1. 一天不练就回，两天不练就生，三天不练就没。

1. If you don't practice for a day, you regress. If you don't practice for two days, you stagnate. If you don't practice for three days, you disappear.

2. 教会徒弟，饿死师父。 只有状元徒弟，没有状元师父。

2. Teach a student, starve a master. There are only top scholar students, but no top scholar masters.

3. 净行要撑，旦行要松，生行要弓，武行取当中。

3. The walking style for purity should be firm, for the morning walk it should be relaxed, for the living walk it should be arched, and for the martial walk, aim for the middle.

4. 2一日不练自己知道，两日不练同行知道，三日不练观众知道。

4.2 If you don't practice for one day, you know it yourself; if you don't practice for two days, your peers know it; if you don't practice for three days, the audience knows it.

5. 功夫练到家，上台不怯场。

5. Once martial arts are mastered, one won't be nervous on stage.

6. 日月灯，云霞帐，风雷鼓板，天地间一场大戏；汤武净，文武生，桓文丑末，古今人俱是主角。

6. The lamp of sun and moon, the cloud and mist canopy, the drum and cymbal of wind and thunder – a grand drama unfolds between heaven and earth; Tang and Wu, the pure actors, the literary and martial actors, the ugly end of Huan Wen – all are the main characters throughout history.

7. 指任何事情都得下一番苦工夫，方能做出好的成就。

7. It means that one must put in a great deal of hard work to achieve anything of good quality.

8. 好戏把人唱醉，坏戏把人唱睡。

8. Good plays can make people drunk with excitement, while bad plays can put people to sleep.

9. 16戏无情不动人，戏无理不服人，戏无绝不惊人

9. If a play lacks emotions, it fails to touch the audience; if a play lacks logic, it fails to convince people; if a play lacks originality, it fails to astonish.

10. 教会徒弟，饿死师父。只有状元徒弟，没有状元师父。

10. Teach a student, starve a master. There are only top scholar students, but not top scholar teachers.

11. 教会徒弟，饿死师父。仅有状元徒弟，没有状元师父。

11. Teach a student, starve a master. There are only top students, but no top teachers.

12. 艺多不压身，艺高人胆大。

12. The more skills one has, the bolder one becomes.

13. 一日不练自我知道，两日不练同行知道，三日不练观众知道。

13. One day without practice and you know it yourself, two days without practice and your peers know it, and three days without practice and the audience knows it.

14. 戏无情不动人，戏无理不服人，戏无绝不惊人。

14. If a play lacks emotion, it cannot touch the hearts of the audience; if a play lacks logic, it cannot convince people; if a play lacks surprise, it cannot astonish.

15. 台上一声啼，台下千人泪；台上一声笑，台下万人欢。

15. A cry on stage, a thousand tears in the audience; a laugh on stage, a hundred thousand cheers in the crowd.

16. 17教会徒弟，饿死师父。 只有状元徒弟，没有状元师父。

16. Teach a student and you starve a master. There are students who become emperors, but there are no emperors who become students.

17. 生意不得地，当时就受气。

17. If business does not go well, one will suffer from frustration immediately.

18. 台上无大小，台下立规矩。

18. On stage, there is no difference in size; off stage, there are established rules.

19. 真中有假，假中有真，真假难分。

19. Reality contains illusion, illusion contains reality, and it's hard to distinguish the true from the false.

20. 台上一分钟，台下十年功。

20. A minute on stage requires ten years of practice off stage.

21. 后台象绵羊，前台如猛虎。

21. The backend is like a sheep, and the frontend is like a tiger.

22. 好花得绿叶配，好角得众人扶。

22. A good flower needs green leaves to accompany it, and a good corner needs the support of many people.

23. 师父领进门，修行在个人。

23. The master opens the door, the practice is up to the individual.

24. 无论在学习、工作或是生活中，大家或多或少都用过谚语吧，谚语是劳动人民的生活实践经验。为了帮助大家积累更多经典谚语，

24. Whether in study, work, or life, everyone has used proverbs to some extent or another, right? Proverbs are the life experience and practical knowledge of the working people. In order to help everyone accumulate more classic proverbs,

25. 台下静，声小也能听得清。台下动，声音再大也没用。

25. The audience is quiet; even soft sounds can be heard clearly. If the audience is active, no matter how loud the sound is, it won't make any difference.

26. 百日笛子千日箫， 小小胡琴拉断腰。

26. A hundred days of flute, a thousand days of shawm, the little huqin can pull its waist apart.

27. 台下动，声音再大也没用。

27. The movement below, no matter how loud the sound, is useless.

28. 心中不笑，脸上不会笑；心中不恼，脸上不会恼。

28. If one does not laugh in their heart, they will not laugh on their face; if one does not feel anger in their heart, they will not show anger on their face.

29. 艺不离手曲不离口。

29. Art is always in hand, and melodies are always on the lips.

30. 有状元徒弟，没状元师傅。

30. There are students who excel in the imperial examination, but there are no teachers who excel in the same way.

31. 日月灯，云霞帐，风雷鼓板，天地间一场大戏；

31. The lamp of the sun and moon, the canopy of clouds and mist, the drumbeats of wind and thunder – a grand play unfolds between heaven and earth.

32. 见山如山在，看水如水流。

32. Behold the mountain as the mountain exists, observe the water as it flows.

33. 慢板要紧，快板要稳，散板要准。

33. Slow tempo requires tension, fast tempo requires stability, and free tempo requires accuracy.