1. 人老了之后的现象之一就是，童年的回忆会越来越清晰地浮现出来，而壮年时期的种种大事却反而模糊，以至于消失。——英格玛·伯格曼

1. One phenomenon after people get old is that childhood memories become clearer and clearer, while the significant events of their youth become increasingly blurred and eventually disappear. - Ingmar Bergman

2. 当幻想转向爱情时，直觉却并不总是跟随。艾里克·侯麦

2. When fantasy turns into love, intuition is not always following. Éric Rohmer

3. **书写的影片，籍影像与声音的关系来表达，而非靠(演员或非演员的)动作和声调的模仿。它不分析，也不解释。它重组。——罗伯特·布烈松

3. **The film is written to express the relationship between image and sound, rather than through the imitation of actions and tones by (actors or non-actors). It does not analyze or explain. It reassembles.** — Robert Bresson

4. 电影艺术的基础在于剪辑。普多夫金

4. The foundation of cinematic art lies in editing. Pudovkin.

5. 人活在世上，有的活成了面子，有的人活成了里子，都是时事使然。——《一代宗师》

5. In life, some people have become the face, while others have become the essence, both are due to the changing times. —— "A一代 Master"

6. 生活的全部，它行动的整体，乃是一部自然、生动的电影。皮埃尔·保罗·帕索里尼

6. The whole of life, its overall action, is a natural, vibrant movie. Pierre Paul Pasolini.

7. 演戏的真谛就是把人生当成一场实验，在一次次的幕起幕落之间探究人生的千奇百怪和悲欢离合。苏珊·萨兰登

7. The essence of acting is to treat life as an experiment, exploring the myriad complexities and joys and sorrows of human existence through the rise and fall of each scene. - Susan Sarandon

8. 影戏假如能用来描述民间的痛苦，至少可以促进社会的自警，让社会自己想一想，应该如何的改进自己。孙瑜

8. If shadow plays can be used to describe the sufferings of the common people, at least they can promote social self-awareness, making the society reflect on how it should improve itself. - Sun Yu

9. **书写的影片，籍影像与声音的关系来表达，而非靠(演员或非演员的)动作和声调的模仿。它不分析，也不解释。它重组。——罗伯特·布烈松。

9. **The film written, expressed through the relationship between image and sound, rather than through the mimicry of (actors' or non-actors') actions and tones. It does not analyze nor explain. It reorganizes. — Robert Bresson.**

10. 每次表演一个角色时，演员都必须生活在这一角色之中。康斯坦丁·斯坦尼斯拉夫斯基

10. Each time an actor performs a role, he must live in that role. Konstantin Stanislavsky

11. 电影始于格里菲斯，止于基亚罗斯塔米（阿巴斯）。让-吕克·戈达尔

11. Cinema begins with Griffith and ends with Kiarostami (Abbas). Jean-Luc Godard

12. 什么是权利？当一个人犯了罪，法官依法判他死刑。这不叫权利，这叫正义。而当一个人同样犯了罪，皇帝可以判他死刑，也可以不判他死刑，于是赦免了他，这就叫权利！——影片：辛德勒名单。

12. What is rights? When a person commits a crime, the judge sentences him to death according to the law. This is not called rights, this is called justice. When a person commits the same crime, the emperor can sentence him to death or not sentence him to death, and thus he is pardoned, which is called rights! - Film: Schindler's List.

13. 别给我挤眉弄眼，表演没有那么复杂。劳伦斯·奥立弗

13. Don't give me the eye, the performance isn't that complicated. Lawrence Oliver

14. 你不要对我这么好，你对我这么好、要是有一天你对我不好了，我会很伤心。——《夏日的么么茶》

14. Don't be so nice to me, because if you're nice to me and then one day you're not, I'll be very upset. —— From "Mungo Park in Summer"

15. 我内心深处感到非常难过，即便昰现在，当我感觉到你安全地在我怀里的时候，我真的昰最可怕的。——《暮光之城·破晓》

15. Deep down inside, I feel very sad, even now, when I feel you safely in my arms, I truly am the most terrifying. — "Twilight: Breaking Dawn"

16. 这一秒不失望，下一秒就会有希望。——《星苹果乐园》

16. Not to be disappointed in this second means there will be hope in the next second. — From "Star Apple Paradise"

17. 没有法律。没有限制。只有一条规则——永远也别坠入爱河。——《红磨坊》

17. No law. No restrictions. Only one rule — never fall in love. — From "Moulin Rouge"

18. 我现在已经老了，人越老想得越深，水面上的事情我已经抓不住了，我在水底思想。让-吕克·戈达尔

18. I am now old, and the older one gets, the deeper one thinks. I can no longer grasp the affairs on the surface of the water, I think beneath the water. Jean-Luc Godard

19. 我倒不是怕死，只是死到临头，我不愿在场。——伍迪·艾伦

19. I'm not afraid of death, but when it's right around the corner, I don't want to be there. — Woody Allen

20. 我的人生经验告诉我，非正常的阶级关系，没有同情心的人与人之间的关系就是现实。金基德

20. My life experiences have taught me that abnormal class relations and relationships between people without sympathy are the reality. Kim Ki-duk.

21. 我倒不是怕死，只是死到临头，我不愿在场。伍迪·艾伦

21. I'm not afraid of death per se, I just don't want to be there when it comes. Woody Allen

22. 懦怯囚禁人的灵魂，希望可以令你感受自由，强者自救，圣者渡人。——斯蒂芬·金。

22. Timidity imprisons the soul; hope may allow you to feel free, the strong save themselves, and the saints lead others to salvation. - Stephen King.

23. 上帝会把我们身边最好的东西拿走，以提醒我们得到的太多！——影片：四根羽毛。

23. God will take away the best things around us to remind us that we have too much! - Movie: Four Feathers.

24. 影戏假如能用来描述民间的痛苦，至少可以促进社会的自警，让社会自己想一想，应该如何的改进自己。——孙瑜

24. If shadow plays can be used to describe the sufferings of the common people, at least they can promote the social self-awareness, prompting society to reflect on how it should improve itself. ——Sun Yu

25. 我对情节的发展、事件的串联并没有兴趣，我认为我的**一部比一部不需要情节。——安德烈·塔可夫斯基

25. I have no interest in the progression of the plot, the intertwining of events. I believe that my films become more and more unnecessary of a plot. – Andrei Tarkovsky

26. 生活的全部，它行动的整体，乃是一部自然、生动的**。——皮埃尔·保罗·帕索里尼

26. The whole of life, its entire action, is a natural, living **poem**. — Pier Paolo Pasolini

27. 人到十三岁，自以为对这个世界已相当重要，而世界才刚刚准备原谅你的幼稚。陈凯歌

27. At the age of thirteen, one believes that they are already quite important in this world, while the world is just beginning to forgive your naivety. — Chen Kaige

28. 我确实觉得美好的，肯定不会长久。许秦豪

28. I indeed feel is wonderful, but it won't last long. Xu Qin Hao.

29. 如果说中国会好，国产片也会好。费穆

29. If China is good, domestic films will also be good. Feimu.

30. 我们永远都无法预知一部电影的结果。每部片子都有一道窄门，我们只能凭着自己的判断力决定是否应该跨进去。克里什托夫·基耶斯洛夫斯基

30. We can never predict the outcome of a movie. Each film has a narrow door, and we can only rely on our own judgment to decide whether we should step through it. Krzysztof Kieślowski

31. 无论你是英雄抑或歹徒，切记把你的角色演得有人味，那就是要尽可能赋予他某些相反的品质而又不影响他在故事里的主要身份。——唐·理查逊

31. Whether you are a hero or a villain, remember to give your character a touch of humanity; that is to say, to bestow upon him certain opposing qualities without affecting his primary role in the story. - Don Richardson

32. 有一种电影要求很长时间的积淀，有一种需要闪电般的灵感。贾樟柯

32. There are movies that require a long accumulation, and there are ones that need lightning-fast inspiration. Jia Zhangke.

33. 我对情节的发展、事件的串联并没有兴趣，我认为我的电影一部比一部不需要情节。安德烈·塔可夫斯基

33. I have no interest in the development of the plot or the linking of events. I believe that my movies require less and less plot with each one. Andrei Tarkovsky.

34. 梦想始于剧本，而终结于电影。乔治·卢卡斯

34. Dreams begin with scripts and end with movies. - George Lucas

35. 当我站在瀑布前，觉得非常的难过，我总觉得，应该是两个人站在这里。——《春光乍泻》

35. Standing in front of the waterfall, I felt extremely sad. I always felt that there should be two people standing here. — "The Sun Also Rises"

36. 你不能取代任何人，因为每个人都有他那种美丽的、独特的细微之处，失去的就是失去了。——《爱在日落黄昏时》

36. You cannot replace anyone, because everyone has their own beautiful, unique nuances, and what is lost is lost. —— From "Before Sunrise"

37. 好莱坞由恐惧与嗜财支配。但那不会支配我，因为我无所畏惧，不贪恋钱财。马龙·白兰度

37. Hollywood is dominated by fear and avarice, but that won't dominate me, for I am fearless and not greedy for wealth. - Marlon Brando

38. 梦想要根植于现实。阿巴斯·基亚罗斯塔米

38. Dreams should be rooted in reality. Abbas Kiarostami

39. 我留下脚印，让后人来追寻。——德里克·贾曼

39. I leave footprints for future generations to follow. — Derek Jarman

40. 我是一个独立制片导演！人们总说我的电影像好莱坞电影，或者就是好莱坞电影。可是好莱坞要抄袭我，我有什么办法。乔治·卢卡斯

40. I am an independent film director! People always say that my movies are like Hollywood movies, or they are just Hollywood movies. But if Hollywood tries to copy me, what can I do? George Lucas

41. 感觉自己的生活像完全被吸尘器吸走一样，一片空虚。——《爱在日落黄昏时》

41. Feel like my life is being completely vacuumed away, leaving an empty void. — From "Before Sunset"

42. 我的电影从来无意写实，它们是镜子，是现实的片断，几乎跟梦一样。英格玛·伯格曼

42. My films have never been intended to be realistic; they are mirrors, fragments of reality, almost like dreams. Ingmar Bergman.

43. 当你选择成为别人时，你将失去你自己。——《纳尼亚传奇3》

43. When you choose to become someone else, you will lose yourself. — "The Chronicles of Narnia: The Voyage of the Dawn Treader"

44. 蠢比智慧更无限迷人、更无限深奥。智慧有限度，而愚蠢则没有。克劳德·夏布洛尔

44. Foolishness is more infinitely charming, more infinitely profound than wisdom. Wisdom has its limits, whereas foolishness has none. Claude Chabrol

45. 让一个人置身于变幻无穷的环境中，让他与数不尽或远或近的人物错身而过，让他与整个世界发生关系：这就是电影的意义。安德烈·塔可夫斯基

45. To place a person in an environment that is ever-changing, to let him pass by countless characters, near or far, to let him interact with the entire world: this is the meaning of cinema. Andrei Tarkovsky

46. 无论你是英雄抑或歹徒，切记把你的角色演得有人味，那就是要尽可能赋予他某些相反的品质而又不影响他在故事里的主要身份。唐·理查逊

46. Whether you are a hero or a villain, remember to make your character human; that is, to ascribe certain opposite qualities to him without affecting his main identity in the story. - Don Richardson

47. 惆怅的青春，叛逆的岁月，发酵成一碗青绿色的草汁，倒进心脏里。——《小时代》

47. The melancholic youth, the rebellious years, fermented into a bowl of green grass juice, which was then poured into the heart. — From "The Little Age"

48. 只要还有一口气，就继续战斗，继续呼吸，一直呼吸。——《荒野猎人》

48. As long as there is a breath in you, keep fighting, keep breathing, keep breathing forever. —— "The Revenant"

49. 我想用我的电影盖一栋房子。有些做成地窖，有些做墙壁，其他则做窗户。然而，我希望到最后它能成一栋房子。赖纳·维纳·法斯宾德

49. I want to build a house with my movie. Some parts will be made into cellars, others into walls, and some into windows. However, I hope that by the end, it will become a house. Reinhard W. Fassbinder

50. 决定我们成为什么样人的，不是我们的能力，而是我们的选择。——《哈利-波特与密室》

50. It is not our abilities that define what we are, but our choices. - "Harry Potter and the Chamber of Secrets"

51. 当我非常个人化地叙述一个故事时，这个故事要比我试图以放之四海皆准的语言叙述能令更多人认可。赖纳·维纳·法斯宾德

51. When I narrate a story in a very personalized manner, this story is more likely to be recognized by more people than if I try to describe it in language that is universally applicable. Rainer Werner Fassbinder

52. 电影书写的影片，籍影像与声音的关系来表达，而非靠（演员或非演员的）动作和声调的模仿。它不分析，也不解释。它重组。罗伯特·布烈松

52. The films written for cinema express themselves through the relationship between image and sound, rather than through the mimicry of actions and tones by (actors or non-actors). It does not analyze nor explain. It reassembles. Robert Bresson

53. 凡事都有可能，永远别说永远。——《放牛班的春天》

53. Everything is possible, never say never. — From "The Chorus"

54. 要更好地理解一部影片的倾向如何，最好先理解该影片是如何表现其倾向的。安德烈·巴赞

54. To better understand the tendency of a film, it is best to first understand how the film expresses its tendency. Andre Bazin

55. 钱生不带来，死不带去，最重要的事大家能在一起。此时，此刻，为友情干杯！——《速度与5》

55. Money doesn't come with birth, and it doesn't go with death. The most important thing is that we can be together. At this moment, here, let's raise a toast to friendship! —— "Fast & Furious 5"

56. 决不能爆炸，**不爆炸，观众就老在惴惴不安。阿尔弗雷德·希区柯克?>

56. Absolutely cannot explode; if it doesn't explode, the audience will be in constant suspense. Alfred Hitchcock?

57. **始于格里菲斯，止于基亚罗斯塔米(阿巴斯)。——让-吕克·戈达尔

57. **From Griffith to Kiarostami (Abbas). - Jean-Luc Godard**

58. 不管我采用了什么题材，其实讲的都是宗教题材。只不过他们的救赎发生在大街上，而不是教堂里。马丁·斯科塞斯

58. Regardless of the theme I choose, in fact, they all deal with religious themes. The only difference is that their redemption happens on the streets, not in the church. Martin Scorsese.

59. 废墟上生出诗的语言，诗是失败者的游戏。——《狂人皮埃罗》

59. The language of poetry sprouts from ruins; poetry is the game of the defeated. - "The Madman Piero"

60. 每次表演一个角色时，演员都必须生活在这一角色之中。——康斯坦丁·斯坦尼斯拉夫斯基

60. Each time an actor performs a role, he must live in that role. — Konstantin Stanislavsky

61. 演员也同样是人，与别人并无差别。作家、画家或音乐家可以躲到角落里去舔净他的伤口，但演员却要站在大庭广众面前忍受这种伤痛。莫琳·斯特普尔顿

61. Actors are also human, no different from others. Writers, painters, or musicians can retreat to a corner to lick their wounds, but actors must stand before a large audience and endure this pain. -- Moran Steptoe

62. 我的人生经验告诉我，非正常的阶级关系，没有同情心的人与人之间的关系就是现实。——金基德

62. My life experience has taught me that the reality is the abnormal class relations and the relationships between people without sympathy. — Kim Ki-duk

63. 我像个雷达，我接受东西，然后再像镜子一样反射出来，夹杂着回忆、梦境和理念。英格玛·伯格曼

63. I'm like a radar, receiving things and then reflecting them back like a mirror, mixed with memories, dreams, and ideas. Ingmar Bergman

64. 让你难过的事情，有一天，你一定会笑着说出来。——《肖申克的救赎》

64. The things that make you sad today, you will definitely say with a smile one day. — "The Shawshank Redemption"

65. 让一个人置身于变幻无穷的环境中，让他与数不尽或远或近的人物错身而过，让他与整个世界发生关系：这就是**的意义。——安德烈·塔可夫斯基

65. Placing a person in an environment of infinite changes, letting them pass by countless characters near or far, and allowing them to interact with the entire world: this is the essence of it. — Andrei Tarkovsky

66. 我就是我。如果必须以头撞墙来真实待己，那么我愿意。马龙·白兰度

66. I am me. If I have to hit my head against the wall to be real to myself, then I am willing. Marlon Brando

67. 我留下脚印，让后人来追寻。德里克·贾曼

67. I leave footprints for future generations to follow. Derek Jarman

68. 生活的全部，它行动的整体，乃是一部自然、生动的**。——皮埃尔·保罗·帕索里尼。

68. The whole of life, its overall action, is a natural, living **performance**. — Pier Paolo Pasolini.

69. 如果不能骄傲的活着，我选择死亡！——《红色恋人》

69. If I cannot live proudly, I choose death! —— "Red Lovers"

70. 多希望地球是平的，那样，我一直望下去，就可以看到你。——《似水年华》

70. How I wish the Earth were flat, then I could keep looking down and see you。——《The Years of Water and Time》

71. 人老了之后的现象之一就是，童年的回忆会越来越清晰地浮现出来，而壮年时期的种种大事却反而模糊，以至于消失。英格玛·伯格曼

71. One of the phenomena of getting older is that memories of childhood become increasingly clear, while the significant events of youth become increasingly blurred and eventually fade away. - Ingmar Bergman

72. 一个编剧导演人不仅仅是随便把一个故事搬上胶片就算完事，而他至少应该是一个作家，一个有独特的风格、正确的认识而为大众所有的作家。蔡楚生

72. A screenwriter-director is not just someone who arbitrarily transfers a story onto film and considers it done. Instead, he should at least be a writer, a writer with a unique style, correct understanding, and one who is owned by the public. — Cai Chusheng

73. 我们要学会珍惜我们生活的每一天，因为，这每一天的开始，都将是我们余下生命之中的第一天。除非我们即将死去。——影片：美国美人。

73. We need to learn to cherish every single day of our lives, because every new day that begins will be the first day of the remaining years of our lives, unless we are about to die. - Film: American Beauty.

74. 假如我望见了那个人的背影，我会披荆斩棘地追去，脚扭伤了，跳着也要追。天下着最大的雨，扔下伞也要追。假如他不等我，就让她后悔一辈子。——《东京爱情故事》

74. If I catch a glimpse of that person's back, I would plow through thorny brambles to chase after them, even if I twist my ankle, I would jump to follow. Even if it's pouring the heaviest rain, I would chase after them, dropping my umbrella. If he doesn't wait for me, let him regret it for a lifetime. — "Tokyo Love Story"

75. **始于格里菲斯，止于基亚罗斯塔米(阿巴斯)。——让-吕克·戈达尔。

75. **From Griffith to Kiarostami (Abedi). – Jean-Luc Godard.

76. 是不是我诚心诚意的祈祷，我就能回到生命中最美好的时光，我一直以为那就是天堂。那时侯，我最爱的女人陪在我身旁。——《绿里奇迹》

76. Is it true that if I sincerely pray, I can return to the best times in my life, which I have always thought was heaven? At that time, the woman I loved the most was by my side. - "The Green Mile"