1. 律诗一过颔联，“起”“承”之后，已到“转”笔之时，笔到此间，大抵前面文情已然达到小小一顿之处，似结非结，含意待申。在此下面，点笔落墨，好象重新再“起”似的。其笔势或如奇峰突起，或如藕断丝连，或者推笔宕开，或者明缓暗紧……手法可以不尽相同，而神理脉络，是有转折而又始终贯注的。当此之际，玉溪就写出了“沧海月明珠有泪”这一名句来。

1. After the second couplet of the poem, when the "rise" and "continue" are done, it's time for the "turn" to begin. At this point, the writer has reached a slight pause in the emotional flow of the text, neither fully concluding nor leaving it open-ended, with meanings yet to be elaborated. Below this, a stroke of the brush seems to initiate a new "rise." The pen's movement may be like a peak soaring up suddenly, or like lotus roots with their strands still connected, or pushing the pen to veer off, or making it clear that what seems slow is actually tight... The techniques may vary, but the spirit and logic of the poem are coherent, with a turning point yet consistently focused throughout. It was at this moment that Yu Xi composed the famous line, "The tears of the pearl in the sea under the moon."

2. 沧海明月珠有泪，蓝田日暖玉生烟。前者的凄冷与后者的温暖以及深藏于其中的无限怨恨将我们浸润，缱绻、缠绵。月明宵静，蚌向月张开胸怀，以月之精华蓄养其珠，始得晶莹，而珠却落泪。“月晦则蚌蛤虚”，尽管做着“一寸相思一寸灰”的努力，终究逃不过生命的轮回，个体对生命的留恋是何等疯狂！

2. The tears of the pearl in the boundless sea, and the smoke rising from the jade warmed by the sun in Lan Tai, both evoke a sense of desolation and warmth that deeply permeates us, entwining and lingering. When the moon is bright and the night is quiet, the oyster opens its chest to the moon, nurturing its pearl with the essence of the moonlight, thus achieving its luster, but the pearl weeps. "When the moon is dark, the oyster is hollow," despite all the efforts of "one inch of longing turns into one inch of ash," we still cannot escape the cycle of life. How crazy is it for an individual to cling to life!

3. 菩萨蛮 纳兰性德春云吹散湘帘雨絮黏蝴蝶飞还住人在玉楼中楼高四面风柳烟丝一把暝色笼鸳瓦休近小阑干夕阳无限山清明 高翥南北山头多墓田，清明祭扫各纷然。纸灰飞作白蝴蝶，泪血染成红杜鹃。

3. The Song of the Gentleman: Nalan Xingde The spring clouds scattered, the Xiangliu curtain torn apart, Rainflakes sticky, butterflies flying back and forth. The person is in the jade tower, The tower high, winds from all four sides, Willow mist, a handful of dusk shrouding the lovebird tiles. Do not come near the small balustrade, Sunset endless, mountains clear and bright. Highly soar in the mountains north and south, Many graves and fields, people visiting and cleaning on Qingming Day. Cremated ashes turn into white butterflies, Tears and blood staining the red azalea blossoms.

4. 突然，蝴蝶从书桌上缓缓飞起，在我这小小的空间里翩翩起舞，它舞动的姿态很优美，在半空中划出一条又一条美美的弧线。我呆呆的用手托着腮，就这样傻傻地看着它飞舞。它轻轻缓缓地舞着，舞着，仿佛一个朦胧迷离的梦，我便陶醉在了它那迷人的美中……

4. Suddenly, the butterfly slowly rose from the desk and danced gracefully in my small space. Its dance was so beautiful, drawing one beautiful arc after another in the air. I stood there, dumbfounded, supporting my chin with my hand, foolishly watching it dance. It danced gently and slowly, as if in a dreamy, elusive vision, and I was completely captivated by its enchanting beauty...

5. 看来，玉溪的“春心托杜鹃”，以冤禽托写恨怀，而“佳人锦瑟怨华年”提出一个“怨”字，正是恰得其真实。玉溪之题咏锦瑟，非同一般闲情琐绪，其中自有一段奇情深恨在。

5. It seems that Yu Xi's "Spring Love Entrusted to the杜鹃," by using the冤禽 (wronged bird) to express resentment, and "The beauty laments the fleeting years of youth" by proposing the word "resentment," exactly hits the mark. Yu Xi's poem about the zhen si (silk stringed musical instrument), is not just ordinary trivial feelings, but within it there is a profound and deep love that is also filled with resentment.

6. 锦瑟无端五十弦，一弦一柱思华年。锦瑟为何物？《史书·封禅书》载：“或曰：太帝使素女鼓五十弦，瑟悲，帝悲不止，故破其瑟为二十五弦。”原来锦瑟也解悲欢。物尤悲凄。人何以堪！当路近夕阳之时，义山内心的琴弦被这袅袅悲音撩动了，无由无踪的愁绪到处弥漫；流年似水，一弦一柱记着我们的岁月，当我们用苍颜面对夕阳时，会否发出这年华之思！

6. The silken zither, without reason, has fifty strings, each string and pillar thinking of the years of youth. What is the silken zither? The "Records of History: An Account of the Ancestral Sacrifice" says: "It is said that the Great Emperor sent Su Nü to play the fifty-string zither, and the zither played a melancholic tune. The emperor was so moved by the sorrow that he could not stop his grief, so he broke the zither into twenty-five strings." It turns out that the silken zither can also express joy and sorrow. Such an object is especially sorrowful. How can a person bear it! As the setting sun approaches, the inner strings of the mind of Yi Shan are stirred by this faintly sorrowful melody, and an invisible melancholy spreads everywhere; the passing years flow like water, each string and pillar recording our years. When we face the setting sun with our pale faces, will we also express these thoughts of youth?

7. 花露重，草烟低，人家帘幕垂。秋千慵困解罗衣，画梁双燕归。

7. Dew heavy on the flowers, smoke low from the grass, the curtains of houses hang down. The swing lazily weary, she unfastens her robes, while the double swallows return to the painted beam.

8. 庄生晓梦迷蝴蝶，望帝春心托杜鹃。庄周将世界纠缠于半梦半醒之间。洞达着亦不知所之。望帝愧德让贤，开隐西山，魂化为鸟，名为杜宇。适时二月，子规啼血，其鸣也哀。淡出者亦不免悲怀红尘。这是人性深处的矛盾，是理性与情感的撞击。

8. Zhuangzi dreams of a butterfly and is confused, the emperor's spring heart entrusts itself to the杜鹃. Zhuang Zhou entangles the world between half dream and half awake. He is enlightened yet doesn't know where to go. The emperor feels ashamed of his virtue and yields to the virtuous, opening a retreat on the western mountain. His soul transforms into a bird, named Du Yu. It is February when the blood-crying杜鹃 cries, its sound is mournful. Those who fade away cannot avoid the sorrow of the mortal world. This is the contradiction deep within human nature, the collision between reason and emotion.

9. 我错了，我曾以为付出自己就是爱你。

9. I was wrong, I thought giving myself was loving you.

10. 柳絮飞舞了，榆钱飘落了，蝴蝶和落在地上的油菜花瓣依依惜别，豌豆花变成了肥绿的嫩荚。

10. The willow catkins are fluttering, the elm seeds are falling, the butterflies and the rapeseed petals on the ground are reluctant to part, and the pea flowers have turned into lush green pods.

11. 我们走进一个温室，天啊！漫天飞舞的蝴蝶，在空中闪着它们的翅膀，犹如一位女子向人们展示她的美貌！这些蝴蝶色彩斑斓，翅膀上的花纹交错着，即鲜明又暗淡，既高贵又端庄，尽显威严美丽之气！

11. We entered a greenhouse, and oh my! Butterflies were fluttering everywhere in the air, flashing their wings as if a woman were displaying her beauty to people! These butterflies were colorful, with patterns on their wings that were both striking and subdued, noble and dignified, exuding an aura of majestic beauty!

12. 过去的影子仍寸步不离地追随我们。我们竭力想忘掉那些往事，把它们抛之脑后，但它们随时都会重新浮现。

12. The shadows of the past still follow us closely. We strive to forget those past events, pushing them to the back of our minds, but they can reappear at any moment.

13. 形态各异、五彩缤纷。大的像手掌一样，小的只有指甲盖大小；有的像森林中飞舞的彩色的落叶，有的像节日里在空中舞动的彩条，有的身上点着英文字母，有的斑点像阿拉伯数字，还有的斑点像顽皮的孩子在眨眼睛……

13. Varying in shape and colorfully diverse. Some are as large as a palm, while others are as small as a fingernail; some resemble the colorful leaves fluttering in a forest, others like colorful streamers dancing in the air during festivals; some are adorned with English letters, others have spots that resemble Arabic numerals, and still others have spots that seem like playful children winking...

14. 此情可待成追忆， 只是当时已惘然。

14. This feeling can only be a memory to look back on, but at that time, I was already lost and confused.

15. 嘴唇还没张开来，已经互相伤害。约会不曾定下来，就不想期待。电话还没挂起来，感情已经腐坏。恨不得你是一只蝴蝶，来得快也去得快。给我一双手，对你依赖。给我一双眼，看你离开。就像蝴蝶飞不过沧海，没有谁忍心责怪。给我一刹那，对你宠爱。给我一辈子，送你离开。等不到天亮，美梦就醒来，我们都自由自在。

15. The lips haven't even opened, and they've already caused harm to each other. The date hasn't been set, and there's no desire to anticipate it. The phone hasn't been hung up, and the emotions have already decayed. I wish you were a butterfly, coming and going quickly. Give me a pair of hands, and I'll depend on you. Give me a pair of eyes, and I'll watch you leave. Just like a butterfly cannot fly over the sea, no one dares to blame. Give me a moment, and I'll cherish you. Give me a lifetime, and I'll send you away. We wait for the dawn, but the beautiful dream wakes up, and we are all free and easy.

16. 翠发朝云在，青蛾夜月微。伤心一花落，无复怨春辉。

16. Green hair adorns the morning clouds, a young woman's eyebrows are faint in the moonlight of the night. Heartbroken at the fall of a single flower, there is no longer any resentment towards the spring's radiance.

17. 庄生晓梦迷蝴蝶， 望帝春心托杜鹃。

17. Zhuangzi wakes from a dream bewildered by the butterfly, the Emperor in spring entrusts his yearning to the杜鹃.

18. 沧海月明珠有泪， 蓝田日暖玉生烟。

18. The tears of the pearl in the vast sea, the smoke of jade from the warm sun of Lantian.

19. 沧海月明珠有泪，蓝田日暖玉生烟。此情可待万追忆，只是当时已惘然。

19. The pearl weeps tears under the sea's moon, the jade smokes under the sun's warmth in Lan Tian. This love can be cherished in a thousand recollections, but it was already lost at that moment.

20. 一个人如果过于敏感和涉世不深，有许多话其实并没有恶意，而他听起来却像含沙射影、指桑骂槐。

20. If a person is overly sensitive and not well-versed in the world, many things that are actually not meant to be malicious may sound like they are insinuating or making veiled criticisms.

21. 朦胧痴情的李商隐，擅长用回环往复的咏叹来渲染某种情绪，更喜欢跟随着思绪，牵引着情调，弹唱出一首首涩美悲辛的无题诗，令人百思不得其解而回味无穷……

21. The dreamy and passionate Li Shangyin, adept at using a looping and repetitive ode to evoke certain emotions, prefers to follow the train of thought, guiding the mood, and sing and play a series of enigmatic, bitter, and sorrowful poems that leave one pondering endlessly and full of aftertastes...

22. 我四处张望，发现一只蝴蝶在花丛里，我蹑手蹑脚地走上前去，只见它竖起翅膀，站在花瓣上津津有味地吸着花粉。我拿起网，向前一扑，网罩扑到了蝴蝶，蝴蝶在网罩里使劲挣扎，到处飞。我兴奋地说：“捉到了，捉到了！”我小心翼翼地 住蝴蝶翅膀，轻轻地放入透明玻璃瓶里。

22. I looked around and found a butterfly in the midst of the flowers. I tiptoed up to it, and saw it standing on the petals, busily sipping nectar from the flowers. I picked up a net, leaped forward, and the net covered the butterfly. It struggled fiercely within the net, flapping its wings and flying around. Excitedly, I exclaimed, "Caught it, caught it!" I carefully held the butterfly's wings and gently placed it into a transparent glass bottle.

23. 玉溪一生经历，有难言之痛，至苦之情，郁结中怀，发为诗句，幽伤要眇，往复低徊，感染于人者至深。他的一首送别诗中说：“瘐信生多感，杨朱死有情；弦危中妇瑟，甲冷想夫筝！……”则筝瑟为曲，常系乎生死哀怨之深情苦意，可想而知。循此以求，我觉得如谓锦瑟之诗中有生离死别之恨，恐怕也不能说是全出臆断。

23. Yuxi's life experience is filled with unutterable pain and profound sadness, which is deeply rooted in his heart and expressed through verses. These verses convey a sense of melancholy and subtlety, moving back and forth with a deep emotional resonance. In one of his farewell poems, he says: "Yu Xun was born with many feelings, and Yang Zhu died with love; in the midst of danger, the woman plays the zither, and in the cold of armor, she thinks of the zhu.…" It is understandable that the zither and the guqin are associated with the deep, sorrowful emotions of life and death. Following this line of thought, I believe that if it is said that the poems of the "Brocade Guqin" contain the sorrow of parting and separation, it is probably not entirely a matter of conjecture.

24. 蝴蝶翅膀的背面是嫩绿色的，上面还有美丽的花纹，它们翅膀的正面是金**的，在它们密集的队伍中间，有时也飞舞着少数巨大的黑底红花身带飘带的大粉蝶，仿佛是有意来作为一种点缀。

24. The underside of the butterfly's wings is a delicate green, adorned with beautiful patterns, while their upper surface is golden. Amidst their dense ranks, there are occasionally a few large pink butterflies with a black ground, red bodies, and flowing streamers, as if they deliberately come to serve as a decoration.

25. 蝴蝶是美丽的，它们花枝招展，各自缤纷，它们飘然，轻盈，从容，跟少女一样，惹人爱恋，使人羡慕蝴蝶是美好事物的化身和代名词梁祝化蝶，庄周梦蝶的故事，几乎家喻户晓，尽人皆知哪怕平凡如普通人，哪怕伟大如庄周，对蝴蝶都是极其崇拜的这是为什么呢？我觉得，是我们作为人，太看重自己的身体，而不看重心灵的缘故吧？或者，是我们的内心深处，都在暗暗地向往着，能够过上蝴蝶一样自由自在而又无拘无束的生活吧？在阳光明媚的日子里，蝴蝶御风而动，凌空畅游，它翩翩起舞，上下翻飞，时而停顿，时而折返，它轻盈得似乎没有体重，它的翅膀那么大，它的肉身那么小，蝴蝶用大而轻灵的翅膀驮起微不足道的肉身，真是太容易了这哪里是一只昆虫呢？也许，正是因为如此，蝴蝶才给人仙风道骨的感觉吧？。

25. Butterflies are beautiful, adorned with flowers, each one colorful in its own way. They flutter gracefully, light and composed, like young girls, charming and endearing, evoking admiration. Butterflies are the embodiment and synonym of wonderful things. The story of Liang Zhu turning into a butterfly and Zhuang Zhou dreaming of a butterfly is almost universally known, a tale told in every household. Even ordinary people and even great people like Zhuang Zhou are incredibly reverent towards butterflies. But why is that? I think it's because we, as humans, place too much importance on our bodies and not enough on our souls. Or, perhaps deep down inside, we all secretly long for a life as free and unrestricted as that of a butterfly. On sunny days, butterflies ride the wind, soaring in the sky, dancing gracefully, flitting up and down, stopping and turning back occasionally. They seem weightless, their wings so large and their bodies so small. Butterflies carry their insignificant bodies with large, delicate wings, which is too easy. Is this not just an insect? Perhaps, it is precisely because of this that butterflies give people a sense of ethereal elegance.

26. 梦远愁蝴蝶，情深愧鶺鴒。抚孤终日意，身世尚流萍。

26. Dreams are far, and sorrow follows the butterfly; deep affection brings shame to the magpie. Gently caressing the lonely, my heart is heavy all day long, my life and fate still float like drifting reeds.

27. 颈联两句所表现的，是阴阳冷暖、美玉明珠，境界虽殊，而怅恨则一。诗人对于这一高洁的感情，是爱慕的、执着的，然而又是不敢亵渎、哀思叹惋的。

27. The two lines of the neck couplet convey the dualities of yin and yang, cold and warm, as well as the beauty of jade and pearls. Although the realms are different, the feeling of regret is the same. The poet regards this noble sentiment with admiration and perseverance, yet at the same time, he dares not desecrate it, and expresses his sorrow and regret.

28. 我希望能保留住眼前的这一时刻，永远也不忘记。

28. I hope to preserve this moment in front of me and never forget it.

29. -----王菲的歌胡彦斌-蝴蝶两厢情愿的幸福有什么错误蛮不讲理的隔阻比绑架还要残酷门当户对的世俗害了多少无辜有情人不能眷属人世间那么多无助乌云密布迎娶的路心里早已想好了归宿为爱付出他的生命已经结束化作蝴蝶飞舞天空灿烂夺目是生命绚丽的蓝图迎着晨露无拘无束到一个自由的国度哪怕仅仅是一棵树人间可恶留恋何苦还不如与蜘蛛为伍梁祝一曲流传千古是你如泣如诉的苦两厢情愿的幸福有什么错误蛮不讲理的隔阻比绑架还要残酷门当户对的世俗害了多少无辜有情人不能眷属人世间那么多无助乌云密布迎娶的路心里早已想好了归宿为爱付出他的生命已经结束化作蝴蝶飞舞天空灿烂夺目是生命绚丽的蓝图迎着晨露无拘无束到一个自由的国度哪怕仅仅是一棵树人间可恶留恋何苦还不如与蜘蛛为伍梁祝一曲流传千古是你如泣如诉的苦化作蝴蝶飞舞天空灿烂夺目是生命绚丽的蓝图迎着晨露无拘无束到一个自由的国度哪怕仅仅是一棵树人间可恶留恋何苦还不如与蜘蛛为伍追和柳恽 李贺汀洲白苹草，柳恽乘马归。江头楂树香，岸上蝴蝶飞。

29. ----- Wang菲's song, Hu Yanbin - Butterfly The happiness of two willing hearts, what is wrong? Being unreasonable, blocking the way is more cruel than abduction. The worldly concept of matching families has harmed countless innocent lovers who cannot be together. In this world, there are so many helpless clouds gathering, and the road to marriage has already determined the destination in the heart. For love, he has given his life, which has ended and transformed into a butterfly dancing in the sky, dazzlingly brilliant, a vivid blueprint of life. Facing the morning dew, carefree and unrestricted, to a free land, even if it is just a tree. Why be obsessed with the ugliness of the world? It's better to be with the spider. The song Liang Zhu is passed down through the ages, your sorrowful cries are like tears. The happiness of two willing hearts, what is wrong? Being unreasonable, blocking the way is more cruel than abduction. The worldly concept of matching families has harmed countless innocent lovers who cannot be together. In this world, there are so many helpless clouds gathering, and the road to marriage has already determined the destination in the heart. For love, he has given his life, which has ended and transformed into a butterfly dancing in the sky, dazzlingly brilliant, a vivid blueprint of life. Facing the morning dew, carefree and unrestricted, to a free land, even if it is just a tree. Why be obsessed with the ugliness of the world? It's better to be with the spider. Pursuing Liu Yong, Li He - Jing Zhou Bai Ping Cao, Liu Yong rides a horse back. The fragrance of the Zha tree at the riverhead, butterflies flying on the bank.

30. 蝴蝶的嘴巴也很别致，样子像钟表的发条，平时卷着，要用时才伸直插进花心里去吸里面的蜜汁。

30. The butterfly's mouth is also very unique, resembling the spring of a clock. It is usually curled up and only straightens out to insert into the center of a flower to sip the nectar inside when needed.

31. 置身在花的海洋里，我真想变成一只美丽的蝴蝶，和着微风，在明媚的阳光下和“梨花仙子”翩翩起舞。

31. Nestled in an ocean of flowers, I so wish to transform into a beautiful butterfly, dancing gracefully with the gentle breeze under the bright sun, alongside the "Pear Blossom Fairy."

32. 他还看见金**的黑眼睛像一对蝴蝶，飞飞停停，显出太可爱的闪耀。

32. He also saw Jin's black eyes like a pair of butterflies, fluttering and stopping, showing a wonderfully dazzling glow.

33. 过去的影子寸步不离地追随着我们。我们竭力想忘掉那些往事，把它们抛之脑后，但它们随时都会重新浮现，那种惊恐、内心里惶惶不安的感觉不可理喻的慌乱。

33. The shadows of the past follow us relentlessly. We strive to forget those past events, to push them to the back of our minds, but they always seem to reappear, bringing with them an inexplicable sense of panic and unease deep within us.

34. 对于诗人玉溪来说，沧海月明这个境界，尤有特殊的深厚感情。有一次，他因病中未能躬与河东公的“乐营置酒”之会，就写出了“只将沧海月，高压赤城霞”的句子。如此看来，他对此境，一方面于其高旷皓净十分爱赏，一方面于其凄寒孤寂又十分感伤：一种复杂的难言的怅惘之怀，溢于言表。

34. For the poet Yu Xi, the realm of the moonlit sea is imbued with a particularly profound sentiment. Once, due to illness, he was unable to attend the "Joyful Camp Banquet" hosted by He Dong Gong, and composed the line, "Only the moonlit sea, towering above the crimson city's glow." It appears that he has a complex, unexpressible longing for this realm. On one hand, he greatly admires its vastness, clarity, and purity; on the other hand, he feels deeply melancholic about its desolate solitude. This complex, inexpressible longing is evident in his words.

35. 1蝴蝶好词好句

36. 庄生梦蝶 招蜂引蝶 招蜂惹蝶 游蜂戏蝶

35. 1 Good words and sentences about butterflies 36. Zhuangzi dreaming of butterflies; Attracting bees and butterflies; Attracting bees and provoking butterflies; Playing with butterflies

37. 锦瑟 李商隐锦瑟无端五十弦，一弦一柱思华年。庄生晓梦迷蝴蝶，望帝春心托杜鹃。

37. The Lute by Li Shangyin The lute, with no reason, has fifty strings, Each string, each pillar, evokes memories of youth. The philosopher Zhuangzi dreamt he was a butterfly, And the god of spring, with a spring in his heart, entrusted his feelings to the杜鹃.

38. 在生命的长河中，每个人或迟或早都会面临考验。我们人人都有各自的灾星，受着蹂躏和折磨，到头来都得与之决战分晓。

38. In the long river of life, everyone, sooner or later, will face trials. We all have our respective disasters, subjected to oppression and torment, and in the end, we must fight them to the conclusion.

39. 自信是一种我非常珍视的素质，不过我的自信未免有些姗姗来迟。大概是由于他对我的依赖，才最终使我勇敢起来。

39. Confidence is a quality I hold very dear, but my confidence came a bit late. It's probably because of his reliance on me that I finally gathered the courage.

40. 成群的蝶儿时聚时散，绚丽多彩的翅膀在阳光映照下仿佛极美的绸缎。

40. Groups of butterflies gather and disperse, their colorful wings reflecting the sunlight like incredibly beautiful silk.

41. 恨不得你是一只蝴蝶，来得快也去得快。 给我一双手，对你依赖。给我一双眼，看你离开。 就象蝴蝶飞不过沧海，没有谁。 因为彼此都无法再有任何责怪。 因为我们同样都飞不过沧海。

41. I wish you were a butterfly, coming and going quickly. Give me a pair of hands to rely on you. Give me eyes to watch you leave. Just like a butterfly cannot cross the sea, there's no one. Because neither of us can blame each other anymore. Because we both cannot cross the sea.

42. 此情可待成追忆，只是当时已惘然。此情为何？除了惘然还是惘然，除了伤感还是伤感。梁启超坦率地说：“义山的《锦瑟》、《碧城》、《圣女祠》等诗，讲的是什么事，我理会不着。拆开来一句一句叫我解释，我连文义也解不出来。但我觉得它美，读起来令我精神上得一种新鲜的愉快。须知美是多方面的，美是有神秘性的。”这份美，这份神秘，与我们心灵深处的隐秘契合，它道出了我们想要说却又无法表达的情感，使我们彻痛彻爽。

42. This feeling can only be cherished as a memory, but at the time, it was already desolate. What is this feeling? It is desolation, nothing but desolation, sadness, nothing but sadness. Liang Qichao said frankly, "As for the poems like 'Jin She' ('Embroidered Lute'), 'Bi Cheng' ('Green City'), and 'Sheng Nu Ci' ('Temple of the Holy Maiden') by Yi Shan, what are they about? I can't tell. If you break them down and ask me to explain each line, I can't even understand the meaning of the words. But I feel that they are beautiful, and reading them gives me a fresh pleasure in spirit. You must know that beauty is multifaceted, and it has a mysterious quality." This beauty, this mystery, resonates with the hidden depths of our souls, expressing emotions that we want to say but cannot articulate, making us feel deeply moved and exhilarated.

43. 狂蜂浪蝶 狂峰浪蝶 花须蝶芒 花飞蝶舞

43. Wild Bees and Fluttering Butterflies, Ferocious Peaks and Waving Wings, Flower Petals蝶Tails, Flower Flying and Butterfly Dancing.

44. 日落狐狸眠冢上，夜归儿女笑灯前。人生有酒须当醉，一滴何曾到九泉。

44. As the sun sets, foxes rest on their burial mounds, and children laugh before the lanterns when they return at night. In life, if there is wine, one should drink and be merry; how can a single drop ever reach the underworld?

45. 如果彼岸有我刻骨铭心的眷念，有你执着的等候，哪怕是精疲力竭，哪怕是香消玉殒，我也要试图飞越沧海……” 绝唱！为地球有此蝴蝶而感动与欢呼！恨不得你是一只蝴蝶，来得快也去得快。 给我一双手，对你依赖。

45. "If there is a deep, heart-wrenching attachment on the other shore, and your steadfast waiting, I would still try to cross the boundless sea, even if I am exhausted, even if I am reduced to ashes..." Farewell song! I am moved and cheered for Earth to have such a butterfly! I wish you were a butterfly, coming and going quickly. Give me a pair of hands, and I will depend on you."

46. 起联两句，从来的注家也多有误会，以为据此可以判明此篇作时，诗人已“行年五十”，或“年近五十”，故尔云云。其实不然。“无端”，犹言“没来由地”、“平白无故地”。此诗人之痴语也。锦瑟本来就有那么多弦，这并无“不是”或“过错”；诗人却硬来埋怨它：锦瑟呀，你干什么要有这么多条弦？瑟，到底原有多少条弦，到李商隐时代又实有多少条弦，其实都不必“考证”，诗人不过借以遣词见意而已。据记载，古瑟五十弦，所以玉溪写瑟，常用“五十”之数，如“雨打湘灵五十弦”，“因令五十丝，中道分宫徵”，都可证明，此在诗人原无特殊用意。

46. The two opening lines have been widely misunderstood by annotators, who believe that this can prove that the poet was already "fifty years old" or "nearing fifty" at the time of writing this piece. However, this is not the case. "无端" means "for no reason" or "without cause." This is the poet's foolish talk. The guqin has always had so many strings, and there is nothing wrong or flawed about that; but the poet insists on complaining: Why do you need so many strings, O guqin? The guqin has always had a certain number of strings, and how many strings it had by the time of Li Shangyin, are actually not something that needs to be "authenticated." The poet is merely using it as a device to express his words and intentions. According to records, ancient guqins had fifty strings, which is why Yu Xiusi often used the number "fifty" when writing about the guqin, such as "The rain beats on the Xiang spirit's guqin with fifty strings," and "Therefore, divide the fifty strings into gong and zheng in the middle." All these can prove that there was no special intention behind the poet's use of this number.

47. 走近一看，到处都是色彩斑斓的蝴蝶：菜地里的蝴蝶上下翻飞，一会儿落在菜花上，一会儿落在菜叶上，显得那么欢畅。在养殖工作室的蝴蝶就更神奇了，它们在工作人员的照顾下，自由的成长，快乐的飞舞。

47. Upon closer inspection, everywhere are colorful butterflies: they flit up and down in the vegetable plots, landing on the vegetable blossoms one moment and on the vegetable leaves the next, appearing so joyful. The butterflies in the breeding studio are even more magical; under the care of the staff, they grow freely and dance happily.

48. 幸福并非可以估价的财物，而是一种思想状态，一种心境。

48. Happiness is not a commodity that can be valued, but a state of mind, a mood.

49. 无论是空荡荡的家，还是宾客如云的旅馆，都能给人以孤独感。

49. Whether it is an empty home or a hotel bustling with guests, both can evoke a sense of loneliness.

50. “锦瑟无端五十弦，一弦一柱思年华。庄生晓梦迷蝴蝶，望帝春心托杜鹃；沧海月明珠有泪，蓝田日暖玉生烟。此情可待成追忆，只是当时已惘然。”这是一声叹息吗？是一生的遗憾吗？他在诉说些什么呢？哀伤的让人无从思索，悲痛的让人难以释怀；它是若即若离的伤感吗？还是望穿秋水的等待？或者是曲折幽微的自怨自怜……

50. "The lute, with no reason, has fifty strings, each string and each pillar thinking of the years. Zhuangzi's morning dream was confused with a butterfly, the Emperor's spring heart entrusted to the杜鹃; tears in the sea, smoke from jade in the warm sun of Lan Tian. Can this love be cherished as a memory? But at that time, it was already lost in confusion." Is this a sigh? Is it a lifelong regret? What is he saying? It is so sorrowful that one cannot ponder, and so painful that one can hardly let go; is it a melancholic feeling that is both near and far? Or is it the waiting that is as deep as the autumn water? Or perhaps it is a曲折 and subtle self-pity...

51. 因为彼此都无法再有任何责怪。 因为我们同样都飞不过沧海。

51. Because there is no more room for blame between us. Because we are both unable to fly across the sea.

52. 给我一双手，对你依赖。给我一双眼，看你离开。

52. Give me two hands, to depend on you. Give me two eyes, to watch you leave.

53. 酒杯箬叶露，玉轸蜀桐虚。朱楼通水陌，沙暖一双鱼。

53. Bamboo leaf dew in the wine cup, jade stringed lute with hollow Sichuan paulownia. Red pavilion connects to the water lane, a pair of fish in the warm sand.

54. 最经典的一句就是-蝴蝶飞不过沧海！~写作文的话依歌词写也挺好的我以前老用这招题目也可以叫沧海蝴蝶如果不想写爱情你可以把它转化为对某种东西的坚持，可以说是一种意念好句子：如果彼岸没有真心的守侯，蝴蝶永远飞不过沧海。

54. The most classic line is - The butterfly cannot fly over the sea! ~ If you're writing an essay, following the lyrics can also be quite good. I used to often use this trick. You can also name the topic "Butterfly Over the Sea." If you don't want to write about love, you can turn it into a representation of perseverance for something, which can be seen as a good thought: If there is no sincere waiting on the other shore, the butterfly will never be able to fly over the sea.

55. 蝶恋花 段克己鹈鷞[1]一声春已晓，蝴蝶双飞，暖日明花草。花底笙歌犹未了，流莺又复催春老。

55. Butterfly Lovers: Duan Keji, Turtle Dove [1] A turtle dove's cry signals the dawn of spring, butterflies fly in pairs, the warm sun illuminates flowers and grass. The flute and song beneath the flowers have not yet ended, while the oriole once again hastens the aging of spring.

56. 他们都望着一只蝴蝶在石竹上采取它的营养料，它用一双迅速翻动的翅子从这一朵石竹飞上另一朵石竹，等到它停在花上的时候，翅膀仍旧继续从从容容扑着。

56. They all watched as a butterfly took its nourishment from the carnations, using its rapidly fluttering wings to move from one carnation to another. Even when it settled on a flower, its wings continued to beat lazily.

57. 那么，海月、泪珠和锦瑟是否也有什么关联可以寻味呢？钱起的咏瑟名句不是早就说“二十五弦弹夜月，不胜清怨却飞来”吗？所以，瑟宜月夜，清怨尤深。如此，沧海月明之境，与瑟之关联，不是可以窥探的吗？

57. Then, is there any connection or implication that can be deciphered between the sea moon, teardrop, and the lute? Isn't the famous line from Qian Qi's ode to the lute already saying, "With the twenty-five strings plucking the night moon, the inexpressible sorrow flies to me"? Therefore, the lute is suitable for moonlit nights, and the sorrow is especially profound. In this case, the scene of the sea moon being bright, and its connection with the lute, is not something that can be explored?

58. 就像蝴蝶飞不过沧海，没有谁忍心责怪。给我一刹那，对你宠爱。

58. Just like a butterfly cannot fly over the sea, no one would dare to blame. Give me a moment, and I will cherish you.

59. 假如能发明一种东西，把记忆像香水一样装在瓶子里，那该有多好啊。让记忆永不消失，永不变腐。需要的时候就拧开瓶盖，使过去栩栩如生地重新浮现。?>

59. If only we could invent something that could bottle memories like perfume, how wonderful that would be. Let memories never fade or decay. When needed, just twist the cap to bring the past vividly back to life.

60. 晚唐诗人司空图，引过比他早的戴叔伦的一段话：“诗家美景，如蓝田日暖，良玉生烟，可望而不可置于眉睫之前也。”这里用来比喻的八个字，简直和此诗颈联下句的七个字一模一样，足见此一比喻，另有根源，可惜后来古籍失传，竟难重觅出处。今天解此句的，别无参考，引戴语作解说，是否贴切，亦难断言。晋代文学家陆机在他的《文赋》里有一联名句：“石韫玉而山辉，水怀珠而川媚。”蓝田，山名，在今陕西蓝田东南，是有名的产玉之地。此山为日光煦照，蕴藏其中的玉气（古人认为宝物都有一种一般目力所不能见的光气），冉冉上腾，但美玉的精气远察如在，近观却无，所以可望而不可置诸眉睫之下，—这代表了一种异常美好的理想景色，然而它是不能把握和无法亲近的。玉溪此处，正是在“韫玉山辉，怀珠川媚”的启示和联想下，用蓝田日暖给上句沧海月明作出了对仗，造成了异样鲜明强烈的对比。而就字面讲，蓝田对沧海，也是非常工整的，因为沧字本义是青色。玉溪在词藻上的考究，也可以看出他的才华和工力。

60. The late Tang Dynasty poet Si Kongtu quoted a passage from Dai Shulun, who lived earlier than him: "The beautiful scenes of poetry, like the warm sun over Lantian, the mist rising from fine jade, can be seen but not placed before one's eyes." The eight-character metaphor here is almost identical to the seven-character sentence in the second line of the poem's antithetical couplet, which shows that this metaphor has another origin. Unfortunately, the ancient texts have been lost, making it difficult to find the original source. Today, there is no reference for interpreting this sentence, and it is also difficult to say whether the quote from Dai's words as an explanation is appropriate. The Jin Dynasty litterateur Lu Ji had a couplet in his "Essay on Literature": "The mountain shines with the hidden jade, the river is charming with the embraced pearl." Lantian is a mountain name located in the southeast of Lantian County, Shaanxi, which is a famous place for producing jade. This mountain is bathed in the warm sunlight, and the jade's spiritual aura (which ancient people believed all treasures have a kind of light that is invisible to the naked eye) rises gently. The spirit of the beautiful jade can be seen from a distance, but not up close, so it can be seen but not placed before one's eyes. This represents an exceptionally beautiful ideal landscape, which is beautiful but unattainable and unreachable. The lines in Yu X溪's work are inspired by this and use the warm sun over Lantian to counterbalance the previous line's "sea reflecting the moon," creating a striking and intense contrast. In terms of the literal meaning, Lantian is also a very neat match for the sea, because the character "cang" originally means blue. The meticulous use of vocabulary in Yu X溪's work also shows his talent and skill.

61. "锦瑟无端五十弦，一弦一柱思华年。庄生晓梦迷蝴蝶，望帝春心托杜鹃。沧海月明珠有泪，蓝田日暖玉生烟。此情可待成追忆，只是当时已惘然。"

61. "The lute's fifty strings without end, each string and post a thought of youthful years. Zhuangzi's morning dream is lost in the butterfly, the emperor's spring heart entrusted to the杜鹃. The sea's moon shines, tears in pearls, the jade smokes in the warm fields of Lan. This love can only be a memory in hindsight, but at the time, it was already lost in confusion."

62. 人只有经过磨难才会变得高尚和坚强，因而无论是今生还是来世，如欲得到净化就必须经受烈火淬砺。

62. A person can only become noble and strong through hardships, thus, whether in this life or the next, one must endure the fiery trial in order to achieve purification.

63. 时光不解年年好，叶上秋声早。可怜蝴蝶易分飞，只有杏梁双燕、每来归。

63. Time does not understand that each year is good, the autumn sound on the leaves comes early. Poor the butterfly is prone to parting, only the pair of swallows on the apricot beam come back every time.

64. 锦瑟无端五十弦， 一弦一柱思华年。

64. The jade zither, with no cause, has fifty strings, Each string and each pillar thinking of the years gone by.

65. 草地里的蝴蝶全是白颜色的，如雪球在飞舞，虽然很美，但让人觉得有点单调、乏味。虽然如此，我们还是很渴望得到一只，便纷纷拿起我们手中的扫把，衣服等大叫着去捉，捉住一个要兴奋好一阵子呢！

65. All the butterflies in the grass are white, fluttering like snowballs in the air. Although they are beautiful, they seem a bit monotonous and boring. Despite that, we still long for one, and we all pick up our brooms, clothes, and yell out to catch them. When we catch one, we get excited for a while!

66. 游飏下晴空，寻芳到菊丛。带声来蕊上，连影在香中。

66. Soaring beneath the clear sky, seeking the fragrant in the chrysanthemum thicket. The sound brings the petals to life, their shadows intertwine with the scent.

67. 虞美人 晏几道玉箫吹遍烟花路，小谢经年去。更教谁画远山眉，又是陌头风细、恼人时。

67. The Beauty of Yu, Yan Jidao The jade flute has played through the road of fireworks, Xiao Xie has left for years. Who else can paint the distant mountains' eyebrows, when it's the time of the wind being fine on the roadside, it's恼人 (annoying) then.

68. 尾联拢束全篇，明白提出“此情”二字，与开端的“华年”相为呼应，笔势未尝闪遁。诗句是说：如此情怀，岂待今朝回忆始感无穷怅恨，即在当时早已是令人不胜惘惘了—话是说的“岂待回忆”，意思正在：那么今朝追忆，其为怅恨，又当如何！诗人用两句话表出了几层曲折，而几层曲折又只是为了说明那种怅惘的苦痛心情。诗之所以为诗者在于此，玉溪诗之所以为玉溪诗者，尤在于此。

68. The closing couplet ties together the entire poem, explicitly mentioning the word "this feeling," which echoes the word "youth" at the beginning, and the author's writing style does not evade this point. The meaning of the poem is: Such feelings, why should one only feel endless regret in回忆 today? Even at that time, it was already enough to cause deep melancholy — the phrase "why should one wait for回忆" actually implies: Then how should one feel regret now when reminiscing? The poet expresses several layers of complexity with just two sentences, and these layers of complexity are all intended to illustrate the painful feeling of melancholy. The essence of poetry lies in this, and the essence of Yu Xi's poetry lies even more so in this aspect.

69. 这奇异的蝴蝶，远远看去像倒挂在树上的一片枯叶，要是你伸手去摘那片树叶，它却飞了起来。

69. This strange butterfly looks like a withered leaf hanging upside down on a tree from a distance. If you reach out to pluck that leaf, it flies away instead.

70. （《论诗三十首》）华年，正今语所谓美丽的青春。玉溪此诗最要紧的“主眼”端在华年盛景，所以“行年五十”这才追忆“四十九年”之说，实在不过是一种迂见罢了。

70. ("On Poetry Thirty Poems") The term "华年" is the beautiful youth as referred to in modern language. The most crucial "focus" of this poem by Yu Xi is on the peak of youth, which is why the statement "I am fifty years old" then reminisces about "forty-nine years" is actually just a roundabout way of thinking.

71. “一弦一柱思华年”，关键在于“华年”二字。一弦一柱犹言一音一节。瑟具弦五十，音节最为繁富可知，其繁音促节，常令听者难以为怀。诗人绝没有让人去死抠“数字”的意思。他是说：聆锦瑟之繁弦，思华年之往事；音繁而绪乱，怅惘以难言。所设五十弦，正为“制造气氛”，以见往事之千重，情肠之九曲。要想欣赏玉溪此诗，先宜领会斯旨，正不可胶柱而鼓瑟。宋词人贺铸说：“锦瑟华年谁与度？”（《青玉案》）元诗人元好问说：“佳人锦瑟怨华年！”

71. "A string and a pillar, thinking of the prime of youth," the key is in the words "prime of youth." A string and a pillar means one note and one rhythm. The guqin has fifty strings, and the richness of the notes and rhythms is known. The complex and quick rhythms often leave the listener in a difficult position to hold on to their emotions. The poet certainly does not mean to ask people to nitpick "numbers." What he is saying is: Listening to the rich strings of the jade stream, thinking of past events in the prime of youth; the notes are complex and the threads are tangled, leading to a sense of desolation and difficulty in expressing. The fifty strings set up are precisely for "creating an atmosphere," to show the multitude of past events and the intricate feelings. To appreciate this poem by Yuxi, one should first understand this meaning, and should not be overly rigid in interpreting it. The Song Dynasty poet He Zhen said, "Who is to share the prime of youth with the jade stream guqin?" ("Qing Yu An") The Yuan Dynasty poet Yuan Haowen said, "The beauty is resentful of the prime of youth with the jade stream guqin!"

72. 两只带黑色斑点的白蝴蝶，上下翻飞，闪动着美丽的翅膀，像两朵可爱的小白花。

72. Two white butterflies with black spots fluttered up and down, their beautiful wings twinkling, resembling two adorable little white flowers.

73. 梦里蝴蝶 乱蝶狂蜂 浪蝶游蜂 浪蝶狂蜂

73. Dreaming Butterflies, chaotic fluttering butterflies, wandering bees, and rampaging bees.

74. 我 认为大概楼主的某个朋友打算暂时的离开你,想寄情于诗吧~~~ 这首诗本来就是种若即若离的感觉,很多人都无法揣测到其中的真实的意思,不过大体的意思就大概是一种想离开你又不想离开你~~ 或许是她心中对你还依依不舍的感觉~~ 当然了,具体真实的表达还是要请教你朋友的,我只能给你种大概的思路~~

74. I believe that perhaps one of the owner's friends intends to temporarily leave you and wants to immerse themselves in poetry~~~ This poem inherently has a sense of near and far, and many people cannot fathom its true meaning. However, the general meaning is roughly about a desire to leave yet not wanting to leave. Perhaps it's a feeling of reluctance to let you go from their heart~~ Of course, the specific and true expression should be clarified with your friend, as I can only provide you with a general idea~~

75. 给我一辈子，送你离开。等不到天亮，美梦就醒来，我们都自由自在。

75. Give me a lifetime, to let you go. Before the dawn breaks, the beautiful dream awakens, and we are both free and carefree.

76. 那群蝴蝶披着金黄的色彩，停聚在背影的上空象一朵金色的云。我僵立在那里，梦魇一般，看那蝴蝶一圈圈旋转着漂流而下，落叶一样，将背影渐渐湮没……

76. That group of butterflies, adorned with golden hues, gathered in the sky above the silhouette like a golden cloud. I stood there stiffly, like in a nightmare, watching the butterflies spiral and drift down, like falling leaves, gradually engulfing the silhouette...

77. 玲珑素雅的凤蝶，成双成对不起地在花间轻盈地飞逐，尾翼长如丝带，临风飘动，舞姿真是优美潇洒极了。

77. The delicate and elegant butterfly flutters gracefully between the flowers in pairs, its tail wings long as ribbons fluttering in the breeze, its dance posture truly graceful and stylish.

78. 给我一双眼，看你离开。 就象蝴蝶飞不过沧海，没有谁。

78. Give me two eyes, to watch you leave. Just like a butterfly cannot fly over the sea, no one can.

79. 翠裛丹心冷，香凝粉翅浓。可寻穿树影，难觅宿花踪。

79. The jade-draped heart is cold, the fragrance clings to the dense, powdery wings. It can be found through the tree shadows, but finding the flower's traces is hard.

80. 颔联的上句，用了《庄子》的一则寓言典故，说的是庄周梦见自己身化为蝶，栩栩然而飞……浑忘自家是“庄周”其人了；后来梦醒，自家仍然是庄周，不知蝴蝶已经何往。玉溪此句是写：佳人锦瑟，一曲繁弦，惊醒了诗人的梦景，不复成寐。迷含迷失、离去、不至等义。试看他在《秋日晚思》中说：“枕寒庄蝶去”，去即离、逝，亦即他所谓迷者是。晓梦蝴蝶，虽出庄生，但一经玉溪运用，已经不止是一个“栩栩然”的问题了，这里面隐约包涵着美好的情境，却又是虚缈的梦境。本联下句中的望帝，是传说中周朝末年蜀地的君主，名叫杜宇。后来禅位退隐，不幸国亡身死，死后魂化为鸟，暮春啼苦，至于口中流血，其声哀怨凄悲，动人心腑，名为杜鹃。杜宇啼春，这与锦瑟又有什么关联呢？原来，锦瑟繁弦，哀音怨曲，引起诗人无限的悲感，难言的冤愤，如闻杜鹃之凄音，送春归去。一个“托”字，不但写了杜宇之托春心于杜鹃，也写了佳人之托春心于锦瑟，手挥目送之间，花落水流之趣，诗人妙笔奇情，于此已然达到一个高潮。

80. The first line of the couplet uses an allegory from the Zhuangzi, which tells the story of Zhuang Zhou dreaming that he becomes a butterfly, fluttering gracefully in the air... completely forgetting that he is still Zhuang Zhou himself; later when he wakes up, he is still Zhuang Zhou, but he doesn't know where the butterfly has gone. Yu Xi's line here describes: a beautiful woman playing a silk zither, a melody played on the strings, startled the poet out of his dream, and he could no longer sleep. "Mí" contains the meanings of being lost, leaving, and not arriving. Let's see what he says in "Thoughts on a Late Autumn Evening": "The cold pillow where the butterfly Zhuang went," "went" refers to leaving or passing away, which is also what he calls "mí." The dream of the butterfly, although derived from Zhuangzi, has become more than just a "fluttering gracefully" issue after Yu Xi's application. It subtly contains a beautiful scenario, yet it is an ethereal dream. The second line of this couplet refers to the "King of Shu," a legendary ruler of Shu during the late Zhou Dynasty, named Du Yu. After abdicating the throne and withdrawing, he was unfortunately killed in the national collapse. After his death, his soul transformed into a bird, crying bitterly in the late spring until its mouth bled, and its sound was so sad and heart-wrenching that it moved the hearts of people. It is known as the杜鹃. The杜鹃's spring cry, what does it have to do with the silk zither? It turns out that the complex melodies of the zither evoke endless sadness and unexpressed grievances in the poet, like hearing the mournful sound of the杜鹃, bidding spring farewell. The word "tuō" (entrust) not only describes Du Yu entrusting his spring-hearted longing to the杜鹃, but also the beautiful woman entrusting her spring-hearted longing to the zither. In the act of waving the hand and sending a farewell glance, the flowers fall and the water flows, the poet's wonderful pen and extraordinary emotions have already reached a climax.

81. 去住沾馀雾，高低顺过风。终惭异蝴蝶，不与梦魂通。

81. Leave behind the misty dwelling,顺应风的起伏高低。终究惭愧不同于蝴蝶，不能与梦境中的灵魂相通。

82. 游蜂浪蝶 莺歌蝶舞 戏蝶游蜂 鹏游蝶梦

82. Flitting bees and fluttering butterflies, warbling birds and dancing butterflies, playing with butterflies and bees, flying like a鹏 with butterfly dreams.

83. 菜园里，花圃中，成群的蝴蝶，像是从空中撒下来的五颜六色的纸片似的，随风飘来，又随风飘去。

83. In the vegetable garden and the flower beds, a swarm of butterflies fluttered about, resembling colorful paper pieces scattered from the sky, floating in the wind and then drifting away again.

84. 如果彼岸没有真心的守侯，蝴蝶永远飞不过沧海。如果彼岸有我刻骨铭心的眷念，有你执着的等候，哪怕是精疲力竭，哪怕是香消玉殒，我也要试图飞越沧海……” 绝唱！为地球有此蝴蝶而感动与欢呼！

84. If there is no sincere waiting on the other shore, the butterfly will never fly over the sea. If there is my deep-seated longing on the other shore, and your steadfast waiting, even if I am exhausted, even if I fade away, I will try to fly over the sea..." A final song! Be moved and cheer for this butterfly on Earth!"

85. 嘴唇还没张开来，已经互相伤害。约会不曾定下来，就不想期待。

85. The lips haven't even opened, and they have already caused each other harm. The date has not been set yet, and there is no desire to look forward to it.

86. 人们还来不及读懂，他又诵出了“相见时难别亦难，东风无力百花……”的诗句，怎么看都是疑惑和费解，但又有一种说不出的同感和震撼，交织着诗人黯然销魂的真情，也许不仅仅是爱的绝唱和讴歌，似乎超越了所有的生死、得失、真假，留下了一段似水柔情的深刻和言之不尽的故事，飘散在岁月的流逝中……

86. Before people could even read the words, he recited the lines, "Meeting is hard, parting is hard, the east wind has no power over the hundred flowers..." It seemed perplexing and hard to understand at first glance, yet there was an indescribable sense of empathy and震撼 that intertwined with the poet's deeply moving sincerity. Perhaps it was not just a farewell song or an ode to love, but seemed to transcend all matters of life and death, gain and loss, truth and falsity. It left behind a profound and endless story of tender, flowing sentiments, drifting away with the passage of time...

87. 心地善良，待人诚挚，还有谦虚端庄，这些对于男子，对于一个做丈夫的人来说，其价值远远超过世上所有的机智和美貌。

87. Kindness of heart, sincerity in dealing with others, and modesty and dignity — these qualities are far more valuable for a man, for a husband, than all the wisdom and beauty in the world.