来到这个社会就跑不掉。”这样的断言，实在是很酷。

17. "The Flowers of Shanghai" from 1998 is a lavish yet decadent work, rumored to have been entirely filmed on location in a brothel in Taiwan. The art department went to great lengths to find "useless things" that could reflect the traces of life. "The Flowers of Shanghai," or "Shanghai flowers," refer to the famous courtesans who eke out a living in the Shanghai International Settlement. Unfortunately, they are locked away in the flower room, left to wait for the most beautiful blooming season to pass by, even though they are courted and doted upon, they are still solitary; luxurious, yet decadent. It's truly unimaginable that Hou Hsiao-hsien, filming the story of old Shanghai, could be so calm and reserved. It is also rumored that Hou Hsiao-hsien's response to a journalist's question about the temporal and spatial limitations of "The Flowers of Shanghai" was: "...Viewing the lives of the prostitutes from a calm and objective perspective, so I deliberately did not shoot any exterior scenes, because they are trapped in this situation and cannot escape. In fact, everyone is, they are born into this society and cannot escape." Such a statement is really cool.

18. 人走过了，心并不一定能走过，人坐下了，心并不一定能坐下，人安静了，心并不一定能安静。有时候自欺欺人，是全天下最可爱的谎言。

18. People may leave, but their hearts may not necessarily follow; people may sit down, but their hearts may not necessarily settle; people may become calm, but their hearts may not necessarily be at peace. Sometimes deceiving oneself is the most endearing lie in the world.

19. 去年冬天 Qunian dongtian (

19. Last winter Qunian dongtian (

20. 不管刮风或下雨，不管你哭或你笑，不管他人怎样说，我想的都只会有你。

20. Whether it's windy or rainy, whether you cry or you laugh, no matter what others say, the only thing I can think of will always be you.

21. 又是月色朦胧，小巷格外宁静，花草无动于衷，窗帘有你侧影，孤单叠叠重重，心跳能否感应，满是夜淡风清，今夜应是无梦，想你直到天明！

21. Again, the moonlight is dim and hazy, the narrow alley extra quiet, the flowers and grass indifferent, the curtains with your silhouette, loneliness piled up layer upon layer, can the heartbeat sense, it's full of the faint night breeze, tonight should be without dreams, thinking of you till dawn!

22. 小毕的故事 Hsiao pi te ku shih (

22. The Story of Little Bi Hsiao pi te ku shih

23. 老娘够骚 Lao niang gou sao (

23. The old woman is quite slutty.

24. 到旅游胜地法门寺大门口，已是中午十点多。其时，风清云淡，阳光和煦，停车场处的树木已泛起淡淡的鹅黄绿，初看还以为树枝裹了淡色绿绒，绿化带里鲜花朵朵，柳丝飘飘。站静，目之所及，一派春意盎然的景象！

24. By the gate of the famous tourist attraction, the Mahayana Temple, it was already past noon. At that time, the wind was clear, the clouds were light, the sun was warm, and the trees in the parking lot had already turned a light yellow-green. At first glance, it seemed as if the branches were wrapped in a light green downy fabric. The flowers in the green belt were blooming beautifully, and the willow branches fluttered gently. Standing still, everything within sight was a scene full of spring vitality!

25. 佛光大道最北端，矗立着举世闻名的“法门寺合十舍利塔。”塔高一百四十八米，呈佛家弟子经典的双手合十状，指尖直指苍穹，两手掌间安放着佛指舍利的宝塔。据说这座庞大的建筑造价不菲，耗时多年，由台湾著名工程大师李祖原设计。我们拾阶而上，进入塔下的大殿内，弥勒大佛像是花岗岩石体雕刻而成，铂金装饰，金碧辉煌，气势磅礴！更让人叹为观止的是，它身上的每一寸“肌肤”都雕刻着小佛陀，图案细腻，栩栩如生，无以计数！离左边不远处是“抄写堂”，里面有五六名十岁左右的孩童，正跪爬在凳子上写着什么。一了解才知，原来是一些虔诚的佛教信徒，把自己贪玩厌学的孩子送过来，逼迫着誊写“三字经，”“弟子规”之类的传统经典，以求他们“收心，”最终改过自新、达到教化之目的！灵验与否暂且不说，我默默地在心里唏嘘“可怜天下父母心”的同时，也为我们中华民族传统文化的博大精深赞叹不已！

25. At the northernmost end of the Buddha Light Avenue stands the world-famous "Famen Temple Hand-in-Hand Sutra Tower." The tower is 148 meters tall, shaped like the classic hands-together gesture of Buddhist disciples, with the tips of the fingers pointing towards the sky, and a precious tower containing the Buddha's finger relics resting between the palms. It is said that this massive structure was not cheap in cost and took many years to complete, designed by the famous Taiwanese engineer Master Li Zuyuan. We climbed the steps and entered the grand hall beneath the tower, where the Maitreya Buddha statue was carved from granite, adorned with platinum, resplendent with gold and magnificent in its grandeur! What is even more astonishing is that every inch of its "skin" is carved with small Buddha figures, with intricate patterns and lifelike depictions, countless in number! Not far from the left side is the "Transcription Hall," where there are about five or six children around ten years old, kneeling and crawling on stools writing something. Upon learning more, we found out that these were some devout Buddhist believers who sent their children who were fond of playing and disliked studying here, forcing them to copy traditional classics such as "Three Characters Classic" and "Disciple's Code" in the hope of making them "regain their focus," ultimately reforming and achieving the purpose of education! Whether it is effective or not is another matter. While I silently sighed in my heart at the "pitiful hearts of all parents in the world," I also marveled at the profound and profound traditional culture of our Chinese nation!

26. 千禧曼波之蔷薇的名字 Millennium Mambo (

26. The name of the rose is Millennium Mambo (

27. ❼情绪在胸口堆积成山，可嘴巴却像上了锁。

27. Emotions pile up in the chest like a mountain, but the mouth is locked as if it has been chained.

28. 昨天在路上看见一个很像你的人，好像是好像又不是，我回头看了很久。

28. Yesterday, on the road, I saw someone who looked very much like you, but it was as if they were and as if they weren't. I looked back at them for a long time.

29. 因为时间的原因，法门寺里的好多景点我们都是走马观花一闪而过，并没有仔细地去探究观赏。

29. Due to the constraint of time, we merely gave a passing glance to many of the attractions in the Monastery of the Great Buddha, without taking the time to explore and appreciate them in detail.

30. 电视上说房价能调控下来，地产商笑了。电视上说菜价能降下来，菜贩子笑了。电视上说分开太久友情会变薄变淡，你我都笑了。

30. The TV said the house prices could be regulated down, and the real estate developers smiled. The TV said the vegetable prices could be reduced, and the vegetable vendors smiled. The TV said that after being apart for too long, friendships would become thin and fade, and both of us smiled.

31. 侯孝贤，广东梅州人。1948年，不满半岁的侯孝贤随家人由广东梅州迁居台湾花莲。家人原想客居数年，不料因政治原因无法重归故土，因此可以说侯孝贤长于台湾：“十二岁父亲去世的隔年夏天，吃过午饭，少年侯孝贤照例赤着脚，通过后门来到县长公馆的前厅，坐在墙上偷摘芒果。墙外面就是马路。通常小孩摘了芒果就跑，少年侯孝贤选择镇定地待在原地享受他的战果。整个街道非常寂寥。远远传来脚踏车吃力轮转声，声音如此微弱，分不清脚踏车从哪里来又要往哪里去。树坐在树上的少年侯孝贤清醒地感受到微热的风，安静的蝉声，人的活动。他突然感到寂寞。好像时空整个凝结在那里。这个印象一直到他长大开始创作，成为他作品最重要的基调：一个俯瞰人世的旁观者。温暖，但带着距离，所以绝对的清醒。”

31. Hou Hsiao-hsien, from Meizhou, Guangdong. In 1948, Hou Hsiao-hsien, who was less than half a year old, moved to Hualien, Taiwan with his family from Meizhou, Guangdong. Originally, his family intended to stay temporarily, but unfortunately, due to political reasons, they were unable to return to their homeland, thus it can be said that Hou Hsiao-hsien grew up in Taiwan: "The following summer after his father passed away at the age of twelve, after lunch, young Hou Hsiao-hsien, as usual, went barefoot through the back door to the front hall of the magistrate's residence, sitting on the wall to stealthily pick mangoes. Outside the wall was the street. Usually, children would run away after picking the mangoes, but young Hou Hsiao-hsien chose to stay calmly at the spot to enjoy his spoils. The entire street was very desolate. From a distance, the sound of a bicycle struggling to turn its wheels came, so faint that it was impossible to tell where the bicycle was coming from and where it was going. The young Hou Hsiao-hsien sitting on the tree clearly felt the slightly warm wind, the quiet cicada sounds, and human activities. Suddenly, he felt lonely. It seemed as if time and space had all solidified there. This impression remained with him until he grew up and began to create, becoming the most important tone in his works: a旁观者 looking down upon the world. Warm, but with a sense of distance, thus absolutely清醒."

32. 听完藏宝洞神奇的历史，往前走几步，转过一个弯就到了展览厅。里面光线很暗，或许是为了突出展品精美绝伦的缘故吧，只是在每件文物的玻璃罩里安装了一个小烛灯，既有镯、盏、钗、钰、盂，也有生活器皿碗、碟、盘和丝、锦、帛、纸等等。种类繁多，令人目不暇接，最引人瞩目的还是盛放佛指舍利的七个盒子，它们漆皮斑驳，由大到小一字排开，被安放在一个梯形的大玻璃罩内。据说出土时，舍利子就装在最小的盒子里，大的套小的以此类推，并且一一上锁，此情此景我实在想像不出，还有什么东西能有如此珍贵，被不厌其烦地包裹、上锁而深埋地下一千余年，出土后被后人又如此的顶礼膜拜？

32. After hearing the神奇 history of the treasure cave, take a few steps forward and turn a corner to reach the exhibition hall. The inside is quite dim, perhaps to highlight the exquisite beauty of the exhibits. There is a small candle lamp installed in the glass case of each artifact, which includes bracelets, cups, hairpins, jade articles, basins, as well as everyday utensils like bowls, plates, and dishes, as well as silk, brocade, silk, and paper, etc. The variety is overwhelming, leaving one's eyes unable to take in all at once. The most striking are the seven boxes containing the relics of the Buddha's finger, which are variegated in paint and arranged from largest to smallest in a row, placed inside a trapezoidal large glass case. It is said that when they were unearthed, the relics were placed in the smallest box, with the larger ones containing the smaller ones, and each was locked. I really can't imagine anything more precious that would be so meticulously wrapped, locked, and buried underground for over a thousand years, and then worshipped by later generations with such reverence.

33. 想你的时候，就像一阵又一阵雷阵雨，想必也没有人能明白雨的悲伤和难过。

33. When I think of you, it's like a series of thunderstorms, one after another, and I suppose no one can understand the sadness and melancholy in the rain.

34. 在所有好的 ，坏的情绪里，毫无预兆的想念你，是我不可告人的隐疾。

34. In all the good and bad emotions, the sudden longing for you is my unspoken hidden illness.

35. 福德正神 (

35. The God of Fortune (Fude Sheng Shen)

36. 我想邀请你和我一起去买烤红薯挑个大的你一半我一半。

36. I would like to invite you to go with me to buy roasted sweet potatoes. Let's pick a big one, and I'll split it with you, half for me and half for you.

37. 1昨日雨潇潇 (

37. 1 Yesterday, it rained heavily all day.

38. 刚刚又没忍住，往宇宙里发送了想你的脑电波。

38. Just couldn't help it again, sent a brainwave thinking of you into the universe.

39. 想你的'时候，我的眼睛为你下雨，心却在为你打伞。

39. When I miss you, my eyes pour rain for you, but my heart is holding an umbrella over you.

40. ❾不是所有沉默都代表无所谓，有些是说不出的累。

40. Not all silences represent indifference; some are the exhaustion that cannot be expressed.

41. 一年，我只想你12个月。一周，我只想你7天。我的思念像马拉松一样漫长，像万里长城一样绵长，像空气一样无所不在。亲爱的，好想你！

41. In one year, I only think of you for 12 months. In one week, I only think of you for 7 days. My thoughts are as long as a marathon, as endless as the Great Wall, and as omnipresent as air. Darling, I miss you so much!

42. 漫漫人生路，有苦也有甜，春去秋来，时光荏苒，事物都已变，友情却不变，心底深深的思念，短信条条把情传，只愿你一生快乐比蜜甜！

42. Life's long journey has both bitter and sweet moments, as seasons change from spring to autumn, time flies by, things have all changed, but friendship remains the same. The deep longing in my heart, conveyed through each SMS, is for your happiness to be sweeter than honey throughout your life!

43. 咖啡时光 Coffee jikou (

43. Coffee Time Coffee jikou (

44. 儿子的大玩偶 Sandwich Man, The (

44. The Sandwich Man, a big toy for the son.

45. 当年还是《青梅竹马》男主角的侯孝贤则是由于面如满月，故得艺名曰“侯大饼”， Pizza Hou。

45. Hou Hsiao-hsien, who was the male lead in "A Brighter Summer Day" back then, was named "Hou Da-bing" or "Pizza Hou" due to his full-moon-like face.

46. 风中飘着云做的雨，对面有个思念的你。我在雨中孤寂，想着我们浪漫的过去。雨打芭蕉是另外一种美丽，杜鹃啼血，声声呼唤你的归期。

46. In the wind, clouds are weeping as rain, and across the way, there's a you who is longing. I'm lonely in the rain, thinking about our romantic past. The rain beating on the bamboo is another kind of beauty, while the azalea cries blood, calling out for your return.

47. 思念是一种美丽的孤独，也只有在思念的时候，孤独才显得如此美丽。

47. Missing someone is a beautiful form of loneliness, and it is only when missing someone that loneliness appears so beautiful.

48. 最好的时光 The best of our times (

48. The Best of Our Times

49. 等到下次见面，我会用不知攒了多少天的思念，去拥抱你。

49. When we meet next time, I will embrace you with the longing I've been accumulating for countless days.

50. 童年往事 Time to Live and the Time to Die, The (

50. Memoirs of Childhood Time to Live and the Time to Die, The

51. 最想念的季节 Zhui xiang nian de ji jie (

51. The Most Missed Season Zhui xiang nian de ji jie

52. 我的生命百分之一维持着我的生活，百分之九十九用来想你。

52. One percent of my life sustains my living, and ninety-nine percent is spent thinking of you.

53. 对你的思念怎能轻言不是对你的爱恋，心中细细碎碎的都是关于你的片段，怎能不想也不爱，错过你的一个眼神，我都会深深的把自己埋怨！

53. How can it be said that it's not love if I think of you? Every tiny thought in my heart is about you. How can I not desire or love you? Missing a single glance of yours, I would deeply blame myself!

54. 出了“圆融门，”赫然开朗，呈现眼前的是法门寺旅游景区的核心部位——佛光大道。非常开阔的人行道啊！最外围是郁郁葱葱的松柏和若隐若现的建筑，右边靠近圆融门的地方是十八罗汉雕塑，它们表情丰富，形态迥异，或睁眼愠怒，或怪笑森森！对于佛教的各种学说，我隔岸观之不崇拜不迷信，一直一来就对十八罗汉心存芥蒂：它们拥有一幅令人望而生厌的模样，可信徒们为什么还要去膜拜呢？塑像的脚下有一条形大香炉，有人虔诚恭拜，香烟袅袅，肃穆庄重！再往里是十尊菩萨塑像一字排开，左右对称，各具形态，大气端庄，慈眉善目！每一尊雕像前面都有一架条形香炉，紧挨着的便是“功德箱，”雕像底座的正面刻有中、英、日三种文字的说明。记得我小时候看《西游记》，每当孙悟空遇到斗不过的妖怪，观音菩萨总会及时出现，基于此种少年情结，我对东边第五个“观音菩萨（大慈）”的塑像产生了兴趣！走进细看，上书：获观音慈悲救护，来世蒙观音引生极乐。真的吗，不置可否！小时候以为，孙悟空神通广大，在取经途中降妖除魔，至始至终，修成正果，成为斗战胜佛！如今我已年近半百，方才知晓，原来《西游记》只是吴老先生杜撰出来的一部小说！

54. After passing through the "Yuanrong Gate," the view suddenly opened up, revealing the core of the Famen Temple tourist attraction - the Buddha Light Avenue. It is an extremely spacious pedestrian path! The outermost part is lush with pines and cypresses, and buildings that are faintly visible. To the right, near the Yuanrong Gate, there are sculptures of the Eighteen Arhats, which have rich expressions and diverse forms, some with angry eyes and fierce expressions, while others are laughing mysteriously! Regarding the various teachings of Buddhism, I have always maintained a distant attitude, neither worshiping nor believing blindly, and have always harbored a grudge against the Eighteen Arhats: They possess an appearance that is repulsive to the eyes, so why do the believers still worship them? At the foot of the statues is a large incense burner, where some people are paying their respects with smoke rising, creating a solemn and solemn atmosphere! Further inside, there are ten statues of bodhisattvas arranged in a row, symmetrically on both sides, each with its own form, dignified and graceful, with kind and benevolent eyes! In front of each statue, there is a long incense burner, next to which is the "merit box." The front of the base of the statues is inscribed with Chinese, English, and Japanese explanations. Remember when I was a child, watching "Journey to the West," whenever Sun Wukong encountered demons he couldn't defeat, the Goddess of Mercy would always appear in time. Based on this youthful sentiment, I became interested in the fifth statue of the "Goddess of Mercy (Great Compassion)" on the eastern side! Upon closer inspection, it is inscribed: "Received the mercy of the Goddess of Mercy, in the next life, will be reborn into the Pure Land of Bliss." Is it true? I am not sure! When I was a child, I thought that Sun Wukong had great magic powers, defeated demons and monsters on the journey to retrieve the scriptures, and eventually achieved enlightenment, becoming the Buddha of Victory. Now that I am nearly fifty years old, I have just learned that "Journey to the West" was just a novel made up by Mr. Wu!

55. 沉寂了2年之后，他终于向世人展示了他超才华的颠峰之作——《悲情城市》。他成功的完成了从关注台湾民生成长过程到关注社会历史问题的一个自然的淡入淡出。但是，“人”，依然是侯孝贤永远关注的。说到《悲情城市》，我相信有太多的人用他们自己的方式欣赏它和品味它，**中的许多镜头已经成为耳熟能详的经典。《悲情城市》的优美及苦涩让所有看过的人都无法释怀。这是一部以历史事件为背景的大制作，依旧是把摄影机不远不近不离不弃的摆在画面的一侧，依旧是漫不经心事不关己的画外音，依旧是温情脉脉柔和生动的光晕，太熟悉了，每个人都在心底说，还是侯孝贤啊！《悲情城市》里的悲情来自于**里文清和宽美在时空边缘苦苦维系的爱情，来自于宽容和大家情绪激昂，慷慨高歌《流亡三部曲》，也来自于“你们要尊严的活着，父亲虽死于狱中，但请相信，父亲无罪。”的遗书，来自于一切一切在历史背景下被践踏，被忽略的人性尊严。《悲情城市》为台湾人长期心中的禁忌与恐惧，作了最伤痛的回忆，片中无论是陈仪所代表的官方叙事，还是宽美的日记，都是让观众看到所谓台湾光复的历史叙事原来是如此的充满断裂，充满悲情。而侯孝贤自己在接受采访时则说：“这部**想要抓住的感觉，与其说是尝试要为这几十年来的台湾历史进行注解，其实是更像把一首台语老歌给唱出来，歌词简单，情感直接，但唱的人和听的人都会在歌声中找到自己寄托的空间、非关逃避，而只见人的韧性。”。

55. After a silence of two years, he finally showcased to the world his masterpiece of extraordinary talent, "A City of Sadness." He successfully transitioned from focusing on the growth process of Taiwan's people's livelihood to addressing social historical issues in a natural way. However, "people" remains the eternal focus of Hou Hsiao-hsien. When it comes to "A City of Sadness," I believe that too many people appreciate and savor it in their own way, and many of its shots have become familiar classics. The elegance and bitterness of "A City of Sadness" leave all who have seen it unable to let go. This is a grand production with historical events as the backdrop, where the camera is still placed on one side of the frame, with a casual and indifferent voice-over, and with a warm, soft, and vivid glow. It's so familiar; everyone in their hearts says, it's still Hou Hsiao-hsien! The sadness in "A City of Sadness" comes from the love that Li Wenqing and Kuanmei hold on to on the edge of time and space, from the tolerance and enthusiasm of the masses as they sing the "Exile Trilogy" with passion, and from the letter that reads, "You must live with dignity, even though my father died in prison, please believe that he was innocent." It also comes from the trampling and neglect of human dignity under the backdrop of history. "A City of Sadness" has become the most painful memory of long-held taboos and fears in the hearts of Taiwanese, where both the official narrative represented by Chen Yi and Kuanmei's diary reveal that the so-called history of Taiwan's liberation is so full of discontinuity and sadness. As for Hou Hsiao-hsien himself, when interviewed, he said, "The aim of this production is not so much to try to annotate the history of Taiwan over the past few decades as it is to sing an old Taiwanese song, whose lyrics are simple and the emotions are direct. Both the singers and the listeners find their own space for self-fulfillment in the song, not as a means of escape, but only as a testament to human resilience."